A

Alexander, J., 2011. "Alexander Berkman: sexual dissidence in the first wave anarchist movement and its subsequent narratives". In: Cleminson, R. and Heckert, J., eds. Anarchism and Sexuality: Ethics, Relationships and Power. London : Routledge, pp. 25-44.

Allan, S., 2010. Introduction: The Importance of Keywords. In: Allan, S., ed. Rethinking Communication: Keywords in Communication Research. Cresskill, NJ, USA: Hampton Press, ix-xxvi.

B

Berger, R., 2013. Hang a Right at The Abbey: Jane Austen and the Imagined City. In: Raw, L., ed. Knowing Jane: Pleasure, Passion, and Possessiveness in the Jane Austen Community. London: Palgrave Macmillan.. (In Press)

Berger, R., 2012. Active adaptations: Killing the girl with the dragon tattoo. In: 42nd Annual PCA/ACA National Conference, April 11-14 2012, Boston, MA, USA. (Unpublished)

Berger, R., 2012. Adaptation Nation: Medium Specificity in the UK. In: Bahloul, M. and Graham , C., eds. Lights! Camera! Action and the Brain: The Use of Film in Education. Newcastle: Cambridge Scholars, pp. 33-60.

Batty, C., 2011. Creativity in Crisis: What’s the Future for the Imagination in University Programmes. In: Creative Writing in Education: National Association of Writers in Education, Autumn Conference 2011, 11-13 November 2011, Northampton, England. (Unpublished)

Ball, D., 2011. Bi-Polarity in Dance: Widmerpool as the Negative Image of Jenkins. In: Anthony Powell's Literary London: Sixth Biennial Anthony Powell Conference, 2-4 September 2011, London. (Unpublished)

Beer, S., 2011. Aims,objectives and paradigms: discovering a new meaning to the word meaning. In: 3rd Annual Postgraduate Research Conference Bournemouth University, 12 January 2011, Bournemouth University, England.

Batty, C. and Moon, J. A., 2010. Uses of Story in Education: A Basket of Ideas. In: Creative Writing in Education: NAWE Autumn Conference 2010, 12-14 November 2010, Cheltenham, England. (Unpublished)

Berger, R., 2010. Time to Grow Up: Adaptation and Media Literacy. In: Media Education Summit, 7-8 September 2010, Birmingham City University, Birmingham, England. (Unpublished)

Berger, R., 2010. Converting the Controversial: regulation as 'source text' in adaptation. In: Albrecht-Crane, C. and Cutchins, D., eds. Adaptation Studies: New Approaches. Madison, New Jersey, USA: Fairleigh Dickinson University Press, 150 - 159.

Berger, R., 2010. Screwing Aliens and Screwing with Aliens: Torchwood slashes The Doctor. In: Ireland , A., ed. Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series. Jefferson. North Carolina.: McFarland & Company., pp. 66-75.

Berger, R., 2010. Never Seek to Tell Thy Love: E-Adapting Blake in the classroom. In: Cutchins, D., Raw, L. and Welsh, J., eds. Redefining Adaptation Studies. Lanham, MD, USA: Scarecrow Press, pp. 31-43.

Berger, R., 2009. Learning 2.0: Why Adaptation is good for you. In: The International Society for the Scholarship of Teaching & Learning annual conference, 22-25 October 2009, University of Indiana, Bloomington, USA. (Unpublished)

Berger, R., 2009. New Processes and Practices: adaptation as pedagogic tool in film studies. In: Filmsense: a symposium on Film and Education, 24 April 2009, Dun Laoghaire, Ireland.. (Unpublished)

Berger, R., 2009. Teaching New Dogs, Old Tricks: Adaptation, Blogging and Pedagogy. In: PCA/ACA National Conference, 8-11 April 2009, New Orleans, LA, USA. (Unpublished)

Berger, R., 2009. What’s The Deal? Peter Morgan & Michael Sheen, Tony Blair & Gordon Brown. In: PCA/ACA National Conference, 8-11 April 2009, New Orleans, LA, USA. (Unpublished)

Berger, R., 2008. Framing the Subversive: Journalism, Celebrity and the Web. In: The End of Journalism? Technology, Education and Ethics Conference 2008, 17-18 October 2008, University of Bedfordshire. (Unpublished)

Berger, R., 2008. Are there anymore at home like you? Rewiring Superman. Journal of Adaptation in Film & Performance, 1 (2), pp. 87-101.

Berger, R., 2008. Converting the Controversial: regulation as 'source text' in adaptation. In: PCA/ACA National Conference, 19-22 March 2008, San Francisco, CA, USA.

Berger, R., 2005. Rewiring the Text: Adaptation and Translation in the Digital Heteroglossia. PhD Thesis (PhD). Bournemouth University.

Batty, C., 2004. The Spin. In: Carter, B., ed. Out of the Dark: An Anthology. Bath, England: Bath Spa University College, pp. 78-93.

Ball, D., 1986. Thomas Mann’s recantation of Faust: Doktor Faustus in the context of Mann’s relationship to Goethe. Stuttgart: Verlag Hans-Dieter Heinz.

D

Dix, H., 2012. Mytho-poetics for a new millennium: decoding satire in Sebastian Faulks, Amanda Craig and Jim Crace. C21 Literature: Journal of 21st-century Writings, 1 (1). (In Press)

Dix, H., 2012. From Markets to Metafiction: satires of the literary marketplace at the dawn of two new centuries. Textes et Contextes, 7.

Dix, H., 2011. Raymond Williams Since 2000. In: Woodhams, S., ed. Raymond Williams - Celtic radicals. Conway, Wales: Ashley Drake. (Submitted)

Dix, H., 2011. The Welsh European. In: Woodhams, S., ed. Raymond Williams - Celtic radicals. Conway: Ashley Drake. (Submitted)

Dix, H., 2010. Postmodern Fiction and the Break-Up of Britain. London: Continuum.

Dix, H., 2009. The Pedagogy of Cultural Materialism: Paulo Freire and Raymond Williams. In: Grossberg, L. and Seidl, M., eds. About Raymond Williams. London: Routledge, pp. 81-93.

Dix, H., 2009. “You and Your stories!”: Narrating the History of the Dispossessed in Amitav Ghosh’s Hungry Tide and Salman Rushdie’s Midnight’s Children. In: Chaudry, B., ed. Amitav Ghosh: Critical Essays. New Delhi: PHI Learning.

Dix, H., 2008. After Raymond Williams: Cultural Materialism and the Break-Up of Britain. Cardiff: University of Wales Press.

Dix, H., 2008. “To Speak in New Ways”: Class and Poetry in Wales since 1970. In: Slanderous Tongues: Essays on Welsh Poetry in English 1970- 2000 ed. Daniel Williams. Bridgend: Seren.

Dix, H., 2007. Raymond Williams: Cultural Materialism and the Break-Up of Britain. Key Words (5).

Dix, H., 2005. Mark Twain: Freedom, Imperialism and Selective Tradition. Public Resistance, 2.1 (7).

Dix, H., 2004. The Permanent Tourist: Guidebooks in Travel and Education. Travel, Imagination and Myth: Proceedings of Tourism and Literature Annual Conference ed. Mike Robinson and David Picard. Sheffield: Centre for Tourism and Cultural Change.

E

Ensslin, A. and Pope, J., 2010. Digital Literature in Creative and Media Studies. In: Simanowski, R., Schafer, J. and Gendolla, P., eds. Reading Moving Letters: Digital Literature in Research and Teaching: A Handbook. Transcript, pp. 311-328.

F

Flintham, J., 2011. Narrative Approaches to Wellbeing. In: Wellbeing 2011: The First International Conference Exploring the Multi-dimensions of Well-being, 18-19 July 2011, Birmingham City University, England.

Flintham, J., 2011. The Machine Starts: Computers as Collaborators in Writing. In: Non-Human Narratives , 27 April 2011, Bournemouth University, England.

Flintham, J. and Wright, T., 2009. The Kidmapped! Mashup. Website.UK: UNSPECIFIED.

Fevyer, D., 2009. 'Plastic Fantastic': Technology, Tipping Points, and Crisis of Environment in J.G. Ballard's Kingdom Come. In: Literature, Art, and Culture in an Age of Global Risk, 2-3 July 2009, Cardif University, Cardiff, Wales. (Unpublished)

Flintham, J., 2006. Biblipedia. Poole, England: CEMP, Bournemouth University. Available from: http://www.biblipedia.net/[Accessed April 2012].

Flintham, J., 2002. The Beat Poetry Creator. E-Literature.UK: UNSPECIFIED.

H

Hough, B., Davis, H., Kooy, M. J. and Davis, L., 2010. Coleridge's Laws, A Study of Coleridge in Malta. Cambridge: Open Book Publishers.

Hough, B. and Davis, H., 2009. The Wicked Machinery of Government: Malta and the Problems of Continuity under the New Model Administration. Journal of Imperial and Commonwealth History, 37 (4), pp. 555-573.

Hipple, D. and Round, J., 2008. Naturalising the fantastic: science fiction and the uncanny realism of Heroes. In: ‘Reality, Reliability and Access’: Journeys Across Media 2008, 11 April 2008, Reading University, England. (Unpublished)

J

Johnson-Smith, J., 2001. Between the candle and the star. PhD Thesis (PhD). Bournemouth University.

L

Lynch, P., Germann Molz, J., McIntosh, A., Lugosi, P. and Lashley, C., 2011. Theorising hospitality. Hospitality & Society, 1 (1), pp. 3-24.

M

Moon, J. A., 2010. Using Story: in higher education and professional development. London: Routledge.

MacGregor, P., 2009. Journalism, public imagination and cultural policy. International Journal of Cultural Policy, 15 (2), pp. 231-244.

P

Page, R. and Thomas, B., 2011. New Narratives: Stories and Storytelling in the Digital Age. Lincoln, NE, USA: University of Nebraska Press.

Pope, J., 2010. Where Do We Go From Here? Readers' Responses to Interactive Fiction: Narrative Structures, Reading Pleasure and the Impact of Interface Design. Convergence: The International Journal of Research into New Media Technologies,, 16 (1), pp. 75-94.

Pullen, C., 2010. Introduction. In: Pullen, C. and Cooper, M., eds. LGBT Identity and Online New Media. New York: Routledge, pp. 1-13.

Pope, J., 2009. The design and development of Genarrator at Bournemouth University. Art, Design and Communication in Higher Education, 8 (2), pp. 157-167.

Pope, J., 2007. How do readers interact with hypertext fiction?: an empirical study of readers' reactions to interactive narratives. PhD Thesis (PhD). Bournemouth University.

Pope, J., 2006. A Future for Hypertext Fiction. Convergence: The International Journal of Research into New Media Technologies,, 12 (4), pp. 447-465.

R

Round, J., 2013. Medium, spirits and embodiment in voice of the fire. In: Green, M., ed. Alan Moore and the Gothic Tradition. Manchester University Press. (In Press)

Round, J., 2012. Fantastic alterities and The Sandman. In: Jakaitis, J. and Wurtz, J. F., eds. Crossing Boundaries in Graphic Narrative: Essays on Forms, Series and Genres. McFarland, pp. 71-92. (In Press)

Round, J., 2012. Gothic and the graphic novel. In: Punter, D., ed. A New Companion to the Gothic. Oxford, England: Wiley-Blackwell, 335 - 349.

Round, J., 2011. Naturalising the Fantastic: Comics archetypes in heroes. In: Simmons, D., ed. Investigating Heroes: Essays on Truth, Justice and Quality TV. Jefferson, CA, USA: McFarland, pp. 51-65.

Round, J., 2011. Out of House and Holmes. In: Steiff, J., ed. Sherlock Holmes and Philosophy: The Footprints of a Gigantic Mind. Chicago, IL. USA: Open Court, pp. 135-146.

Round, J., 2011. Zombies, absence and existentialism: 'We are the walking dead!'. In: Yuen, W., ed. The Walking Dead and Philosophy. Chicago, IL. USA: Open Court. (In Press)

Round, J., 2010. “The Apocalypse of Adolescence”: Use of the Bildungsroman and Superheroic Tropes in Mark Millar & Peter Gross’s Chosen. In: Lewis, A. D. and Hoff Kraemer, C., eds. Graven images: religion in comic books and graphic novels. New York: Continuum, pp. 188-202.

Round, J., 2010. Reconstructing Alice Cooper: From the Inside to The Last Temptation. Journal of Graphic Novels and Comics, 1 (2), pp. 151-170.

Readman, M., 2010. What's in a word? the discursive construction of 'creativity'. PhD Thesis (PhD). Bournemouth University.

Round, J., 2010. ‘“Be vewy vewy quiet. We’re hunting Wippers.” A Barthesian analysis of the construction of fact and fiction in Alan Moore and Eddie Campbell’s From Hell. In: Goggin, J. and Hassler-Forest, D., eds. The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form. Jefferson, NC., USA: McFarland.

Round, J., 2010. Can I call you Mommy? Myths of the feminine and superheroic in Neil Gaiman and Dave McKean's Black Orchid. In: Debating the difference: gender representation and self regulation. Dundee, Scotland.: Duncan of Jordanstone College, University of Dundee.

Round, J., 2010. Haunted spaces: chronological illusion, From Hell and the gothic graphic novel. In: Comic-Con International: Comic Arts Conference , 22-25 July 2010, San Diego, CA, USA. (Unpublished)

Round, J., 2010. ‘The Grandest Guignol!’ Reconstructing Alice Cooper in The Last Temptation (Neil Gaiman/Michael Zulli). In: International Graphic Novel and Comic Conference. Comics: cultures & genres, 13-14 April 2010, Manchester Metropolitan University, England. (Unpublished)

Round, J., 2010. Transforming Shakespeare: Neil Gaiman and The Sandman. In: Frus, P., ed. Beyond Adaptation: Essays on Radical Transformations of Original Works. Jefferson NC,USA: McFarland, pp. 95-110.

Round, J., 2010. Chapter One: “Is this a book?” DC Vertigo and the redefinition of comics in the 1990s. In: Williams, P. and Lyons, J., eds. Contemporary American Comics: Creators and their Contexts. University of Mississippi Press, pp. 14-30.

Round, J., 2010. Contrariwise! Breaking rules in Bryan Talbot’s Alice in Sunderland. Critical Engagements: A Journal of Criticism and Theory, 3 (1), pp. 180-201.

Round, J., 2010. Cryptomimetic tropes in Yoshitomo Nakura’s Batman: Death Mask. Foundation: The International Review of Science Fiction. (In Press)

Round, J., 2010. The Gothic Graphic Novel. Discussion Paper. McFarland. (Unpublished)

Round, J., 2010. Haunted spaces: chronological illusion, From Hell and the gothic graphic novel. In: Punter, D., ed. A New Companion to the Gothic. Blackwells. (Submitted)

Round, J., 2010. It’s all relative: breaking barriers and binaries in Garth Ennis/Steve Dillon’s Preacher. Popular Narrative Media, 4. (Submitted)

Round, J., 2009. Impersonating Hollywood: The Conflicting Identity Discourses of 'Charlie Murphy's True Hollywood Stories'. In: Wisniewski, K.A., ed. The Comedy of Dave Chappelle: Critical Essays. Jefferson, North Carolina: McFarland, pp. 86-101.

Round, J., 2009. It’s all relative: breaking barriers and binaries in Garth Ennis/Steve Dillon’s Preacher. In: International Conference on Narrative 2009, 4-6 June 2009, University of Birmingham, England. (In Press)

Round, J., 2009. Redefining time in Neil Gaiman and Dave McKean’s Signal to Noise. In: Timeframes - The 3rd Dundee Comics Conference , 28 June 2009, Dundee University, Scotland. (Unpublished)

Round, J., 2009. Mutilation and Monsters: Transcending the Human in Garth Ennis/Steve Dillon’s Preacher. In: Coelsch-Foisner, S. and Morales, M. F., eds. The Human Body in Contemporary Literatures in English. Frankfurt am Main: Peter Lang, pp. 109-128.

Round, J., 2008. Contrariwise! Breaking rules in Alice in Sunderland. In: The Rules of the Game: Structures, Signs and Play in Word and Image. The Annual Scottish Word & Image Group Conference, 5-6 September 2008, Dundee University, Scotland.

Round, J., 2008. Mobility of voice and view in comics: propositions for a new taxonomy. In: Paraliterary Narratives: Reassessing the 'Graphic Novel' , 6-7 June 2008, The School of Arts, Northampton University, England.

Round, J. and Hipple, D., 2008. Naturalising the fantastic: comics archetypes and Heroes. In: ‘Reality, Reliability and Access’: Journeys Across Media 2008, 11 April 2008, Reading University, England. (Unpublished)

Round, J., 2008. London’s Calling: Alternate Worlds and the City as Superhero in Contemporary British-American Comics. International Journal of Comic Art, 10 (1), pp. 24-31.

Round, J., 2008. Subverting Shakespeare? The Sandman #19. In: MacPherson, P., Murray, C., Spark, G. and Corstophine, K., eds. Sub/Versions: Cultural Status, Genre and Critique. Newcastle-upon-Tyne: Cambridge Scholars Publishing, pp. 18-33.

Round, J., 2007. ‘Can I call you “Mommy”?’ Myths of the female and superheroic in Neil Gaiman and Dave McKean’s Black Orchid. In: Debating the Difference: Gender, Representation and Self-Representation: The Annual Scottish Word & Image Group Conference, 5-6 September 2007, Dundee University, Scotland. (Unpublished)

Round, J., 2007. Visual Perspective and Narrative Voice in Comics: Redefining Literary Terminology. International Journal of Comic Art, 9 (2), pp. 316-329.

Round, J., 2007. Apocatastasis: redefining tropes of the apocalypse in Neil Gaiman and Dave McKean’s Signal to Noise. In: Millennial Fictions, 6-7 July 2007, Brunel University, London. (Unpublished)

Round, J., 2005. Fragmented Identity: The Superhero Condition. International Journal of Comic Art, 7 (2), pp. 358-369.

S

Street, S., 2012. Radio and the Poetic Imagination: The Colour of Sound. Routledge. (In Press)

Street, S., 2010. The Cartography of Thought: a Poetry Translation Workshop. In: Poetry in Translation, 30 June-2 July 2010, Ludwig Maximilian University, Munich. (Submitted)

Street, S., 2010. The Cartography of Thought: a Poetry Translation Workshop. In: Poetry in Translation, 30 June-2 July 2010, Ludwig Maximilian University, Munich. (Submitted)

Street, S., 2010. Robert Hayman and the Poetry of Arrival. In: Exploring New World Transitions - From Seasonal Presence to Permanent Settlement, 16-19 June 2010, Memorial University, St John's Newfoundland. (Unpublished)

Street, S., 2010. Time Between Tides: New and Selected Poems, 1981 - 2009. Ware, England: Rockingham Press.

Street, S. and May, J., 2009. Sable Island - A Dune Adrift. Radio. BBC Radio 4: UNSPECIFIED. 15 December 2009.

Street, S. and Hall, A., 2009. High Flight - The Poetry of John Magee. Radio. BBC Radio 4: UNSPECIFIED. 01 November 2009.

Street, S. and Cartwright, A., 2007. Then-Now: A Radio Poem. Radio. BBC Radio 4: UNSPECIFIED. 09 January 2007. 20.30.

Street, S., 2004. The shadowed garden. Dymock Poets Journal, 3 (Spring).

Smale, R., 2000. The psychiatry of Shakespeare: psychological studies of Richard III, Othello and Hamlet. In: National Drama Conference, 2000, York, UK. (Unpublished)

Street, S., 1998. Film on Radio - The Case of Procession to the Private Sector. In: Purbeck Film Festival, October 1998, Rex Cinema, Wareham. (Unpublished)

Street, S., 1998. Beyond Paradise - The Wildlife of a Gentle Man. Other. Unpublished. (Unpublished)

Street, S., 1998. The Dymock poets. Rev. ed.. Bridgend: Seren.

Street, S., 1992. Tales of old Dorset. Newbury: Countryside Books.

T

Thomas , B., 2013. 140 Characters in Search of a Story: twitter fiction as an emerging narrative form. In: Ensslin, A. and Bell , A., eds. Analysing Digital Fiction. London : Routledge . (Submitted)

Thomas, B., 2012. Fictional Dialogue: Speech and Conversation in the Modern and Postmodern Novel. Other. Lincoln, NE, USA: University of Nebraska Press. (In Press)

Thomas, B., 2012. The Idea of Dialogue. In: Kinzell, T. and Mildorf, J., eds. Imaginary Dialogues in English: Explorations of a Literary Form. Heidelberg, Germany: Universititatsverlag Winter, pp. 203-220.

Thomas , B., 2012. Kicking the Hornet's Nest: the rhetoric of social campaigning in Stieg Larsson's Millennium trilogy. Language and literature. (Submitted)

Thomas, B., 2011. Dialogue. In: Logan, P. M., George, O., Hegeman, S. and Kristal, E., eds. Encyclopedia of the Novel. Wiley-Blackwell, pp. 250-254.

Thomas, B., 2011. Trickster Authors and Tricky Readers on the MZD forums. In: Bray, J. and Gibbons , A., eds. Mark Z. Danielewski. Manchester, England: Manchester University Press, pp. 86-102.

Thomas, B., 2011. Update Soon! Harry Potter Fanfiction and Narrative as a Participatory Process. In: Page , R. and Thomas, B., eds. New Narratives: Stories and Storytelling in a Digital Age. Lincoln, NE, USA: University of Nebraska Press, pp. 205-219.

Thomas, B., 2011. What is Fanfiction and Why Are People Saying Such Nice Things About it? StoryWorlds: A Journal of Narrative Studies, 3 (1), pp. 1-24.

Thomas, B., 2010. Frame. In: Logan, P. M., George, O., Hegeman, S. and Kristal, E., eds. Encyclopedia of the Novel. Wiley-Blackwell, pp. 320-324.

Thomas, B., 2010. Gains and Losses? Writing it All Down: Fanfiction and Multimodality. In: Page, R., ed. New Perspectives on Narrative and Multimodality. London: Routledge, pp. 142-154.

Thomas, B., 2009. Lost in Austen: costume drama meets fanfiction. In: International Conference on Narrative 2009, 4-6 June 2009, University of Birmingham, England. (Unpublished)

Thomas, B., 2008. Update Soon! Harry Potter Fanfiction and Narrative as Participatory Process. In: International Conference on Narrative , 1-4 May 2008, Austin, Texas. (Unpublished)

Thomas, B., 2007. Stuck in a Loop? Dialogue in hypertext fiction. Narrative, 15 (3), pp. 357-372.

Thomas, B., 2007. Dialogue. In: Herman, D., ed. The Cambridge Companion to Narrative. Cambridge: Cambridge University Press.

Thomas, B., 2007. What the Smeg are you Talking About? Speech and Dialogue in Television Fanfiction. In: PALA 2007: Poetics and Linguistics Association Conference:Style and Communication, 31 July -4 August 2007, Kansai Gaidai University, Hirakata City, Japan. (Unpublished)

Thomas, B., 2002. Multiparty talk in the novel: the distribution of tea and talk in a scene from Evelyn Waugh's Black Mischief. Poetics Today, 23 (4), pp. 657-684.