Items where Subject is "Arts > Film and Television"
Number of items at this level: 64.
Allan, S., 2010. Journalism and the Culture of Othering. Brazilian Journalism Review, 6 (2), pp. 26-40.
Barnes, R., 2005. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers' Use of Sound and Their Mode of Production. Volume 1. Doctorate Thesis (Doctorate). Bournemouth University.
Barnes, R., 2005. Collaboration and Integration: A Method of Advancing Film Sound Based on The Coen Brothers’ Use of Sound and Their Mode of Production. Volume 2. Doctorate Thesis (Doctorate). Bournemouth University.
Cutts, W., Hodges, C. E.M. and Fenge, L.-A., 2010. Connecting participatory methods in a study of youth and risk. In: Qualitative Research Conference 2010, 6th - 8th September 2010, Bournemouth University.
Chignell, H., 2009. Key Concepts in Radio Studies. London: Sage.
Cartwright, A. and Street, S., 2006. Then-now A guide to the radio programme. Documentation. Soundscape Productions: Soundscape Productions.
Chignell, H., 2006. The birth of BBC Radio 4's Analysis. Journal of Radio Studies, 13 (1), pp. 89-102.
Deutsch, S., 2010. Psycho and The Orchestration of Anxiety. The Soundtrack, 3 (1), pp. 53-66.
Deutsch, S., 2009. A Concise History of Western Music for Film-makers. The Soundtrack, 2 (1), pp. 23-38.
Devlin, J. and Chignell, H., 2007. John Peel's Home Truths. The Radio Journal, 4 (1), pp. 69-81.
Daymon, C., 2003. The Future Role of Television: A scenario Analysis of British TV. In: ANZCA Conference, 9-11 July 2003, Brisbane, Australia. (Unpublished)
Erickson, K., 2013. Evaluating the Impact of Parody on the Exploitation of Copyright Works: An Empirical Study of Music Video Content on YouTube. Project Report. London: Intellectual Property Office UK.
Efstathiou, S., 2010. The creation and ongoing development of a collaborative work environment within the Media School, which allows students and staff to provide resources and feedback pertinent to the media project undertaken. UNSPECIFIED. Available from: http://nccart.bournemouth.ac.uk[Accessed 28 May 2010].
Efstathiou, S., 2008. Softimage Certified Instructor. Documentation. Avid/Autodesk. (Unpublished)
Franklin, I., 2009. Folkways and airwaves: oral history, community and vernacular radio. Doctorate Thesis (Doctorate). Bournemouth University.
Farmer, S. and Hearing, T., 2009. Integrating Professional Media Practice Into Undergraduate and Postgraduate media courses. In: MeCCSA conference 2009, 14-16 January 2009, University of Bradford.
Foster, R., Tewungwa, S. and Daymon, C., 2002. Future Reflections: Four Scenarios for Television in 2012: a senario analysis study of the television industry. Poole: Bournemouth Media School, Bournemouth University.
Hearing, T., 2008. A Midsummer Night's Video Dream - a video paper. In: Journal of Media Practice Symposium 2008, 20 June 2008, Institute of Communication Studies University of Leeds, England.
Hearing, T., 2008. Crossing Platforms. In: MeCCSA Conference 2008, 9-11 January 2008, Cardiff University, Wales.
Hearing, T., 2008. Interzone 1. Video/DVD. Trevor Hearing. 2008.
Hearing, T., 2007. I think I am turning academic, I really think so... In: “Minding the Gap”:Reflections on Media Practice & Theory. Postgraduate & Early Career Researchers Training Day, 12 May 2007, Reuters Institute for the Study of Journalism, University of Oxford.
Ireland, A., 2012. 'Conditions of time and space': a re-enactment experiment with the British TV series Doctor Who. Doctorate Thesis (Doctorate). Bournemouth University.
Ireland, A., 2008. This Planet Has Four Walls: How early Doctor Who narrative was influenced by techniques and technology to overcome the confines of studio recording. In: Popular Culture Conference PCA/ ACA, 19–22 March 2008, San Francisco, USA.
Jones, K., 2007. Carl and the little sandwiches - Story. Video/DVD. Bournemouth UK: Kip Jones. 14 December 2007.
Jones, K. and Rinaldi, R., 2006. Fall River (short video). Video/DVD. Bournemouth UK: Kip Jones. 21 September 2006.
Jones, K., 2006. I can remember the night (short video). Video/DVD. Bournemouth UK: Kip Jones. 18 September 2006.
Jenkins, D.M., 2004. The Industrial Application of Patent Analysis: An Empirical Study. Poole, England: Bournemouth University.
Johnson-Smith, J., 2001. Between the candle and the star. Doctorate Thesis (Doctorate). Bournemouth University.
Kimber, S., 2009. Henry: Portrait of a Serial Killer: Narrative, Violence & Controversy. In: Narrative Research Group (NRG) , 2 December 2009, Bournemouth University, England. (Unpublished)
Kravtsov, D., Fryazinov, O., Adzhiev, V., Pasko, A. and Comninos, P., 2008. Embedded Implicit Stand-ins for Animated Meshes: a Case of Hybrid Modelling. Technical Report. Poole, England: National Centre for Computer Animation, Bournemouth University.
Kimber, S., 2008. Making More Mischief: A Short Film Showcasing Prosthetic Special Effects. Capture, 1 (1), pp. 25-30.
Kimber, S., 2007. Revisiting British Genre Fandom & the Regulation, Censorship and Classification of Film Violence in Contemporary Britain. In: Cine-Excess: 1st International Conference on Cult Film , 3-5 May 2007, Apollo West End, Regent Street, London. (Unpublished)
McQueen, D., 2011. A very conscientious brand: A case study of the BBC's current affairs series Panorama. Journal of Brand Management, pp. 1-11.
McQueen, D., 2010. BBC TV's Panorama, conflict coverage and the 'Westminster consensus'. Doctorate Thesis (Doctorate). Bournemouth University.
Mallaby, B. and Jones, K., 2007. Social Science discovering its muse. Video/DVD. Bournemouth UK: Kip Jones, Performative Social Science. 20 September 2007.
Petrikis, T, 2014. Creating a sound world for Dracula (Brorwning, 1931). Doctorate Thesis (Doctorate). Bournemouth University.
Parry, K. D., 2009. The use of digital media in Sports Degrees. In: JISC Film and Sound Think Tank, 23 June 2009, HEFCE Offices: London. (Unpublished)
Regmi, P., Simkhada, P. and van Teijlingen, E., 2010. “There are too many naked pictures found in papers and on the net”: Factors encouraging pre-marital sex among young people of Nepal. Health Science Journal, 4 (3), pp. 162-174.
Round, J., 2010. Cryptomimetic tropes in Yoshitomo Nakura’s Batman: Death Mask. Foundation: The International Review of Science Fiction. (In Press)
Round, J., 2010. It’s all relative: breaking barriers and binaries in Garth Ennis/Steve Dillon’s Preacher. Popular Narrative Media, 4. (Submitted)
Round, J., 2009. Impersonating Hollywood: The Conflicting Identity Discourses of 'Charlie Murphy's True Hollywood Stories'. In: Wisniewski, K.A., ed. The Comedy of Dave Chappelle: Critical Essays. Jefferson, North Carolina: McFarland, pp. 86-101.
Reynolds, G., 2008. Charles Parker Day 2008-Introduction-Gillian Reynolds. In: Charles Parker Day 2008, 4th April 2008, Miramar Hotel. (Unpublished)
Street, S., 2013. Barbara Kelly. In: Oxford Dictionary of National Biography 2005-2008. Oxford University Press.
Singh, S. and Kretschmer, M., 2012. Strategic Behaviour in the International Exploitation of TV Formats - A Case Study of the Idols Format. In: Zwaan, A.J. and de Bruin, J., eds. Adapting Idols: Authenticity, Identity and Performance in a Global Television Format. Farnham: Ashgate Publishing Ltd..
Sykes, L., 2011. Digital Futures In Dance Conference. In: Digital Futures In Dance, 8-10 September 2011, Pavilion Dance, Westover Road, Bournemouth, Dorset. (Unpublished)
Sloan, S., Collins, S., Hardie, P., Head, T., Isley, V., Smith, P., Hamman, S. and Sloan, H., 2011. Broken Stillness group exhibition. [Show/Exhibition]
Sykes, L., 2011. Screendance Symposium 2011. In: Screendance Symposium 2011, Friday 4 February 2011, Sallis Benney Theatre, Grand Parade, University of Brighton, BN2 0J, UK. (Unpublished)
Sykes, L., 2011. C The Film at The Edinburgh Fringe. [Show/Exhibition]
Sykes, L., 2011. Screening of 'Note' at Bangkok Fringe Festival 2011, part of Asia-Europe Foundation dance camera project. [Show/Exhibition]
Sykes, L., 2011. Slice: Hengest to Alnick - A Coastal Sequence. [Show/Exhibition]
Sloan, S., Meigh-Andrews, D. C. and Ball, S., 2010. Motion capture portraits. In: The Idea of Digitality in a Post-Digital Age, 10-17 Dec 2010, P3 Gallery, University of Westminster, London, England. (Unpublished)
Singh, S., 2010. The Protection of television formats: intellectual property and market based strategies. Doctorate Thesis (Doctorate). Bournemouth University.
Street, S. and Holland, M., 2009. Spreading the Word, Protecting the Rights. In: Unlocking Audio 2 - Connecting with Listeners, 16-17 Apr 2009, The British Library, London, UK. (Unpublished)
Sreedharan, C., 2009. Reporting Kashmir: an analysis of the conflict coverage in Indian and Pakistani newspapers. Doctorate Thesis (Doctorate). Bournemouth University.
Singh, S., 2008. Empirical observations on television format rights disputes from 1987 to 2007. In: DIME/CIO Creative Industries Conference, 22-23 May 2008, Birkbeck College, University of London. (Unpublished)
Singh, S., 2008. “TV Format Protection through Marketing Strategies?”. In: Television without Borders: Transfers, Translations and Transnational Exchange (An International Conference), 27-29 June 2008, University of Reading, UK. (Unpublished)
Stephenson, I., 2005. A real virtual pinhole. In: International Conference on Computer Graphics and Interactive Techniques. ACM SIGGRAPH 2005 Posters: SESSION: Rendering, 31 July - 04 August , 2005, Los Angeles, California.
Singh, S., 2004. Building television programme brands in the digital multi-channel world – perspectives of the uk television professionals. Masters Thesis (Masters). Bournemouth University.
Street, S., Bailey, T. and Deutsch, S., 2003. Sounding the past: three silent films. Journal of Media Practice, 4 (1), pp. 41-54.
Street, S., 1998. Film on Radio - The Case of Procession to the Private Sector. In: Purbeck Film Festival, October 1998, Rex Cinema, Wareham. (Unpublished)
Taylor, J, 2013. From sound to print in pre-war Britain: the cultural and commercial interdependence between broadcasters and broadcasting magazines in the 1930s. Doctorate Thesis (Doctorate). Bournemouth University.
Turnock, R. F., 2007. The expansion of television in the 1950's and 1960's: institutions, society and culture. Doctorate Thesis (Doctorate). Bournemouth University.