Erickson, K., 2013. Evaluating the Impact of Parody on the Exploitation of Copyright Works: An Empirical Study of Music Video Content on YouTube. Project Report. London: Intellectual Property Office UK.

Kimber, S., 2013. Merging Fact/Fiction: Film, Narrative and the Henry Lee Lucas ‘Story’. In: Round, J. and Thomas, B., eds. Real Lives, Real Stories. London: Continuum. (Unpublished)

Ireland, A., 2012. 'Conditions of time and space': a re-enactment experiment with the British TV series Doctor Who. PhD Thesis (PhD). Bournemouth University.

Kimber, S., 2012. "Meats meat, and a man's gotta eat." (Motel Hell 1980): Food and Eating Within Contemporary Horror Film and Horror Film Cultures. In: SCMS Annual conference 2012, 21-25 March 2012, Boston, USA. (Unpublished)

Pullen, C., 2012. LGBT Youth Identity and Online New Media: Agency, Vulnerability, and Physical Space. In: SCMS Annual conference , 21-25 March 2012, Boston, MA, USA. (Unpublished)

Pullen, C., 2012. LGBT Transnational Identity and the Media. Basingstoke, England: Palgrave Macmillan.

Kimber, S., 2012. Amelioration/Amplification: the possibilities for transgression within Srpski Film/A Serbian Film. Cultural Politics. (Submitted)

Waldeback, Z. and Batty, C., 2012. The Creative Screenwriter: Exercises to Expand Your Craft. London: Bloomsbury. (In Press)

Batty, C., 2012. Describing with feeling: evoking style, tone and emotion in script scene directions. In: Walker, E., ed. Teaching Creative Writing. Wicken: Professional and Higher Partnership. (Submitted)

Thomas , B., 2012. Kicking the Hornet's Nest: the rhetoric of social campaigning in Stieg Larsson's Millennium trilogy. Language and literature. (Submitted)

Thorsen, E., 2012. The Second Digital Wave: BBC News Online, Embedded Video and the iPlayer. In: Burns, M. and Brügger, N., eds. Histories of Public Service Broadcasters on the Web. New York: Peter Lang, pp. 17-30.

Berger, R., 2012. Shooting Through: cinema's literary lens. In: Bahloul, M. and Graham, C., eds. Lights, Camera, Action: the use of film in education. Cambridge, England: Cambridge Scholars, 33 - 60 .

Singh, S. and Kretschmer, M., 2012. Strategic Behaviour in the International Exploitation of TV Formats - A Case Study of the Idols Format. In: Zwaan, A.J. and de Bruin, J., eds. Adapting Idols: Authenticity, Identity and Performance in a Global Television Format. Farnham: Ashgate Publishing Ltd..

Kimber, S., 2012. Writing Horror: Blending theory/practice. In: 'Words & Images - Screenwriting Research' 5th Screenwriting Research Network International Conference, 14-16 September 2012, Macquarie University, Sydney, Australia. (Submitted)

Kimber, S., 2012. Zombies Are Us: An examination of the use of zombiedom as a critical tool for pedagogic reflection and change in contemporary Media Education within Higher Education. In: Whelan, A., Chris, M. and Ruth, W., eds. Zombies in the Academy: Living Death in Higher Education. Bristol, England: Intellect Press . (Unpublished)

Pullen, C., 2011. New Storytelling for Elder Lesbians, Gay Men, Bisexuals and Transgender People in Contemporary Media: Autobiography, Citizenship and Becoming. In: Aging and Society: An Interdisciplinary Conference, 8-9 November 2011, University of California, Berkeley, USA. (Unpublished)

Batty, C., 2011. The Universal Appeal of Film: Character Journeys and Audience Psychology. In: Creative Writing in Education: National Association of Writers in Education, Autumn Conference 2011, 11-13 November 2011, Northampton, England. (Unpublished)

Batty, C., 2011. Whose Throughline Is It Anyway? Exploring Problems of Structuring Truth in Screen Portrayals of The Real. In: Ethical Imaginations, Writing Worlds: Ethical Concerns and their Implications in Literature and Writing (Australasian Association of Writing Programs Annual Conference), 23 – 25 November 2011, Southern Cross University, Bryon Bay, Australia. (Unpublished)

Kimber, S., 2011. Zombies Are Us: Zombiedom and Media & Film Education within British Higher Education. In: Zombosium, 28 October 2011, Winchester University, England. (Unpublished)

Kimber, S., 2011. Controversies: Henry: portrait of a serial killer. Basingstoke, England: Palgrave MacMillan.

Sykes, L., 2011. Digital Futures In Dance Conference. In: Digital Futures In Dance, 8-10 September 2011, Pavilion Dance, Westover Road, Bournemouth, Dorset. (Unpublished)

Kimber, S., 2011. Zombies Are Us: Zombiedom and Media Education in British Higher Education. In: Media Education Summit 2011, 6-7 September 2011, London. (Unpublished)

Batty, C., 2011. Extrapolating Narrative Models to Enhance Creative Practice: A PhD in Screenwriting Case Study. In: Beyond Boundaries: Screenwriting Across Media, 8th-10th September, 2011, Université Libre de Bruxelles, Belgium. (Unpublished)

Batty, C., 2011. Writing Effective Screen Directions. In: The Winchester Writers' Conference, 2011, 1-3 July 2011, Winchester, England. (Unpublished)

Kimber, S., 2011. Complexity & Ambiguity: an examination of the monster and the monstrous with in contemporary ‘neo-nasty’ horror films. In: Rethinking the Monstrous: Violence & Criminality in Society, 1-3 July 2011, Munich, Germany. (Unpublished)

Pullen, C., 2011. Online stimulations of LGBT Political Reflection: Responses to Hate Crimes, and Self Reflective Performativity. In: Screen Studies Conference , 1-3 July 2011, Glasgow, Scotland. (Unpublished)

Batty, C., 2011. Teaching Screenwriting. In: BFI Media Studies Conference 2011, 6-8 July 2011, BFI Southbank, London. (Unpublished)

Pullen, C., 2011. Heroic Gay Characters in Popular Film; Tragic Determination, and the Everyday. Continuum: Journal of Media & Cultural Studies, 25 (3), pp. 397-413.

Batty, C., 2011. Writing For and About the Screen: A Creative-Critical Exchange. In: Great Writing 2011: The International Creative Writing Conference, 18th - 19th June, 2011, Imperial College, London, UK. (Unpublished)

Kimber, S., 2011. ‘Srpski Film/A Serbian Film (2010): Investigating Transgression. In: Cine-Excess V: The International Conference on Global Cult Film, 26-28 May 2011, Odeon Covent Garden, London.. (Unpublished)

Kimber, S., 2011. Complexity & Ambiguity: an examination of the monster and the monstrous with in contemporary ‘neo-nasty’ horror films. In: Non-Human Narratives , 27 April 2011, EBC, Bournemouth University, England. (Unpublished)

Batty, C., 2011. Costume as Character Arc. In: Non-Human Narratives , 27 April 2011, ECB, Bournemouth University, England. (Unpublished)

Kimber, S., 2011. Valuing Film Violence: Student Perceptions on the Inclusion of Violent Films and Film Violence Within the Undergraduate Learning Experience. In: Hubner, L., ed. Valuing Film: Shifting Perceptions of Worth. Basingstoke, England: Palgrave MacMillan , pp. 149-166.

Kimber, S., 2011. Amelioration/Amplification: the possibilities for and potential limits upon transgression within contemporary European extremist horror film. In: PCA/ACA & Southwest/Texas Popular Culture and American Culture Associations: Transgressive Cinema Area - SW/TX PCA/ACA Conference, 20-23 April 2011, San Antonio, TX, USA.. (Unpublished)

Kimber, S., 2011. The Low Budget Horror Panel. In: The Southern Script Festival 2011, 26-27 March 2011, Bournemouth University, England. (Unpublished)

Sloan, S., Collins, S., Hardie, P., Head, T., Isley, V., Smith, P., Hamman, S. and Sloan, H., 2011. Broken Stillness group exhibition. [Show/Exhibition]

McQueen, D., 2011. A very conscientious brand: A case study of the BBC's current affairs series Panorama. Journal of Brand Management, pp. 1-11.

Pullen, C., 2011. Sexuality and the Media: Looking for our reflection. In: OUT & About Revealed! The findings of Lesbian, Gay & Bisexual research in Havant & East Hampshire, March 2011, Portsmouth, England. (Unpublished)

Batty, C., 2011. Writing for Animation: A Practical Workshop. In: 23rd Society for Animation Studies Conference, 18-20 March 2011, University of Indianapolis at Athens, Greece. (Unpublished)

Sykes, L., 2011. Screendance Symposium 2011. In: Screendance Symposium 2011, Friday 4 February 2011, Sallis Benney Theatre, Grand Parade, University of Brighton, BN2 0J, UK. (Unpublished)

Batty, C., 2011. An Interview with Christopher Vogler. Journal of Screenwriting, 2 (1), pp. 117-127.

Zelizer, B. and Allan, S., eds., 2011. Journalism After September 11. 2nd . London and New York: Routledge.

Batty, C., 2011. Movies That Move Us: Screenwriting and the Power of the Protagonist's Journey. Basingstoke: Palgrave Macmillan.

Thomas, B., 2011. What is Fanfiction and Why Are People Saying Such Nice Things About it? StoryWorlds: A Journal of Narrative Studies, 3 (1), pp. 1-24.

Sloan, S., Meigh-Andrews, D. C. and Ball, S., 2010. Motion capture portraits. In: The Idea of Digitality in a Post-Digital Age, 10-17 Dec 2010, P3 Gallery, University of Westminster, London, England. (Unpublished)

Batty, C., 2010. Adaptation, Storytelling and the Poetry of Montage. In: Creative Writing in Education: NAWE Autumn Conference 2010, 12-14 November 2010, Cheltenham, England. (Unpublished)

Batty, C., 2010. Teaching Screenwriting. In: INSET: Teaching Screenwriting, November 3rd, 2010, The British Film Institute, Southbank, London. (Unpublished)

Kimber, S., 2010. Controlling Passions: The Regulation, Censorship and Classification of The Passion of the Christ within the British Context. In: Christianson, E. S. and Partridge, C., eds. Holy Terror: Understanding Religion and Violence in Popular Culture. London: Equinox Publishing, pp. 93-102.

Pullen, C., 2010. ‘Tom Ford’s A Single Man: Reconstructing Isherwood though Aesthetics and Domesticity’. In: Film and History Conference, 11-14 November 2010, Milwaukee, USA. (Unpublished)

Batty, C., 2010. The Creative Screenwriter: Using Exercises to Expand Your Craft. In: The London Screenwriters' Festival 2010, 29-31 October 2010, Regent's College, London. (Unpublished)

Fodritto, M., 2010. Comp a fairy forest scene. 3D World-The magazine for 3D Artists (134), pp. 71-75.

Efstathiou, S., 2010. The creation and ongoing development of a collaborative work environment within the Media School, which allows students and staff to provide resources and feedback pertinent to the media project undertaken. UNSPECIFIED. Available from: http://nccart.bournemouth.ac.uk[Accessed 28 May 2010].

Pullen, C., 2010. ‘Recognising LGBTs as Everyday People: Shifting from ‘use’ to ‘us’’. In: Reflecting diversity – the LGBT community and the media , 30 September 2010, London, England.

Hearing, T., 2010. No man’s land: the performative role of landscape in documentary. In: Acting With Facts Conference, 1-3 September 2010, University of Reading.

Street, S., 2010. Barbara Kelly. Oxford Dictionary of National Biography. (In Press)

Cutts, W., Hodges, C. E.M. and Fenge, L.-A., 2010. Connecting participatory methods in a study of youth and risk. In: Qualitative Research Conference 2010, 6th - 8th September 2010, Bournemouth University.

McQueen, D., 2010. BBC TV's Panorama, conflict coverage and the 'Westminster consensus'. PhD Thesis (PhD). Bournemouth University.

Sloan, S., 2010. Animating Stillness. Motion Capture Portraits. In: Animation Deviation, 14 July 2010, Watershed Media Centre, Bristol, England. (In Press)

Kravtsov, D., Fryazinov, O., Adzhiev, V., Pasko, A. and Comninos, P., 2010. Polygonal-functional hybrids for computer animation and games. In: Engel, W., ed. GPU Pro: Advanced Rendering Techniques. Natick, MA,USA: A K Peters, pp. 87-114.

Batty, C., 2010. Crafting the Short Film. In: The Winchester Writers' Conference, 2-4 July 2010, Winchester, Hampshire, England. (Unpublished)

Regmi, P., Simkhada, P. and van Teijlingen, E., 2010. “There are too many naked pictures found in papers and on the net”: Factors encouraging pre-marital sex among young people of Nepal. Health Science Journal, 4 (3), pp. 162-174.

Fodritto, M., 2010. half Page Nuke Q&A. 3D World-The magazine for 3D Artists, 131, 087-087.

Batty, C., 2010. ‘The Good, the Bad and the Ugly’: A Trio of Thoughts For and Against the PhD in Creative Writing. In: Great Writing 2010: The International Creative Writing Conference, Bangor University, UK, 18-20 June 2010, Bangor University, Wales. (Unpublished)

Deutsch, S., 2010. Psycho and The Orchestration of Anxiety. The Soundtrack, 3 (1). (In Press)

Allan, S., ed., 2010. Rethinking Communication: Keywords in Communication Research. Cresskill, NJ, USA: Hampton Press.

Efstathiou, S. and Callus, P., 2010. Using animation as a tool in Primary School Education - Greek Mythology. In: Using animation as a tool in Primary School Education - Greek Mythology, June 2010, Hillview Primary School, Bournemouth, England. (In Press)

Wright, D., Lee, N. and Farmer, S., 2010. Weymouth Police alcohol animations "Alcohol Awareness Ads". Video/DVD. UNSPECIFIED. 05 May 2010.

Fodritto, M., 2010. Training review: Nuke Object Removal Techniques. 3DWorld-The magazine for 3D Artists, http:/.

Batty, C., Friedmann, J., Ashton, P. and Nicholls, D., 2010. How to Write for Screen: Film & TV Masterclass. In: The London Book Fair, 17 April 2010, London. (Unpublished)

Pullen, C. and Cooper, M., eds., 2010. LGBT Identity and Online New Media. New York: Routledge.

Pullen, C., 2010. The Murder of Lawrence King and LGBT Online Stimulations of Narrative Copresence. In: Pullen, C. and Cooper, M., eds. LGBT Identity and Online New Media. New York: Routledge, pp. 17-36.

Ireland, A., 2010. The Evolution of Television Drama Performance Space. In: PCA / ACA The National Popular Culture / American Culture Associations Conference, 31 March-3 April 2010, St Louis, MO, USA.

Callus, P., 2010. Animation as a socio-political commentary: an analysis of the animated films of Congolese director Jean Michel Kibushi. Journal of African Media Studies, 2 (1), pp. 55-71.

Batty, C., 2010. The Physical and Emotional Threads of the Archetypal Hero's Journey: Proposing Common Terminology and Re-Examining the Narrative Model. Journal of Screenwriting, 1 (2), pp. 291-308.

Callus, P., 2010. Reading animation through the eyes of anthropology. In: ACUB Animation Symposium, 30 March 2010. (Unpublished)

Ireland, A., ed., 2010. Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series. Jefferson, NC, USA: McFarland Press.

Pullen, C., 2010. “Love the coat”: Bisexuality, the Female Gaze and the Romance of Sexual Politics. In: Ireland, A., Palumbo, D. E. and Sullivan, C.W., eds. Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series. Jefferson NC,USA: McFarland, pp. 135-152.

Ireland, A., 2010. Playing to the crowd: Torchwood knows we’re watching. In: Ireland, A., ed. Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series. Jefferson, NC, USA: McFarland Press, pp. 11-21.

Batty, C., 2010. The Moving Image as Moving Image: Creating Meaning Through Character Conflict. Twelvepoint.com : ScriptWriter magazine online (51).

Batty, C., 2010. The Moving Image as Moving Image: How Meaning is Created Through Conflict. [the] Evidence (3).

Singh, S., 2010. The Protection of television formats: intellectual property and market based strategies. PhD Thesis (PhD). Bournemouth University.

Batty, C., 2010. Research Skills for Screenwriters. Writing in Education, 50, pp. 56-63.

Callus, P., 2010. Sub-Saharan Africa Animation: Cases of Subversivity. In: SOAS, University of London Anthropology of Media Seminar, 3 February 2010, SOAS, London. (Unpublished)

Efstathiou, S., Harper, S. and Vince, J., 2010. Animation Curriculum Development for 'TwoFour54' and Turner Time Warner. Abu Dhabi: Twofour54. Available from: http://tadreeb.twofour54.com/en/section/cartoon-ne...[Accessed 02 April 2011].

Hearing, T., 2010. The Things We Remember, The Things We Forget. In: MeCCSA conference 2010, 6-8 January 2010, London School of Economics, England.

Kravtsov, D., Fryazinov, O., Adzhiev, V., Pasko, A. and Comninos, P., 2010. Embedded implicit stand-ins for animated meshes: a case of hybrid modelling. Computer Graphics Forum, 29 (1), pp. 128-140.

Holland, P., Chignell, H., Wilson, S., Eglezou, G., Wray, E. and McQueen, D., 2010. "There's no such thing as society?" A Study of broadcasting and the public services under the three Thatcher governments, 1979-1992. Poole, England: Southern Broadcasting History Group. Available from: http://www.nosuch-research.co.uk/.

Round, J., 2010. Cryptomimetic tropes in Yoshitomo Nakura’s Batman: Death Mask. Foundation: The International Review of Science Fiction. (In Press)

Pullen, C., 2010. Heroic Gay Characters in Popular Film: Documentary, Domesticity and Sacrifice. In: 41st Anniversary Convention Northeast Modern Language Association (NeMLA), 7-11 April 2010, Montreal, Canada. (Unpublished)

Round, J., 2010. It’s all relative: breaking barriers and binaries in Garth Ennis/Steve Dillon’s Preacher. Popular Narrative Media, 4. (Submitted)

Allan, S., 2010. Journalism and the Culture of Othering. Brazilian Journalism Review, 6 (2), pp. 26-40.

Zelizer, B. and Allan, S., 2010. Keywords in News and Journalism Studies. Maidenhead, Berkshire, England: Open University Press. (In Press)

Zelizer, B. and Allan, S., 2010. Keywords in News and Journalism Studies. Maidenhead, Berkshire, England: Open University Press.

Batty, C., 2010. Narratives of Transformation Across Popular Media. In: Keeping it Real: Narratives of Ordinary and Extraordinary People Across Media, 3 September 2010, Bournemouth University, England. (Unpublished)

Allan, S., 2010. News Culture. 3rd ed.. Maidenhead, Berkshire, England: Open University Press.

Pullen, C., 2010. Recognising LGBTs as Everyday People: Shifting from ‘use’ to ‘us'. In: Reflecting diversity - the LGBT community and the media, 30 September 2010, London. (Unpublished)

Callus, P., 2010. Reflections on animation… An interview by Paula Callus with J.M. Kibushi. In: Through African Eyes: Conversations with the Directors. New York : African Film Festival Inc. . (In Press)

Batty, C., 2010. Toothless. Film. London: Mango Rapid Productions. 2010.

Pullen, C., 2010. The Transgendered Narrative Body. In: Keeping it Real: Narratives of Ordinary and Extraordinary People Across Media, 3 September 2010, Bournemouth University, England. (Unpublished)

Kimber, S., 2009. Henry: Portrait of a Serial Killer: Narrative, Violence & Controversy. In: Narrative Research Group (NRG) , 2 December 2009, Bournemouth University, England. (Unpublished)

Fodritto, M., 2009. 1 Page Nuke Q&A. 3D World-The magazine for 3D Artists, 122, p. 84.

Franklin, I., 2009. Folkways and airwaves: oral history, community and vernacular radio. PhD Thesis (PhD). Bournemouth University.

Sudbury, S., 2009. Witness, Sari Stories. Television. Aljazeera English. 01 September 2009. 08:30.

Kimber, S., 2009. The Art of Controversy: Design, marketing & Henry: Portrait of a Serial killer (1986). In: Framing Film: Cinema & the Visual Arts , 4-6 September 2009, University of Winchester, England. (Unpublished)

Matheson, D. and Allan, S., 2009. Digital War Reporting. Cambridge: Polity Press.

Sudbury, S., 2009. Women Filmmakers in Andhra Pradesh. In: 1st International Visual Research Conference, 15-17 September 2009, University of Leeds, UK. (Unpublished)

Callus, P., 2009. An Overview of the History of African Animation. In: A3 Genesis, Kenya , Association of Animation Artistes Kenya , 15 August 2009, British Council, Nairobi, Kenya. (Unpublished)

Fodritto, M., 2009. 1 Page Nuke Q&A. 3D World-The Magazine for 3D Artists, 119, p. 84.

Round, J., 2009. Impersonating Hollywood: The Conflicting Identity Discourses of 'Charlie Murphy's True Hollywood Stories'. In: Wisniewski, K.A., ed. The Comedy of Dave Chappelle: Critical Essays. Jefferson, North Carolina: McFarland, pp. 86-101.

Parry, K. D., 2009. The use of digital media in Sports Degrees. In: JISC Film and Sound Think Tank, 23 June 2009, HEFCE Offices: London. (Unpublished)

Batty, C. and Waldeback, Z., 2009. The Cultures of Screenwriting. In: Turner, B., ed. The Screenwriter's Handbook 2010. Basingstoke: Palgrave Macmillan, pp. 3-6.

Round, J., 2009. It’s all relative: breaking barriers and binaries in Garth Ennis/Steve Dillon’s Preacher. In: International Conference on Narrative 2009, 4-6 June 2009, University of Birmingham, England. (In Press)

Sudbury, S., 2009. Ksusha's Story. In: Porn Cultures: Regulation, Political Economy and Technology, 15-16 June 2009, University of Leeds. (Unpublished)

Pullen, C., 2009. Gay Identity, New Storytelling and The Media. Basingstoke, England: Palgrave Macmillan.

Callus, P., 2009. Curated African Animation Screenings and Talk. In: African Animation Curated Screenings­ and Talk, 25 May 2009, Mermaid Arts Centre, Ireland. (Unpublished)

Street, S. and Holland, M., 2009. Spreading the Word, Protecting the Rights. In: Unlocking Audio 2 - Connecting with Listeners, 16-17 Apr 2009, The British Library, London, UK. (Unpublished)

Esthathiou, S. and Callus, P., 2009. Using animation as a tool in Primary School Education. In: Animation as a tool in Primary School Education, March-April 2009, Hillview Primary School, Bournemouth, England. (Unpublished)

Callus, P., 2009. Aspects of Sub-Saharan Animation. In: Guest Lecture for Aspects of African Film and Video, 17 March 2009, SOAS, London. (Unpublished)

Fodritto, M., 2009. 1 Page Shake Q&A. 3D World-The magazine for 3D Artists, 114, p. 71.

Deutsch, S., 2009. A Concise History of Western Music for Film-makers. The Soundtrack, 2 (1), pp. 23-38.

Chignell, H., 2009. Key Concepts in Radio Studies. London: Sage.

Sreedharan, C., 2009. Reporting Kashmir: an analysis of the conflict coverage in Indian and Pakistani newspapers. PhD Thesis (PhD). Bournemouth University.

Jones, K. and Hearing, T., 2009. Beyond Text: Video and other medium use in qualitative research (Keynote presentation - Film). In: Centre For Qualitative Psychology (Germany), 20-22 February 2009, Weingarten, Germany.

Farmer, S. and Hearing, T., 2009. Integrating Professional Media Practice Into Undergraduate and Postgraduate media courses. In: MeCCSA conference 2009, 14-16 January 2009, University of Bradford.

Kretschmer, M., Singh, S. and Wardle, J., 2009. Exploitation of Television Formats. Poole, England: Bournemouth University. Available from: http://tvformats.bournemouth.ac.uk/[Accessed 2009].

Kretschmer, M. and Singh, S., 2009. The Paradox of TV Formats. Why pay for something that is free? In: 1st Annual Workshop of International Society for the History and Theory of Intellectual Property, 26-27 June 2009, Università Bocconi, Milan, Italy. (Unpublished)

Batty, C., 2009. Teaching Screenwriting: What, How and Why? In: Creative Writing in Education: NAWE Autumn Conference 2009, 13-15 November 2009, Chilworth Manor, Southampton, Hampshire. (Unpublished)

Pullen, C., 2009. The Transgendered Body and Documentary Narratives: Resistance, Partnership and Domestic Screen Memories. In: Popular Culture Association & American Culture Association Conference, 7-10 April 2009, New Orleans, LA, USA. (Unpublished)

Batty, C., 2009. When What You Want is Not What You Need: The Hero's Journey and Cinematic Narratives of Transformation. In: 2009 National Popular Culture & American Culture Association Conference, 8-11 April 2009, New Orleans, USA. (Unpublished)

Batty, C., 2009. Writing for the Screen. In: The Writer's Handbook Live, 6 June 2009, London. (Unpublished)

Callus, P., 2008. African Animation - Overview and Workshops. In: Africa at the Pictures, London African Film Festival, 7 December 2008, The October Gallery, Holborn, London. (Unpublished)

Fodritto, M., 2008. Half page Nuke Q&A. 3D World-The magazine for 3D Artists, 110, p. 78.

Fodritto, M., 2008. Tutorials-Greenscreen Compositing. 3D World-The magazine for 3D Artists, 111, pp. 70-73.

Callus, P., 2008. Guest Speaker on African Animation. In: Cambridge African Film Festival, 22 November 2008, Centre of African Studies, Cambridge, England.

Fodritto, M., 2008. Book Review: The Art and Science of Digital Compositing(Second Edition). Ron Brinkmann 2008. 3D World, 109, p. 94.

Sloan, S., 2008. Mother and Daughter. two screen moving image work.Kube Gallery, Poole, UK: UNSPECIFIED.

Fodritto, M., 2008. Shake half page Q&A. 3D World, 109, p. 81.

Batty, C., 2008. Screenwriting. In: Shaw, D. and Doughty, R., eds. Film: The Essential Study Guide. Oxford: Routledge, pp. 177-198.

Batty, C. and Waldeback, Z., 2008. Writing for the Screen: Creative and Critical Approaches. Basingstoke: Palgrave Macmillan.

Callus, P., 2008. Creative Comment and Critique: Animation filmmaking­ in Africa. Africa in Motion. Available from: http://www.africa-in-motion.org.uk/category/resour....

Callus, P., 2008. African Animation Screenings - Children's Programme and Adult Programme. In: Curated Screenings for Africa in Motion, Film Festival, Edinburgh , 31 October 2008, FilmHouse, Edinburgh, Scotland.

McQueen, D., 2008. On the Warpath: The British Government, the BBC and Panorama. In: Reconsidering Conflict, Terror and Resolution Conference, 11-12 September 2008, Strathclyde University, Glasgow.

Pullen, C., 2008. AIDS Orphans, Parents and Children in Documentary: Disclosure, Performance and Sacrifice. Media, Culture and Society, 30 (5), pp. 663-676.

Kravtsov, D., Fryazinov, O., Adzhiev, V., Pasko, A. and Comninos, P., 2008. Embedded Implicit Stand-ins for Animated Meshes: a Case of Hybrid Modelling. Technical Report. Poole, England: National Centre for Computer Animation, Bournemouth University.

McQueen, D., 2008. 1970s Current Affairs: A Golden Age? In: 1970s British Culture Conference, 1st-3rd July 2008, Portsmouth University.

Hearing, T., 2008. A Midsummer Night's Video Dream - a video paper. In: Journal of Media Practice Symposium 2008, 20 June 2008, Institute of Communication Studies University of Leeds, England.

Fodritto, M., 2008. Six step Shake Q&A. 3D World-The magazine for 3D Artists, 104, p. 77.

Kimber, S., 2008. Creativity, Collaboration and Learning and Teaching. In: Faculty Research & Knowledge Transfer Seminar, May 2008, University of Winchester, England. (Unpublished)

Reynolds, G., 2008. Charles Parker Day 2008-Introduction-Gillian Reynolds. In: Charles Parker Day 2008, 4th April 2008, Miramar Hotel. (Unpublished)

Round, J. and Hipple, D., 2008. Naturalising the fantastic: comics archetypes and Heroes. In: ‘Reality, Reliability and Access’: Journeys Across Media 2008, 11 April 2008, Reading University, England. (Unpublished)

Hipple, D. and Round, J., 2008. Naturalising the fantastic: science fiction and the uncanny realism of Heroes. In: ‘Reality, Reliability and Access’: Journeys Across Media 2008, 11 April 2008, Reading University, England. (Unpublished)

Sudbury, S., 2008. Refuge. Film. London Independent Documentary Festival. April 2008.

Callus, P. and Esthathiou, S., 2008. Using Animation as a learning tool in Primary Education. In: Using Animation as a learning tool in Primary Education, 2008 , Hillview Primary School, Bournemouth, England. (Unpublished)

Ireland, A., 2008. This Planet Has Four Walls: How early Doctor Who narrative was influenced by techniques and technology to overcome the confines of studio recording. In: Popular Culture Conference PCA/ ACA, 19–22 March 2008, San Francisco, USA.

Sloan, S., Vanner, A., McCretton, N. and Hodge, S., 2008. Viral Duets. On-line interactive work.Exeter Phoenix: UNSPECIFIED.

Hearing, T., 2008. Crossing Platforms. In: MeCCSA Conference 2008, 9-11 January 2008, Cardiff University, Wales.

Kimber, S., 2008. Henry: Portrait of a Serial Killer (1986): Examining the inter-relationship between crime and culture. In: Research & Knowledge Transfer Day , January 2008, University of Winchester. (Unpublished)

McQueen, D., 2008. Approaches to Broadcast Archive Research –BBC’s Current Affairs Series Panorama. In: Postgraduate Research Conference, October 2008, Bournemouth University, England. (Unpublished)

Pullen, C., 2008. Brokeback Mountain as Progressive Narrative and Cinematic Vision: Landscape, Emotion and the Denial of Domesticity. In: Hunt, A., ed. The Geographical Imagination of Annie Proulx: Rethinking Regionalism. USA: Lexington Books.

Pullen, C., 2008. Documentary Performances of LGBT and Queer Identity in the Developing and Non Western World. In: Visual Evidence XV 2008: The International Documentary Studies Conference, 4-8 August 2008, University of Lincoln, England. (Unpublished)

Langebek, L. and Brown, R., 2008. Echoes. Film. Bournemouth, England: Arts Institute at Bournemouth, White Lantern Productions. 2008.

Singh, S., 2008. Empirical observations on television format rights disputes from 1987 to 2007. In: DIME/CIO Creative Industries Conference, 22-23 May 2008, Birkbeck College, University of London. (Unpublished)

Batty, C., 2008. Exploring Character Action and Emotion in a Screenplay: Re-Defining 'The Hero's Journey'. In: Great Writing 2008: The International Creative Writing Conference, 28-29 June 2008, Bangor University, Wales. (Unpublished)

Pullen, C., 2008. Gay Subjects and Young Learners: Public Service Possibilities and Early Coming Out in Documentary Form. In: Popular Culture Association & American Culture Association Conference, 19-22 March 2008, San Francisco, CA, USA. (Unpublished)

Pullen, C., 2008. Gay Teen Identity and Factual Media: Public Service and New Media Performance. In: Centre for Research in Sex Gender and Sexuality, 12 March 2008, Roehampton University, London. (Unpublished)

Hearing, T., 2008. Interzone 1. Video/DVD. Trevor Hearing. 2008.

Langebek, L. and Parsons, S., 2008. I’ll Come Running. Film. USA: Parts & Labor Productions, NYC, Anish Savjani/Film Science. 2008.

Kimber, S., 2008. Making More Mischief: A Short Film Showcasing Prosthetic Special Effects. Capture, 1 (1), pp. 25-30.

Efstathiou, S., 2008. Softimage Certified Instructor. Documentation. Avid/Autodesk. (Unpublished)

Singh, S., 2008. “TV Format Protection through Marketing Strategies?”. In: Television without Borders: Transfers, Translations and Transnational Exchange (An International Conference), 27-29 June 2008, University of Reading, UK. (Unpublished)

Alexander, J., 2008. "Tortured Heroes: The Story of Ouch! Fan Fiction and Sadomasochism". In: Burr, V. and Hearne, J., eds. Sex, Violence and the Body: The Erotics of Wounding. London : Palgrave Macmillan, pp. 119-136.

Batty, C., 2008. The Universal Appeal of Film. In: Gosport Discovery Centre Presents ..., 2008, Gosport. (Unpublished)

Batty, C., 2008. Writing on the Web: An Interactive Film. ScriptWriter Magazine (38).

Pullen, C., 2008. Youths in Educational Documentary: Coming Out, Partnerships and Race. In: Society for Cinema & Media Studies Conference, 6-9 March 2008, Philadelphia, PA, USA. (Unpublished)

Jones, K., 2007. Carl and the little sandwiches - Story. Video/DVD. Bournemouth UK: Kip Jones. 14 December 2007.

Chignell, H., 2007. The London Broadcasting Company (LBC) and Independent Radio News (IRN) Archive. Twentieth Century British History, 18 (4), pp. 514-525.

Devlin, J. and Chignell, H., 2007. John Peel's Home Truths. The Radio Journal, 4 (1), pp. 69-81.

Mallaby, B. and Jones, K., 2007. Social Science discovering its muse. Video/DVD. Bournemouth UK: Kip Jones, Performative Social Science. 20 September 2007.

McQueen, D., 2007. Investigative Journalism, Iraq and the BBC Current Affairs Series Panorama. In: Communication and Conflict Conference: Propaganda, Spin and Lobbying in the Global Age, 7-9 September 2007, Department of Geography and Sociology, Strathclyde University, Glasgow.

Sloan, S., 2007. Me and Mrs Sloan. Single screen projection.ArtSway: UNSPECIFIED.

Kimber, S., 2007. Making More Mischief. In: Research Informed Teaching (RIT) Mini-Conference, July 2007, University of Winchester. (Unpublished)

Berger, R., 2007. Re-designing the Designer: Adapting Polytheism in Battlestar Galactica. In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28 July 2007, Buckingham Chilterns University College.

Daymon, C. and Foster, R., 2007. Future Possibilities: A Scenario Analysis Study of British Television. In: Media in Transition 3: television, May 2-4, 2003, MIT, Boston. (Unpublished)

Hearing, T., 2007. Developing documentary film practice as an academic methodology. In: Visual: ADM-HEA annual forum 2007, 11 May 2007, Custard Factory, Birmingham, England.

Kimber, S., 2007. Revisiting British Genre Fandom & the Regulation, Censorship and Classification of Film Violence in Contemporary Britain. In: Cine-Excess: 1st International Conference on Cult Film , 3-5 May 2007, Apollo West End, Regent Street, London. (Unpublished)

Berger, R. and Ireland, A., 2007. Changing Tracks Without Derailing: The difficulties associated with regenerating The Doctor. In: PCA/ACA National Conference, 4-7 April 2007, Boston, MA, USA.

Hearing, T., 2007. 10 Chapters - Upending - a film with Tim Rubidge. Video/DVD. UNSPECIFIED. 10 February 2007.

Kimber, S., 2007. Controlling Passions: The Regulation, Censorship & Classification of The Passion of the Christ within the British Context. In: Understanding Violence & Religion in Popular Culture, 2-4 February 2007, University of Chester, England.

Turnock, R. F., 2007. The expansion of television in the 1950's and 1960's: institutions, society and culture. PhD Thesis (PhD). Bournemouth University.

Stephenson, I., 2007. Improving Motion Blur: Shutter Efficiency and Temporal Sampling. Journal of Graphic Tools, 12 (1), pp. 9-15.

Sudbury, S., 2007. Moving On. Film. UK: Bournemouth Churches Housing Association. January 2007.

Hearing, T., 2007. "This Paper Is A Video". In: MeCCSA with AMPE Joint Annual Conference 2007, 10-12 January 2007, University of Coventry, England.

Batty, C., 2007. An Active Form in a Critical Space: Craig Batty puts the case for Screenwriting in Higher Education. Writing in Education (43), pp. 67-70.

Pullen, C., 2007. Documenting gay men: identity and performance in reality television and documentary film. Jefferson, N.C.: McFarland.

Batty, C., 2007. Dogberry and Bob: Private Investigators. Film. United Kingdom: Sixty6 Films. 2007.

Pullen, C., 2007. French Queer Cinema: Gay Teen Identity, the Sad Young Man and the Reflexive Self. In: Screen Studies Conference , 1-3 July 2007, University of Glasgow, Scotland. (Unpublished)

Pullen, C., 2007. Gay Identity, Documentary Performance and the Move to the Domestic: Couples, Families and New Community. In: Popular Culture Association & American Culture Association Conference , 4-7 April 2007, Boston, MA, USA. (Unpublished)

Langebek, L. and Ewing, S., 2007. He Said. Film. Hertfordshire, UK: OneSix7 Productions. 2007.

Hearing, T., 2007. I think I am turning academic, I really think so... In: “Minding the Gap”:Reflections on Media Practice & Theory. Postgraduate & Early Career Researchers Training Day, 12 May 2007, Reuters Institute for the Study of Journalism, University of Oxford.

Batty, C., 2007. Inside Out: Physical Wants and Emotional Needs in a Screenplay (Part 2). ScriptWriter Magazine (32).

Wallace, S., 2007. Introducing videojournalism: an examination of the practice and impact of videojournalism in television newsrooms 1997-9. Masters Thesis (Masters). Bournemouth University.

Batty, C., 2007. Screenwriting: Creative and Critical Approaches. In: Great Writing 2007: The International Creative Writing Conference, 29 June-1 July 2007, Bangor University, Wales. (Unpublished)

Batty, C., 2007. Storytelling Beyond Screenwriting: the Uses of Screenwriting. ScriptWriter Magazine (36).

Batty, C., 2007. Teaching Screenwriting: The Undergraduate Debate. ScriptWriter Magazine (33).

Batty, C., 2007. Tom, Dick and Harry: A Short Screenplay. New Writing: The International Journal for the Practice and Theory of Creative Writing, 4 (2), pp. 97-107.

Batty, C., 2007. 'You Are What You Wear': Screen Narrative and the Function of Costume as Character Arc. In: Fashion in Fiction: An International Transdisciplinary Conference, 26-27 May 2007, University of Technology, Sydney, Australia. (Unpublished)

Batty, C., 2007. 'You Are What You Wear': Screen Narrative and the Function of Costume as Character Arc. In: The Transforming Body in Popular Culture: Themed Seminar Series 2007-8, 2007, University of Southampton, England. (Unpublished)

Pullen, C., 2006. Narrative Agency in Queer Television Drama: Shame, Reflection and (American) Community. In: Subversive Re/Viewing : Readings, Communities, Practices , 2 December 2006, Faculty of Media, Art & Communications, University of Gloucestershire, England. (Unpublished)

Sloan, S., 2006. Still Lives #3. Digitally printed triptych.International Symposium on Computer Genetrated Animations and Visual Effects and CGIV06 international conferences online Art Gallery; 404 Festival of Electronic Arts, Argentina.: UNSPECIFIED.

Batty, C., 2006. 'Trust Me ... I'm a Screenwriter!' Exploring Problems of Narrative Structure and Closure in Comtemporary Film's Portrayal of 'The Real'. In: Film and History League: The Documentary Tradition, 8-12 November 2006, Dallas, USA.

Sloan, S., Steller, H. and Horitz, G., 2006. Cover to Cover. [Show/Exhibition]

Jones, K. and Rinaldi, R., 2006. Fall River (short video). Video/DVD. Bournemouth UK: Kip Jones. 21 September 2006.

Jones, K., 2006. The one about Princess Margaret. Video/DVD. Bournemouth UK: Kip Jones. 21 September 2006.

Jones, K., 2006. I can remember the night (short video). Video/DVD. Bournemouth UK: Kip Jones. 18 September 2006.

Hearing, T., 2006. Earth Air Fire Water. Video/DVD. Trevor Hearing. July 2006.

Kimber, S., 2006. To What Extent is Film Violence Actually Violent? In: Violent Film, 7-9 July 2006, University of Winchester, England. (Unpublished)

Nieda, T., Pasko, A. and Kunii, T. L., 2006. Detection and classification of topological evolution for linear metamorphosis. The Visual Computer, 22 (5), pp. 346-356.

Holland, P., 2006. The Angry Buzz: ‘This Week' and current affairs television. London: I.B.Tauris.

Holland, P., ed., 2006. Current affairs on UK commercial television. Conference at the British Academy of Film and Telvision Arts. 17 January, 2006. Transcript of the papers and presentations. Poole: Bournemouth University. (Unpublished)

Holland, P., ed., 2006. Current affairs on UK commercial television. Conference at the British Academy of Film and Telvision Arts. 17 January 2006, Recording of the papers and presentations. Poole: Bournemouth University. (Unpublished)

Cartwright, A. and Street, S., 2006. Then-now A guide to the radio programme. Documentation. Soundscape Productions: Soundscape Productions.

Chignell, H., 2006. The birth of BBC Radio 4's Analysis. Journal of Radio Studies, 13 (1), pp. 89-102.

Batty, C. and Lang, T., 2006. The Artist. Film. Bournemouth: UNSPECIFIED. 2006.

Thompson, S., 2006. Beer Tablets Commercial. Film. Monochrome Media. (Worldwide).. 2006.

Thompson, S., 2006. Burger Muff Commercial. Film. Monochrome Media. (Worldwide). 2006.

Thompson, S., 2006. Cordless Extension Lead Commercial. Film. Monochrome Media. (Worldwide). 2006.

Langebek, L. and Gonzales, S., 2006. Evergreen (Nåletræer). Film. Denmark: Asta Film and DFI. 2006.

Batty, C., 2006. Factual Drama: The Facts. ScriptWriter Magazine (27).

Pullen, C., 2006. Gay performativity and reality television: alliances, competition and discourse. In: Keller, J. R. and Stratyner, L., eds. The New Queer Aesthetic on Television: Essays on Recent Programming. Jefferson, NC: McFarland & Company, pp. 160-176.

Batty, C., 2006. Inside Out: Physical Wants and Emotional Needs in a Screenplay (Part 1). ScriptWriter Magazine (31).

Pullen, C., 2006. Lance Loud, An American Family, and the reconfiguration of the American Son. In: 4th Film and History Biennial Conference, 8-12 November 2006, Dallas, TX, USA. (Unpublished)

Batty, C., 2006. Screenwriting Books: A Critical Review. ScriptWriter Magazine (30).

Batty, C., 2006. 'So Long, Farewell, auf Wiedersehen, Goodbye!' Writing the Resolution. ScriptWriter Magazine (26).

Batty, C., 2006. 'So Long, Farewell, auf Wiedersehen, Goodbye!' Writing the Resolution. Storyline: the Australian Writers' Guild Magazine (15), pp. 22-24.

Thompson, S., 2006. Stiletto. Film. Black Rock Films. 2006.

Pullen, C., 2006. Television’s ‘Necessary Fictions’: Queer as Folk, The L Word and the Imagined Gay Community. In: Screen Studies Conference , 30 June - 2 July 2006, University of Glasgow, Scotland. (Unpublished)

Batty, C., 2006. 'Trust Me ... I'm a Screenwriter!' Exploring Problems of Narrative Structure and Truth in Contemporary Film's Portrayal of 'The Real'. In: Great Writing 2006: The International Creative Writing Conference, 9-11 June 2006, University of Portsmouth, England. (Unpublished)

Barnes, R., 2005. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers' Use of Sound and Their Mode of Production. Volume 1. PhD Thesis (PhD). Bournemouth University.

Barnes, R., 2005. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers’ Use of Sound and Their Mode of Production. Volume 2. PhD Thesis (PhD). Bournemouth University.

Stephenson, I., 2005. Shutter efficiency and temporal sampling. In: International Conference on Computer Graphics and Interactive Techniques. ACM SIGGRAPH 2005 Sketches: SESSION: Cinematography, July 31 - August 04, 2005, Los Angeles, California.

Stephenson, I., 2005. A real virtual pinhole. In: International Conference on Computer Graphics and Interactive Techniques. ACM SIGGRAPH 2005 Posters: SESSION: Rendering, 31 July - 04 August , 2005, Los Angeles, California.

Kimber, S., 2005. Irreversible: Time Destroys Everything, Except the Regulation and Censorship of Film Violence in Britain. In: Cinema in Europe: Networks in Progress, 23-25 June 2005, University of Amsterdam, Netherlands. (Unpublished)

Kimber, S., 2005. Approaches to Irreversible (Gaspar Noe 2002). In: Research and Knowledge Transfer Day, February 2005, University College Winchester, England. (Unpublished)

Sudbury, S., 2005. Is it worth the risk? Film. HMPS Young Offenders' Institution - Portland, Dorset: Her Majesty's Prison Service. January 2005.

Batty, C., 2005. 'All Dressed Up But Nowhere to Go': Film Narrative and the Costume of Drag. In: Open to View: Popular Fiction and Visual Narrative, 19-20 November 2005, Liverpool John Moores University, UK. (Unpublished)

Johnson-Smith, J., 2005. American Science Fiction TV Star Trek, Stargate, and Beyond. London: I.B. Tauris.

Batty, C., 2005. 'And then you film it, and then you see it, and it's like, it's like magic.' Dialogue and Quality in Debbie Horsfield's 'Cutting It'. In: Great Writing 2005: The International Creative Writing Conference, 2005, University of Portsmouth, England. (Unpublished)

Batty, C., 2005. Authored Comedy Where You'd Least Expect It? Jonathan Harvey, Carmel Morgan and 'Coronation Street'. In: Laughing Matters: Comedy and Society, 15-17 April 2005, University of Portsmouth, England. (Unpublished)

Batty, C., 2005. Minor Characters: Major Parts? ScriptWriter Magazine (24).

Batty, C., 2005. The Missing Link: Act Two of a Screenplay. ScriptWriter Magazine (25).

Batty, C., 2005. Opening a Film ... And All That Jazz. ScriptWriter Magazine (21).

Batty, C., 2005. Reinventing the Spiel: New Approaches to Dialogue. ScriptWriter Magazine (23).

Batty, C., 2005. Scripting Television Drama. In: The Winchester Writers' Conference, 2005, Winchester, Hampshire, England. (Unpublished)

Langebek, L., 2005. Shadow Walker. Film. London: Matador Pictures. 2005.

Batty, C., 2005. Subtext, Symbolism and Metaphor in 'Lost in Translation'. ScriptWriter Magazine (22).

Batty, C., 2005. Tour Guide Films. Film. Southampton Solent University: Southampton Solent University. 2005.

Ireland, A., 2005. The Travelling Companion. Video/DVD. The Media School, Bournemouth University. 2005.

Batty, C., 2005. 'Yes darling, but don't forget it's the protagonist they'll all want to come and see!' Towards an Understanding of the Role of the Minor Character in a Screenplay. In: National Postgraduate Conference Creative Arts, Film and Media, 26-27 November 2005, University of Portsmouth, England. (Unpublished)

Kimber, S., 2004. Time Destroys Everything: Except the Regulation and Censorship of Film Violence in Britain. In: Symposium of Critical Approaches to Gaspar Noe’s Irreversible, May 2004, King Alfred’s College Winchester, England. (Unpublished)

Singh, S., 2004. Building television programme brands in the digital multi-channel world – perspectives of the uk television professionals. Masters Thesis (Masters). Bournemouth University.

Fleischer, C., Horsten, M. W. and Langebek, L., 2004. Cheer Up (Op med humøret). Film. Denmark: Magic Hour Films. 2004.

Read, R., 2004. Collusions and misrepresentations: documentary film production in a Czech women’s prison. In: ‘Mis/representation in the Media’ international conference, June 2004, Manchester, UK. (Unpublished)

Ireland, A., 2004. Group Work and Assessment in Media Production - Resource Pack. Bournemouth University: UNSPECIFIED. Available from: http://www.cemp.ac.uk/themes/groupwork.php[Accessed 2010].

Jenkins, D.M., 2004. The Industrial Application of Patent Analysis: An Empirical Study. Poole, England: Bournemouth University.

Pullen, C., 2004. The household, the basement and the real world: gay identity in the constructed reality environment. In: Holmes, S. and Jermyn, D., eds. Understanding Reality Television. London: Routledge, pp. 211-232.

Daymon, C., 2003. The Future Role of Television: A scenario Analysis of British TV. In: ANZCA Conference, 9-11 July 2003, Brisbane, Australia. (Unpublished)

Chignell, H., 2003. BBC Radio 4's Analysis and Africa. How the flagship current affairs programme covered Africa in the 1970s and early 1980s. The Radio Journal, 1 (2), pp. 101-112.

Street, S., Bailey, T. and Deutsch, S., 2003. Sounding the past: three silent films. Journal of Media Practice, 4 (1), pp. 41-54.

Kimber, S., 2003. Book Review: Colin Shaw ‘Deciding What We Watch: Taste, Decency and Media ethics in the UK and the USA’. Entertainment and Sports Law Journal, 2 (2), pp. 98-99.

Daymon, C., 2003. Making Meaning, Making Money: The role of Communication in the Construction of a Television Station Culture. In: Schorr, A., Campbell, W. and Schent, M., eds. Communication research and media science in Europe : perspectives for research and academic training in Europe's changing media reality. Berlin: Mouton de Gruyter, pp. 147-169.

Deutsch, S., 2003. Music for Interactive Moving Pictures. In: Sider, L., Freeman, D. and Sider, J., eds. Soundscape: the Schhol fo Sound Lectures 1998-2001. London; New York: Wallflower Press, pp. 28-34.

Schmitt, B., Pasko, A. and Schlick, C. M., 2003. Shape-driven deformations of functionally defined heterogeneous volumetric objects. In: GRAPHITE 2003, nternational Conference on Computer Graphics and Interactive Techniques in Australasia and Southeast Asia, 11-14 February, 2003, Melbourne, Australia, pp. 127-134.

Kimber, S., 2002. Including the Excluded: Genre Fans Views on Film Violence and the Regulative Censorship of Film Violence in Britain. In: Horror Mini- Conference, December 2002, King Alfred's College Winchester, England. (Unpublished)

Kimber, S., 2002. Including the Excluded: Genre Fans Views on Film Violence and the Regulative Censorship of Film Violence in Britain. In: Exploiting Fear: The Art and Appeal of Horror on Film, 11-13 October 2002, Hull University, England. (Unpublished)

Foster, R., Tewungwa, S. and Daymon, C., 2002. Future Reflections: Four Scenarios for Television in 2012: a senario analysis study of the television industry. Poole: Bournemouth Media School, Bournemouth University.

Langebek, L. and Launing, K., 2002. Dreaming of Henna. Film. Norway: Northern Lights A/S. 2002.

Johnson-Smith, J., 2001. Between the candle and the star. PhD Thesis (PhD). Bournemouth University.

Langebek, L. and Neutsky-Wulff, A., 2001. A Branch of Evil. Film. Denmark: Nordisk Film. 2001.

Sloan, S., 2001. Figure in Motion. Large scale projected moving image work.The Arches, Glasgow; Kunstihoone, Tallin, Estonia; Russell Cotes Museum and Art Gallery, Bournemouth;(Screening) Yokohama Museum of Art; An Tuireann, Skye; Streetlevel Photoworks, Glasgow International Festival.: Streetlevel Photoworks small publication (no 17) for Invisible Fields with essay by Rebecca Gordon Nesbitt..

Langebek, L. and Madsen, P.-E., 2001. Start. Film. Denmark: The National Film School of Denmark. 2001.

Daymon, C., 2000. Culture Formation in a New Television Station: A Multi-perspective Analysis. British Journal of Management, 11 (2), pp. 121-135.

Kimber, S., 1999. Regulatory Censorship and Film Violence: Voices from the Underground. In: Post-Graduate Conference, January 1999, Sheffield Hallam University, England. (Unpublished)

Flintham, J., 1998. New Documentary Media. Website.UK: RHUL.

Street, S., 1998. Film on Radio - The Case of Procession to the Private Sector. In: Purbeck Film Festival, October 1998, Rex Cinema, Wareham. (Unpublished)

Kimber, S., 1998. Snuff: Propagating the Myth. In: Post-Graduate Conference, January 1998, Sheffield Hallam University, England. (Unpublished)

Kimber, S., 1998. Genre Fandom & Underground Films Culture in Britain. Headpress, 18, pp. 96-99.

Johnson-Smith, J., 1998. Of Warrior Poetics and Redemption: Space: Above and Beyond's TC McQueen. Journal of American Culture, 21 (3), pp. 47-62.

McQueen, D., 1998. Television: A Media Student's Guide. London: Arnold.

Kimber, S., 1997. Bourdieu and the Censorship of Film Violence. In: Post-Graduate Conference, January 1997, Sheffield Hallam University, England. (Unpublished)

Kimber, S., 1997. Censor Sensibility: Legislating for Taste. Is it....Uncut, 4, pp. 1-4.

Grant-Braham, B., 1997. Formula 1, sponsorship and television: an historical perspective. In: Brown, B. J. H., ed. Explorations in motoring history: the proceedings of the First United Kingdom History of Motoring Conference, 12th October 1996. Oxford, UK: Oxbow Books, pp. 81-108.

Petford, N., 1995. Children get health tips from soaps. Times Higher Education Supplement.

Sykes, L.. C The Film at The Edinburgh Fringe. [Show/Exhibition]

Sykes, L.. Screening of 'Note' at Bangkok Fringe Festival 2011, part of Asia-Europe Foundation dance camera project. [Show/Exhibition]

Sykes, L.. Slice: Hengest to Alnick - A Coastal Sequence. [Show/Exhibition]