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Batty, C., 2010. The Moving Image as Moving Image: How Meaning is Created Through Conflict. [the] Evidence (3). (In Press)

Batty, C., 2010. The Physical and Emotional Journeys Undertaken by a Protagonist: Calling for Common Terminology and Re-Examining the Hero's Journey. Journal of Screenwriting, 1 (2). (Submitted)

Batty, C. and Waldeback, Z., 2009. The Cultures of Screenwriting. In: Turner, B., ed. The Screenwriter's Handbook 2010. Basingstoke: Palgrave Macmillan, pp. 3-6.

Batty, C., 2009. Teaching Screenwriting: What, How and Why? In: Creative Writing in Education: NAWE Autumn Conference 2009, 13-15 November 2009, Chilworth Manor, Southampton, Hampshire. (Unpublished)

Batty, C., 2009. When What You Want is Not What You Need: The Hero's Journey and Cinematic Narratives of Transformation. In: 2009 National Popular Culture & American Culture Association Conference, 8-11 April 2009, New Orleans, USA. (Unpublished)

Batty, C., 2009. Writing for the Screen. In: The Writer's Handbook Live, 6 June 2009, London. (Unpublished)

Batty, C., 2008. Screenwriting. In: Shaw, D. and Doughty, R., eds. Film: The Essential Study Guide. Oxford: Routledge, pp. 177-198.

Batty, C. and Waldeback, Z., 2008. Writing for the Screen: Creative and Critical Approaches. Basingstoke: Palgrave Macmillan.

Batty, C., 2008. Exploring Character Action and Emotion in a Screenplay: Re-Defining 'The Hero's Journey'. In: Great Writing 2008: The International Creative Writing Conference, 28-29 June 2008, Bangor University, Wales. (Unpublished)

Batty, C., 2008. The Universal Appeal of Film. In: Gosport Discovery Centre Presents ..., 2008, Gosport. (Unpublished)

Batty, C., 2008. Writing on the Web: An Interactive Film. ScriptWriter Magazine (38).

Berger, R., 2007. Re-designing the Designer: Adapting Polytheism in Battlestar Galactica. In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28 July 2007, Buckingham Chilterns University College.

Berger, R. and Ireland, A., 2007. Changing Tracks Without Derailing: The difficulties associated with regenerating The Doctor. In: PCA/ACA National Conference, 4-7 April 2007, Boston, MA, USA.

Batty, C., 2007. An Active Form in a Critical Space: Craig Batty puts the case for Screenwriting in Higher Education. Writing in Education (43), pp. 67-70.

Batty, C., 2007. Dogberry and Bob: Private Investigators. Film. United Kingdom: Sixty6 Films. 2007.

Batty, C., 2007. Inside Out: Physical Wants and Emotional Needs in a Screenplay (Part 2). ScriptWriter Magazine (32).

Batty, C., 2007. Screenwriting: Creative and Critical Approaches. In: Great Writing 2007: The International Creative Writing Conference, 29 June-1July 2007, Bangor University, Wales. (Unpublished)

Batty, C., 2007. Storytelling Beyond Screenwriting: the Uses of Screenwriting. ScriptWriter Magazine (36).

Batty, C., 2007. Teaching Screenwriting: The Undergraduate Debate. ScriptWriter Magazine (33).

Batty, C., 2007. Tom, Dick and Harry: A Short Screenplay. New Writing: The International Journal for the Practice and Theory of Creative Writing, 4 (2), pp. 97-107.

Batty, C., 2007. 'You Are What You Wear': Screen Narrative and the Function of Costume as Character Arc. In: Fashion in Fiction: An International Transdisciplinary Conference, 26-27 May 2007, University of Technology, Sydney, Australia. (Unpublished)

Batty, C., 2007. 'You Are What You Wear': Screen Narrative and the Function of Costume as Character Arc. In: The Transforming Body in Popular Culture: Themed Seminar Series 2007-8, 2007, University of Southampton, England. (Unpublished)

Batty, C., 2006. 'Trust Me ... I'm a Screenwriter!' Exploring Problems of Narrative Structure and Closure in Comtemporary Film's Portrayal of 'The Real'. In: Film and History League: The Documentary Tradition, 8-12 November 2006, Dallas, USA.

Batty, C. and Lang, T., 2006. The Artist. Film. Bournemouth: UNSPECIFIED. 2006.

Batty, C., 2006. Factual Drama: The Facts. ScriptWriter Magazine (27).

Batty, C., 2006. Inside Out: Physical Wants and Emotional Needs in a Screenplay (Part 1). ScriptWriter Magazine (31).

Batty, C., 2006. Screenwriting Books: A Critical Review. ScriptWriter Magazine (30).

Batty, C., 2006. 'So Long, Farewell, auf Wiedersehen, Goodbye!' Writing the Resolution. ScriptWriter Magazine (26).

Batty, C., 2006. 'Trust Me ... I'm a Screenwriter!' Exploring Problems of Narrative Structure and Truth in Contemporary Film's Portrayal of 'The Real'. In: Great Writing 2006: The International Creative Writing Conference, 9-11 June 2006, University of Portsmouth, England. (Unpublished)

Barnes, R., 2005. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers' Use of Sound and Their Mode of Production. Volume 1. PhD Thesis (PhD). Bournemouth University.

Barnes, R., 2005. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers’ Use of Sound and Their Mode of Production. Volume 2. PhD Thesis (PhD). Bournemouth University.

Batty, C., 2005. 'All Dressed Up But Nowhere to Go': Film Narrative and the Costume of Drag. In: Open to View: Popular Fiction and Visual Narrative, 19-20 November 2005, Liverpool John Moores University, UK. (Unpublished)

Batty, C., 2005. 'And then you film it, and then you see it, and it's like, it's like magic.' Dialogue and Quality in Debbie Horsfield's 'Cutting It'. In: Great Writing 2005: The International Creative Writing Conference, 2005, University of Portsmouth, England. (Unpublished)

Batty, C., 2005. Authored Comedy Where You'd Least Expect It? Jonathan Harvey, Carmel Morgan and 'Coronation Street'. In: Laughing Matters: Comedy and Society, 15-17 April 2005, University of Portsmouth, England. (Unpublished)

Batty, C., 2005. Minor Characters: Major Parts? ScriptWriter Magazine (24).

Batty, C., 2005. The Missing Link: Act Two of a Screenplay. ScriptWriter Magazine (25).

Batty, C., 2005. Opening a Film ... And All That Jazz. ScriptWriter Magazine (21).

Batty, C., 2005. Reinventing the Spiel: New Approaches to Dialogue. ScriptWriter Magazine (23).

Batty, C., 2005. Scripting Television Drama. In: The Winchester Writers' Conference, 2005, Winchester, Hampshire, England. (Unpublished)

Batty, C., 2005. Subtext, Symbolism and Metaphor in 'Lost in Translation'. ScriptWriter Magazine (22).

Batty, C., 2005. Tour Guide Films. Film. Southampton Solent University: Southampton Solent University. 2005.

Batty, C., 2005. 'Yes darling, but don't forget it's the protagonist they'll all want to come and see!' Towards an Understanding of the Role of the Minor Character in a Screenplay. In: National Postgraduate Conference Creative Arts, Film and Media, 26-27 November 2005, University of Portsmouth, England. (Unpublished)

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Chignell, H., 2009. Key Concepts in Radio Studies. London: Sage.

Cartwright, A., 2008. Charles Parker Day - Editing the Radio Ballads - Andy Cartwright. In: Charles Parker Day 2008, 04th April 2008, Miramar Hotel. (Unpublished)

Chignell, H., 2007. The London Broadcasting Company (LBC) and Independent Radio News (IRN) Archive. Twentieth Century British History, 18 (4), pp. 514-525.

Cartwright, A., 2006. Then-now A guide to the radio programme. Soundscape Productions: Soundscape Productions.

Chignell, H., 2006. The birth of BBC Radio 4's Analysis. Journal of Radio Studies, 13 (1), pp. 89-102.

Chignell, H., 2003. BBC Radio 4's Analysis and Africa. How the flagship current affairs programme covered Africa in the 1970s and early 1980s. The Radio Journal, 1 (2), pp. 101-112.

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Devlin, J. and Chignell, H., 2007. John Peel's Home Truths. The Radio Journal, 4 (1), pp. 69-81.

Dominguez, D., Beaulieu, A., Estalella, A., Gomez, E., Schnettler, B. and Read, R., 2007. Virtual Ethnography. Forum: Qualitative Social Research, 8 (3).

Daymon, C. and Foster, R., 2007. Future Possibilities: A Scenario Analysis Study of British Television. In: Media in Transition 3: television, May 2-4, 2003, MIT, Boston. (Unpublished)

Daymon, C., 2003. The Future Role of Television: A scenario Analysis of British TV. In: ANZCA Conference, 9-11 July 2003, Brisbane, Australia. (Unpublished)

Daymon, C., 2003. Making Meaning, Making Money: The role of Communication in the Construction of a Television Station Culture. In: Schorr, A., Campbell, W. and Schent, M., eds. Communication research and media science in Europe : perspectives for research and academic training in Europe's changing media reality. Berlin: Mouton de Gruyter, pp. 147-169.

Deutsch, S., 2003. Music for Interactive Moving Pictures. In: Sider, L., Freeman, D. and Sider, J., eds. Soundscape: the Schhol fo Sound Lectures 1998-2001. London; New York: Wallflower Press, pp. 28-34.

Daymon, C., 2000. Culture Formation in a New Television Station: A Multi-perspective Analysis. British Journal of Management, 11 (2), pp. 121-135.

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Fleischer, C., Horsten, M. W. and Langebek, L., 2004. Cheer Up (Op med humøret). Film. Denmark: Magic Hour Films. 2004.

Foster, R., Tewungwa, S. and Daymon, C., 2002. Future Reflections: Four Scenarios for Television in 2012: a senario analysis study of the television industry. Poole: Bournemouth Media School, Bournemouth University.

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Grant-Braham, B., 1997. Formula 1, sponsorship and television: an historical perspective. In: Brown, B. J. H., ed. Explorations in motoring history: the proceedings of the First United Kingdom History of Motoring Conference, 12th October 1996. Oxford, UK: Oxbow Books, pp. 81-108.

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Hall, A., 2008. Charles Parker Day - Composing Radio - Alan Hall. In: Charles Parker Day 2008, 04th April 2008, Miramar Hotel. (Unpublished)

Hall, K., 2008. Charles Parker Day 2008 - The Radio Ballads and TV - Ken Hall. In: Charles Parker Day 2008, 04th April 2008, Miramar Hotel. (Unpublished)

Hearing, T., 2008. Interzone 1. Video/DVD. Trevor Hearing. 2008.

Hearing, T., 2007. Developing documentary film practice as an academic methodology. In: Visual: ADM-HEA annual forum 2007, 11 May 2007, Custard Factory, Birmingham, England.

Hearing, T., 2007. "This Paper Is A Video". In: MeCCSA with AMPE Joint Annual Conference 2007, 10-12 January 2007, University of Coventry, England.

Hearing, T., 2007. I think I am turning academic, I really think so... In: “Minding the Gap”:Reflections on Media Practice & Theory. Postgraduate & Early Career Researchers Training Day, 12 May 2007, Reuters Institute for the Study of Journalism, University of Oxford.

Hearing, T., 2006. Earth Air Fire Water. Video/DVD. Trevor Hearing. July 2006.

Holland, P., 2006. The Angry Buzz: ‘This Week' and current affairs television. London: I.B.Tauris.

I

Ireland, A., 2010. Playing to the crowd: Torchwood knows we’re watching. In: Ireland, A., ed. Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series. Jefferson, NC, USA: McFarland Press, pp. 11-21.

Ireland, A., 2008. This Planet Has Four Walls: How early Doctor Who narrative was influenced by techniques and technology to overcome the confines of studio recording. In: Popular Culture Conference PCA/ ACA, 19–22 Mar 2008, San Francisco, USA.

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Johnston, A., 2008. Charles Parker Day 2008 - Remembering John Axon - Andrew Johnston. In: Charles Parker Day 2008, 04th April 2008, Miramar Hotel. (Unpublished)

Jones, K., 2007. Carl and the little sandwiches - Story. Video/DVD. Bournemouth UK: Kip Jones. 14 December 2007.

Jones, K. and Rinaldi, R., 2006. Fall River (short video). Video/DVD. Bournemouth UK: Kip Jones. 21 September 2006.

Jones, K., 2006. The one about Princess Margaret. Video/DVD. Bournemouth UK: Kip Jones. 21 September 2006.

Jones, K., 2006. I can remember the night (short video). Video/DVD. Bournemouth UK: Kip Jones. 18 September 2006.

Johnson-Smith, J., 2005. American Science Fiction TV Star Trek, Stargate, and Beyond. London: I.B. Tauris.

Jenkins, D. M., 2004. The Industrial Application of Patent Analysis: An Empirical Study. Poole, England: Bournemouth University.

Johnson-Smith, J., 1998. Of Warrior Poetics and Redemption: Space: Above and Beyond's TC McQueen. Journal of American Culture, 21 (3), pp. 47-62.

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Kretschmer, M. and Singh, S., 2010. Exploiting Idols - A case study of international TV formats trading in the absence of intellectual property protection. In: Burnett, R. and Zwaan, A.J., eds. Your Fans are Waiting: An academic volume on Idol. Durham: Duke University Press. (Submitted)

Kretschmer, M., Singh, S. and Wardle, J., 2009. Exploitation of Television Formats. Poole, England: Bournemouth University. Available from: http://tvformats.bournemouth.ac.uk/[Accessed 2009].

Kretschmer, M. and Singh, S., 2009. The Paradox of TV Formats. Why pay for something that is free? In: 1st Annual Workshop of International Society for the History and Theory of Intellectual Property, 26-27 June 2009, Università Bocconi, Milan, Italy. (Submitted)

Kravtsov, D., Fryazinov, O., Adzhiev, V., Pasko, A. and Comninos, P., 2008. Embedded Implicit Stand-ins for Animated Meshes: a Case of Hybrid Modelling. Technical Report. Poole, England: National Centre for Computer Animation, Bournemouth University.

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Langebek, L. and Brown, R., 2008. Echoes. Film. Bournemouth, England: Arts Institute at Bournemouth, White Lantern Productions. 2008.

Langebek, L. and Parsons, S., 2008. I’ll Come Running. Film. USA: Parts & Labor Productions, NYC, Anish Savjani/Film Science. 2008.

Langebek, L. and Ewing, S., 2007. He Said. Film. Hertfordshire, UK: OneSix7 Productions. 2007.

Langebek, L. and Gonzales, S., 2006. Evergreen (Nåletræer). Film. Denmark: Asta Film and DFI. 2006.

Langebek, L., 2005. Shadow Walker. Film. London: Matador Pictures. 2005.

Langebek, L. and Launing, K., 2002. Dreaming of Henna. Film. Norway: Northern Lights A/S. 2002.

Langebek, L. and Neutsky-Wulff, A., 2001. A Branch of Evil. Film. Denmark: Nordisk Film. 2001.

Langebek, L. and Madsen, P.-E., 2001. Start. Film. Denmark: The National Film School of Denmark. 2001.

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McQueen, D., 2008. On the Warpath: The British Government, the BBC and Panorama. In: Reconsidering Conflict, Terror and Resolution Conference, 11-12 September 2008, Strathclyde University, Glasgow.

McQueen, D., 2008. BBC’s Panorama, War Coverage and the ‘Westminster Consensus’. Westminster Papers in Communication and Culture, 5 (3), pp. 47-68.

McQueen, D., 2008. 1970s Current Affairs: A Golden Age? In: 1970s British Culture Conference, 1st-3rd July 2008, Portsmouth University.

McQueen, D., 2008. Approaches to Broadcast Archive Research –BBC’s Current Affairs Series Panorama. In: Postgraduate Research Conference, October 2008, Bournemouth University, England. (Unpublished)

Mallaby, B. and Jones, K., 2007. Social Science discovering its muse. Video/DVD. Bournemouth UK: Kip Jones, Performative Social Science. 20 September 2007.

McQueen, D., 2007. Investigative Journalism, Iraq and the BBC Current Affairs Series Panorama. In: Communication and Conflict Conference: Propaganda, Spin and Lobbying in the Global Age, 7-9 September 2007, Department of Geography and Sociology, Strathclyde University, Glasgow.

McQueen, D., 1998. Television: A Media Student's Guide. London: Arnold.

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Nieda, T., Pasko, A. and Kunii, T. L., 2006. Detection and classification of topological evolution for linear metamorphosis. The Visual Computer, 22 (5), pp. 346-356.

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Parry, K. D., 2009. The use of digital media in Sports Degrees. In: JISC Film and Sound Think Tank, 23 June 2009, HEFCE Offices: London. (Unpublished)

Pullen, C., 2009. Gay Identity, New Storytelling and The Media. Basingstoke, England: Palgrave Macmillan.

Pullen, C., 2008. AIDS Orphans, Parents and Children in Documentary: Disclosure, Performance and Sacrifice. Media, Culture and Society, 30 (5), pp. 663-676.

Plowright, P., 2008. Charles Parker Day 2008 - Voices as Music, the work of Glenn Gould - Piers Plowright. In: Charles Parker Day 2008, 04th April 2008, Miramar Hotel. (Unpublished)

Pullen, C., 2008. Brokeback Mountain as Progressive Narrative and Cinematic Vision: Landscape, Emotion and the Denial of Domesticity. In: Hunt, A., ed. The Geographical Imagination of Annie Proulx: Rethinking Regionalism. USA: Lexington Books.

Pullen, C., 2007. Documenting gay men: identity and performance in reality television and documentary film. Jefferson, N.C.: McFarland.

Pullen, C., 2006. Gay performativity and reality television: alliances, competition and discourse. In: Keller, J. R. and Stratyner, L., eds. The New Queer Aesthetic on Television: Essays on Recent Programming. Jefferson, NC: McFarland & Company, pp. 160-176.

Pullen, C., 2004. The household, the basement and the real world: gay identity in the constructed reality environment. In: Holmes, S. and Jermyn, D., eds. Understanding Reality Television. London: Routledge, pp. 211-232.

Petford, N., 1995. Children get health tips from soaps. Times Higher Education Supplement.

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Round, J., 2009. Impersonating Hollywood: The Conflicting Identity Discourses of 'Charlie Murphy's True Hollywood Stories'. In: Wisniewski, K.A., ed. The Comedy of Dave Chappelle: Critical Essays. Jefferson, North Carolina: McFarland, pp. 86-101.

Roberts, S., 2008. Charles Parker Day 2008 - Connecting Histories, the story so far - Sian Roberts. In: Charles Parker Day 2008, 04th April 2008, Miramar Hotel. (Unpublished)

Reynolds, G., 2008. Charles Parker Day 2008-Introduction-Gillian Reynolds. In: Charles Parker Day 2008, 04th April 2008, Miramar Hotel. (Unpublished)

Read, R., 2004. Collusions and misrepresentations: documentary film production in a Czech women’s prison. In: ‘Mis/representation in the Media’ international conference, June 2004, Manchester, UK. (Unpublished)

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Sudbury, S., 2009. Witness, Sari Stories. Television. Aljazeera English. 01 September 2009. 08:30.

Sudbury, S., 2009. Women Filmmakers in Andhra Pradesh. In: 1st International Visual Research Conference, 15-17 September 2009, University of Leeds, UK. (Unpublished)

Sudbury, S., 2009. Ksusha's Story. In: Porn Cultures: Regulation, Political Economy and Technology, 15-16 June 2009, University of Leeds. (Unpublished)

Street, S. and Holland, M., 2009. Spreading the Word, Protecting the Rights. In: Unlocking Audio 2 - Connecting with Listeners, 16-17 Apr 2009, The British Library, London, UK. (Unpublished)

Sudbury, S., 2008. Refuge. Film. London Independent Documentary Festival. April 2008.

Singh, S., 2008. Empirical observations on television format rights disputes from 1987 to 2007. In: DIME/CIO Creative Industries Conference, 22-23 May 2008, Birkbeck College, University of London. (Unpublished)

Singh, S., 2008. “TV Format Protection through Marketing Strategies?”. In: Television without Borders: Transfers, Translations and Transnational Exchange (An International Conference), 27-29 June 2008, University of Reading, UK. (Unpublished)

Stephenson, I., 2007. Improving Motion Blur: Shutter Efficiency and Temporal Sampling. Journal of Graphic Tools, 12 (1), pp. 9-15.

Sudbury, S., 2007. Moving On. Film. UK: Bournemouth Churches Housing Association. January 2007.

Stephenson, I., 2005. Shutter efficiency and temporal sampling. In: International Conference on Computer Graphics and Interactive Techniques. ACM SIGGRAPH 2005 Sketches: SESSION: Cinematography, July 31 - August 04, 2005, Los Angeles, California.

Stephenson, I., 2005. A real virtual pinhole. In: International Conference on Computer Graphics and Interactive Techniques. ACM SIGGRAPH 2005 Posters: SESSION: Rendering, 31 July - 04 August , 2005, Los Angeles, California.

Sudbury, S., 2005. Is it worth the risk? Film. HMPS Young Offenders' Institution - Portland, Dorset: Her Majesty's Prison Service. January 2005.

Singh, S., 2004. Building television programme brands in the digital multi-channel world – perspectives of the uk television professionals. Masters Thesis (Masters). Bournemouth University.

Street, S., Bailey, T. and Deutsch, S., 2003. Sounding the past: three silent films. Journal of Media Practice, 4 (1), pp. 41-54.

Schmitt, B., Pasko, A. and Schlick, C. M., 2003. Shape-driven deformations of functionally defined heterogeneous volumetric objects. In: GRAPHITE 2003, nternational Conference on Computer Graphics and Interactive Techniques in Australasia and Southeast Asia, 11-14 February, 2003, Melbourne, Australia, pp. 127-134.

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Turnock, R. F., 2007. The expansion of television in the 1950's and 1960's: institutions, society and culture. PhD Thesis (PhD). Bournemouth University.

Thompson, S., 2006. Beer Tablets Commercial. Film. Monochrome Media. (Worldwide).. 2006.

Thompson, S., 2006. Burger Muff Commercial. Film. Monochrome Media. (Worldwide). 2006.

Thompson, S., 2006. Cordless Extension Lead Commercial. Film. Monochrome Media. (Worldwide). 2006.

Thompson, S., 2006. Stiletto. Film. Black Rock Films. 2006.

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Wallace, S., 2007. Introducing videojournalism: an examination of the practice and impact of videojournalism in television newsrooms 1997-9. Masters Thesis (Masters). Bournemouth University.