Items where Subject is "Arts > Music"

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Number of items at this level: 39.

Erickson, K., 2013. Evaluating the Impact of Parody on the Exploitation of Copyright Works: An Empirical Study of Music Video Content on YouTube. Project Report. London: Intellectual Property Office UK.

Renaud, A., 2011. Cueing and composing for long distance network music collaborations. In: Proceedings of AES 44th Conference on Audio Networking, 18-20 November 2011, University of California, San Diego, USA,. AES.

Gibson, D. and Polfreman, R., 2011. An Architecture For Creating Hosting Plug- Ins For Use In Digital Audio Workstations. In: International Computer Music Conference 2011, 31 July - 5 August 2011, University of Huddersfield, England..

McKinney, C. and Renaud, A., 2011. Leech: BitTorrent and Music Piracy Sonification. Sound and Music Computing.

Davis, T., 2011. Towards a Relational Understanding of the Performance Ecosystem. Organised Sound, 16 (2), pp. 120-124.

Staelens, Y., 2011. English folk music on the margin - Cecil Sharp's gypsies. In: Staelens, Y., ed. Sharing Cultures 2011. Greenlines Institute, pp. 247-253.

Skinner, J. H., 2011. A New score for Pandora's Box (Pabst, 1929). Doctorate Thesis (Doctorate). Bournemouth University.

Staelens, Y., 2011. Cecil Sharp was not a controlling manipulator. The Guardian.

Schierz, A. C., Budka, M. and Apeh, E., 2011. Winners’ notes. Using Multi-Resolution Clustering for Music Genre Identification. TunedIT.

Renaud, A., 2011. An evening of experimental network music. [Show/Exhibition]

Round, J., 2010. Reconstructing Alice Cooper: From the Inside to The Last Temptation. Journal of Graphic Novels and Comics, 1 (2), pp. 151-170.

Staelens, Y. and Bearman, C. J., 2010. The Gloucestershire Folk Map. Project Report. Poole, England: Bournemouth University.

Davis, T., 2010. On Listening to Installation. Performance Research: A Journal of the Performing Arts, 15 (3), pp. 66-71.

Bell, S., Tippett, K., Tippetts, J., Baker, A. and Stevens, P., 2010. Small Journey. [Show/Exhibition]

Renaud, A., 2010. Dynamic Cues for Network Music Interactions. In: SMC 2010: 7th Sound Music and Computing Conference, 21-24 July 2010, Universitat Pompeu Fabra, Barcelona, Spain.

Bearman, C. J. and Staelens, Y., 2010. The Hampshire Folk Map. Project Report. Poole, England: Bournemouth University.

Smith, P. and Isley, V., 2010. Lost Calls of Cloud Mountain Whirligigs (view 2, left & right). Computer generated.Istanbul, Turkey: UNSPECIFIED.

Davis, T., 2010. Complexity as Process: Complexity Inspired Approaches to Composition. Organised Sound, 15 (2), 137 - 146 .

Street, S. and Hall, A., 2009. The Blackbird - The Life and Legacy of Delia Murphy. Radio. Newstalk Radio, Ireland/ABC Radio National, Australia, CBC Radio 1, Canada: UNSPECIFIED. 31 October 2009.

Isley, V. and Smith, P., 2009. Lost Calls of Cloud Mountain Whirligigs (view 1, left & right). Computer generated.Berlin, Germany: [DAM]Berlin.

Street, S., 2009. The A to Z of British Radio. Maryland, USA: Scarecrow Press.

Deutsch, S., 2009. A Concise History of Western Music for Film-makers. The Soundtrack, 2 (1), pp. 23-38.

Davis, T., 2008. Cross-Pollination: Towards an aesthetics of the real. In: ICMC 2008. International Computer Music Conference, 24-29 August 2008, Sonic Arts Research Centre, Queens University, Belfast, Northern Ireland.

Isley, V. and Smith, P., 2007. Ornamental Bug Garden 002. Screen based computational art work.Southampton, UK: boredomresearch.

Davis, T. and Rebelo, P., 2007. Environments for sonic ecologies. In: Evoworkshops, Valencia, pp. 508-516.

Davis, T. and Karamanlis, O., 2007. Gestural control of sonic swarms: Composing with grouped sound objects. In: 4th Sound and Music Computing Conference, 11-13 Jul 2007, Lefkada, Greece.

Deutsch, S., 2007. The Soundtrack (Putting Music in Its Place). The Soundtrack, 1 (1), pp. 3-13.

Kretschmer, M., 2006. Is copy control dead? Impressions on a volt-face in digital rights management. Copyright World, Decemb.

Kretschmer, M., 2006. Flash mobbing: Martin Kretschmer explores where infringement adds value. Copyright World, Novemb.

Kretschmer, M., 2006. Setting the value: what is correct royalty tariff for dowload music? Copyright World, March.

Bearman, C. J. and Staelens, Y., 2006. The Somerset Folk Map. Project Report. Somerset County Council.

Kretschmer, M., 2005. Artists' earnings and copyright: a review of British and German music industry data in the context of digital technologies. First Monday, 10 (1), pp. 1-14.

Davis, T. and Rebelo, P., 2005. Hearing Emergence: Towards Sound-Based Self-Organisation. In: Proceedings of ICMC2005: International Computer Music Conference, September 2005, Barcelona, Spain.

Davis, T. and Rebelo, P., 2005. Natural Selection: A Stethoscopic Amphibious Installation. In: GA2005: Generative Art Conference, 15-17 December 2005, Milan, Italy.

Street, S., Bailey, T. and Deutsch, S., 2003. Sounding the past: three silent films. Journal of Media Practice, 4 (1), pp. 41-54.

Soetendorp, R. and Kretschmer, M., 2003. Current developments - Europe: European Community. Intellectual Property Forum, 53, pp. 75-76.

Staelens, Y., 2002. Girls Rock ON! Project Report. Chard: Chard Foundation for Women in Music.

Klimis, G.M., Wallace, R. and Kretschmer, M., 2001. Music in electronic markets: an empirical study. New Media & Society, 3 (4), pp. 417-441.

Deutsch, S., 2001. Harnessing the Power of Music & Sound Design in Interactive Media. In: Earnshaw, R and Vince, J, eds. Digital Content Creation. Springer Verlag, pp. 20-24.

This list was generated on Fri Dec 19 17:48:27 2014 GMT.