Items where Subject is "Literature"

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Number of items at this level: 55.

Article

Dix, H., 2012. Mytho-poetics for a new millennium: decoding satire in Sebastian Faulks, Amanda Craig and Jim Crace. C21 Literature: Journal of 21st-century Writings, 1 (1).

Dix, H., 2012. From Markets to Metafiction: satires of the literary marketplace at the dawn of two new centuries. Textes et Contextes, 7.

Lynch, P., Germann Molz, J., McIntosh, A., Lugosi, P. and Lashley, C., 2011. Theorising hospitality. Hospitality & Society, 1 (1), pp. 3-24.

Round, J., 2010. Reconstructing Alice Cooper: From the Inside to The Last Temptation. Journal of Graphic Novels and Comics, 1 (2), pp. 151-170.

Round, J., 2010. Cryptomimetic tropes in Yoshitomo Nakura’s Batman: Death Mask. Foundation: The International Review of Science Fiction. (In Press)

Round, J., 2010. It’s all relative: breaking barriers and binaries in Garth Ennis/Steve Dillon’s Preacher. Popular Narrative Media, 4. (Submitted)

Hough, B. and Davis, H., 2009. The Wicked Machinery of Government: Malta and the Problems of Continuity under the New Model Administration. Journal of Imperial and Commonwealth History, 37 (4), pp. 555-573.

MacGregor, P., 2009. Journalism, public imagination and cultural policy. International Journal of Cultural Policy, 15 (2), pp. 231-244.

Round, J., 2008. London’s Calling: Alternate Worlds and the City as Superhero in Contemporary British-American Comics. International Journal of Comic Art, 10 (1), pp. 24-31.

Dix, H., 2007. Raymond Williams: Cultural Materialism and the Break-Up of Britain. Key Words (5).

Round, J., 2007. Visual Perspective and Narrative Voice in Comics: Redefining Literary Terminology. International Journal of Comic Art, 9 (2), pp. 316-329.

Round, J., 2005. Fragmented Identity: The Superhero Condition. International Journal of Comic Art, 7 (2), pp. 358-369.

Dix, H., 2005. Mark Twain: Freedom, Imperialism and Selective Tradition. Public Resistance, 2.1 (7).

Dix, H., 2004. The Permanent Tourist: Guidebooks in Travel and Education. Travel, Imagination and Myth: Proceedings of Tourism and Literature Annual Conference ed. Mike Robinson and David Picard. Sheffield: Centre for Tourism and Cultural Change.

Thomas, B., 2002. Multiparty talk in the novel: the distribution of tea and talk in a scene from Evelyn Waugh's Black Mischief. Poetics Today, 23 (4), pp. 657-684.

Book Section

Berger, R., 2013. Hang a Right at The Abbey: Jane Austen and the Imagined City. In: Raw, L. and Dryden, R.G., eds. Global Jane Austen: Pleasure, Passion, and Possessiveness in the Jane Austen Community. London: Palgrave Macmillan., pp. 119-142.

Round, J., 2012. Medium, spirits and embodiment in voice of the fire. In: Green, M. J.A., ed. Alan Moore and the Gothic Tradition. Manchester University Press.

Round, J., 2012. Fantastic alterities and The Sandman. In: Jakaitis, J. and Wurtz, J. F., eds. Crossing Boundaries in Graphic Narrative: Essays on Forms, Series and Genres. McFarland, pp. 71-92.

Berger, R., 2012. Adaptation Nation: Medium Specificity in the UK. In: Bahloul, M. and Graham , C., eds. Lights! Camera! Action and the Brain: The Use of Film in Education. Newcastle: Cambridge Scholars, pp. 33-60.

Round, J., 2012. Gothic and the graphic novel. In: Punter, D., ed. A New Companion to the Gothic. Oxford, England: Wiley-Blackwell, 335 - 349.

Dix, H., 2011. Raymond Williams Since 2000. In: Woodhams, S., ed. Raymond Williams - Celtic radicals. Conway, Wales: Ashley Drake. (Submitted)

Dix, H., 2011. The Welsh European. In: Woodhams, S., ed. Raymond Williams - Celtic radicals. Conway: Ashley Drake. (Submitted)

Round, J., 2010. “The Apocalypse of Adolescence”: Use of the Bildungsroman and Superheroic Tropes in Mark Millar & Peter Gross’s Chosen. In: Lewis, A. D. and Hoff Kraemer, C., eds. Graven images: religion in comic books and graphic novels. New York: Continuum, pp. 188-202.

Round, J., 2010. ‘“Be vewy vewy quiet. We’re hunting Wippers.” A Barthesian analysis of the construction of fact and fiction in Alan Moore and Eddie Campbell’s From Hell. In: Goggin, J. and Hassler-Forest, D., eds. The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form. Jefferson, NC., USA: McFarland.

Round, J., 2010. Can I call you Mommy? Myths of the feminine and superheroic in Neil Gaiman and Dave McKean's Black Orchid. In: Debating the difference: gender representation and self regulation. Dundee, Scotland.: Duncan of Jordanstone College, University of Dundee.

Berger, R., 2010. Converting the Controversial: regulation as 'source text' in adaptation. In: Albrecht-Crane, C. and Cutchins, D., eds. Adaptation Studies: New Approaches. Madison, New Jersey, USA: Fairleigh Dickinson University Press, 150 - 159.

Round, J., 2010. Transforming Shakespeare: Neil Gaiman and The Sandman. In: Frus, P., ed. Beyond Adaptation: Essays on Radical Transformations of Original Works. Jefferson NC,USA: McFarland, pp. 95-110.

Berger, R., 2010. Screwing Aliens and Screwing with Aliens: Torchwood slashes The Doctor. In: Ireland , A., ed. Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series. Jefferson. North Carolina.: McFarland & Company., pp. 66-75.

Berger, R., 2010. Never Seek to Tell Thy Love: E-Adapting Blake in the classroom. In: Cutchins, D., Raw, L. and Welsh, J., eds. Redefining Adaptation Studies. Lanham, MD, USA: Scarecrow Press, pp. 31-43.

Round, J., 2010. Chapter One: “Is this a book?” DC Vertigo and the redefinition of comics in the 1990s. In: Williams, P. and Lyons, J., eds. Contemporary American Comics: Creators and their Contexts. University of Mississippi Press, pp. 14-30.

Dix, H., 2009. The Pedagogy of Cultural Materialism: Paulo Freire and Raymond Williams. In: Grossberg, L. and Seidl, M., eds. About Raymond Williams. London: Routledge, pp. 81-93.

Round, J., 2009. Impersonating Hollywood: The Conflicting Identity Discourses of 'Charlie Murphy's True Hollywood Stories'. In: Wisniewski, K.A., ed. The Comedy of Dave Chappelle: Critical Essays. Jefferson, North Carolina: McFarland, pp. 86-101.

Round, J., 2009. Mutilation and Monsters: Transcending the Human in Garth Ennis/Steve Dillon’s Preacher. In: Coelsch-Foisner, S. and Morales, M. F., eds. The Human Body in Contemporary Literatures in English. Frankfurt am Main: Peter Lang, pp. 109-128.

Dix, H., 2009. “You and Your stories!”: Narrating the History of the Dispossessed in Amitav Ghosh’s Hungry Tide and Salman Rushdie’s Midnight’s Children. In: Chaudry, B., ed. Amitav Ghosh: Critical Essays. New Delhi: PHI Learning.

Round, J., 2008. Subverting Shakespeare? The Sandman #19. In: MacPherson, P., Murray, C., Spark, G. and Corstophine, K., eds. Sub/Versions: Cultural Status, Genre and Critique. Newcastle-upon-Tyne: Cambridge Scholars Publishing, pp. 18-33.

Dix, H., 2008. “To Speak in New Ways”: Class and Poetry in Wales since 1970. In: Slanderous Tongues: Essays on Welsh Poetry in English 1970- 2000 ed. Daniel Williams. Bridgend: Seren.

Monograph

Street, S., 1998. Beyond Paradise - The Wildlife of a Gentle Man. Other. Unpublished. (Unpublished)

Conference or Workshop Item

Berger, R., 2012. Active adaptations: Killing the girl with the dragon tattoo. In: 42nd Annual PCA/ACA National Conference, April 11-14 2012, Boston, MA, USA. (Unpublished)

Ball, D., 2011. Bi-Polarity in Dance: Widmerpool as the Negative Image of Jenkins. In: Anthony Powell's Literary London: Sixth Biennial Anthony Powell Conference, 2-4 September 2011, London. (Unpublished)

Flintham, J., 2011. Narrative Approaches to Wellbeing. In: Wellbeing 2011: The First International Conference Exploring the Multi-dimensions of Well-being, 18-19 July 2011, Birmingham City University, England.

Flintham, J., 2011. The Machine Starts: Computers as Collaborators in Writing. In: Non-Human Narratives , 27 April 2011, Bournemouth University, England.

Street, S., 2010. The Cartography of Thought: a Poetry Translation Workshop. In: Poetry in Translation, 30 June-2 July 2010, Ludwig Maximilian University, Munich. (Submitted)

Street, S., 2010. The Cartography of Thought: a Poetry Translation Workshop. In: Poetry in Translation, 30 June-2 July 2010, Ludwig Maximilian University, Munich. (Submitted)

Street, S., 2010. Robert Hayman and the Poetry of Arrival. In: Exploring New World Transitions - From Seasonal Presence to Permanent Settlement, 16-19 June 2010, Memorial University, St John's Newfoundland. (Unpublished)

Street, S., 1998. Film on Radio - The Case of Procession to the Private Sector. In: Purbeck Film Festival, October 1998, Rex Cinema, Wareham. (Unpublished)

Book

Street, S., 2010. Time Between Tides: New and Selected Poems, 1981 - 2009. Ware, England: Rockingham Press.

Dix, H., 2010. Postmodern Fiction and the Break-Up of Britain. London: Continuum.

Dix, H., 2008. After Raymond Williams: Cultural Materialism and the Break-Up of Britain. Cardiff: University of Wales Press.

Thesis

Readman, M., 2010. What's in a word? the discursive construction of 'creativity'. PhD Thesis (PhD). Bournemouth University.

Pope, J., 2007. How do readers interact with hypertext fiction?: an empirical study of readers' reactions to interactive narratives. PhD Thesis (PhD). Bournemouth University.

Berger, R., 2005. Rewiring the Text: Adaptation and Translation in the Digital Heteroglossia. PhD Thesis (PhD). Bournemouth University.

Johnson-Smith, J., 2001. Between the candle and the star. PhD Thesis (PhD). Bournemouth University.

Film/Broadcast

Street, S. and May, J., 2009. Sable Island - A Dune Adrift. Radio. BBC Radio 4: UNSPECIFIED. 15 December 2009.

Street, S. and Hall, A., 2009. High Flight - The Poetry of John Magee. Radio. BBC Radio 4: UNSPECIFIED. 01 November 2009.

Street, S. and Cartwright, A., 2007. Then-Now: A Radio Poem. Radio. BBC Radio 4: UNSPECIFIED. 09 January 2007. 20.30.

This list was generated on Wed Sep 3 03:21:04 2014 IST.