B

Bell, S., Tippett, K., Tippetts, J., Baker, A. and Stevens, P., 2010. Small Journey. [Show/Exhibition]

Bearman, C. J. and Staelens, Y., 2010. The Hampshire Folk Map. Project Report. Poole, England: Bournemouth University.

Bell, S., Jones, K. and Petford, N., 2007. Antarctic Sonata. [Show/Exhibition]

Bearman, C. J. and Staelens, Y., 2006. The Somerset Folk Map. Project Report. Somerset County Council.

C

Carot, A., Renaud, A. and Werner, C., 2008. Audible ICMP Echo Responses for Monitoring Ultra Low Delayed Audio Streams. In: AES Amsterdam 2008: 124th Audio Engineering Society Convention, 17-20 May 2008, RAI, Amsterdam, The Netherlands.

Carot, A., Renaud, A. and Verbrugghe, B., 2006. Network Music Performance (NMP) with Soundjack. In: NIME 06. New Interfaces for Musical Expression: Performance Workshop, 4-8 June 2006, Centre Pompidou, Paris, France. (Unpublished)

D

Davis, T. and Stapleton, P., 2012. Ambiguous Devices - Performance. [Show/Exhibition]

Davis, T. and Stapleton, P., 2012. Ambiguous Devices - Installation. [Show/Exhibition]

Davis, T., 2012. Complexity as Practice: A Reflection on the Creative Outcomes of a Sustained Engagement with Complexity. Leonardo, 45 (2), pp. 106-112.

Davis, T., 2012. The Loop: A distributed instrument approach to networked performance. In: Symposium for Performance of Electronic and Experimental Music, 6-7 January 2012, University of Oxford. (Unpublished)

Davis, T., 2011. Working Title. [Show/Exhibition]

Davis, T., 2011. Towards a Relational Understanding of the Performance Ecosystem. Organised Sound, 16 (2), pp. 120-124.

Davis, T., Geistweidt, J., Renaud, A. and Dixon , J., 2011. The Loop. In: NIME 11. New Interfaces for Musical Expression. , 30 May - 1 June, 2011., Oslo, Norway.

Davis, T., Geistweidt, J., Renaud, A. and Dixon, J., 2011. The Loop. [Show/Exhibition]

Davis, T., 2010. On Listening to Installation. Performance Research: A Journal of the Performing Arts, 15 (3), pp. 66-71.

Davis, T., 2010. Flow. [Show/Exhibition]

Davis, T., 2010. The Ear of the Beholder: Ecology, Embodiment and Complexity in Sound Installation. Leonardo Electronic Almanac.

Davis, T. and Ward, N., 2010. Ordnance Survey: Exploring Activity through Large Scale Topologies and Auditory Mappings. Parsons Journal for Information Mapping, 2 (1).

Davis, T., 2010. Complexity as Process: Complexity Inspired Approaches to Composition. Organised Sound, 15 (2), pp. 137-146.

Davis, T. and Ward, N., 2009. Ordnance Survey. [Show/Exhibition]

Deutsch, S., 2009. A Concise History of Western Music for Film-makers. The Soundtrack, 2 (1), pp. 23-38.

Davis, T., 2009. Bus Stop. [Show/Exhibition]

Deutsch, S., 2008. Aspects of Synchrony in Animation. The Soundtrack, 1 (2), pp. 95-105.

Davis, T., 2008. Rules and Regs. [Show/Exhibition]

Davis, T., 2008. Cross-Pollination: Towards an aesthetics of the real. In: ICMC 2008. International Computer Music Conference, 24-29 August 2008, Sonic Arts Research Centre, Queens University, Belfast, Northern Ireland.

Davis, T., 2007. Cross-Pollination. [Show/Exhibition]

Davis, T. and O'Modhrain, S., 2007. Radio Streams. [Show/Exhibition]

Davis, T. and Rebelo, P., 2007. Environments for sonic ecologies. In: Evoworkshops, Valencia, pp. 508-516.

Davis, T. and Karamanlis, O., 2007. Gestural control of sonic swarms: Composing with grouped sound objects. In: 4th Sound and Music Computing Conference, 11-13 Jul 2007, Lefkada, Greece.

Deutsch, S., 2007. The Soundtrack (Putting Music in Its Place). The Soundtrack, 1 (1), pp. 3-13.

Davis, T., 2006. Cycle Sonic. [Show/Exhibition]

Davis, T., 2006. Excuse Me! [Show/Exhibition]

Davis, T., 2005. Natural Selection. [Show/Exhibition]

Davis, T. and Rebelo, P., 2005. Hearing Emergence: Towards Sound-Based Self-Organisation. In: Proceedings of ICMC2005: International Computer Music Conference, September 2005, Barcelona, Spain.

Davis, T. and Rebelo, P., 2005. Natural Selection: A Stethoscopic Amphibious Installation. In: GA2005: Generative Art Conference, 15-17 December 2005, Milan, Italy.

Deutsch, S., 2003. Music for Interactive Moving Pictures. In: Sider, L., Freeman, D. and Sider, J., eds. Soundscape: the Schhol fo Sound Lectures 1998-2001. London; New York: Wallflower Press, pp. 28-34.

Deutsch, S., 2001. Harnessing the Power of Music & Sound Design in Interactive Media. In: Earnshaw, R and Vince, J, eds. Digital Content Creation. Springer Verlag, pp. 20-24.

E

Erickson, K., 2013. Evaluating the Impact of Parody on the Exploitation of Copyright Works: An Empirical Study of Music Video Content on YouTube. Project Report. London: Intellectual Property Office UK.

F

Flintham, J., 2003. Reverberate. Multimedia.UK: UNSPECIFIED.

G

Gibson, D. and Polfreman, R., 2011. An Architecture For Creating Hosting Plug- Ins For Use In Digital Audio Workstations. In: International Computer Music Conference 2011, 31 July - 5 August 2011, University of Huddersfield, England..

I

Isley, V. and Smith, P., 2009. Lost Calls of Cloud Mountain Whirligigs (view 1, left & right). Computer generated.Berlin, Germany: [DAM]Berlin.

Isley, V. and Smith, P., 2007. Ornamental Bug Garden 002. Screen based computational art work.Southampton, UK: boredomresearch.

Isley, V. and Smith, P., 2002. System 1.6 (Projection installation). Computational Artwork.Theatre of Restless Automata solo exhibition, Peterborough Digital Arts. FILE04, Electronic Language International Festival, Brazil. SoundToys Convergence exhibition, ICA, London. Tiny Beasts of Burden Open Hand Open Space solo exhibition, Reading. Data:B: UNSPECIFIED.

K

King, K., Miles, S. and Speight, C., 2010. The evaluation of the creative campus initiative. Project Report. University of Brighton. (Unpublished)

Kretschmer, M., 2006. Is copy control dead? Impressions on a volt-face in digital rights management. Copyright World, Decemb.

Kretschmer, M., 2006. Flash mobbing: Martin Kretschmer explores where infringement adds value. Copyright World, Novemb.

Kretschmer, M., 2006. Setting the value: what is correct royalty tariff for dowload music? Copyright World, March.

Kretschmer, M., 2005. Artists' earnings and copyright: a review of British and German music industry data in the context of digital technologies. First Monday, 10 (1), pp. 1-14.

Klimis, G.M., Wallace, R. and Kretschmer, M., 2001. Music in electronic markets: an empirical study. New Media & Society, 3 (4), pp. 417-441.

Kretschmer, M., 2000. Intellectual property in music: a historical analysis of rhetoric and institutional practices, studies in cultures, organizations and societies. Creative Industries, 6 (2), 197 -223.

Kretschmer, M., Klimis, G.M. and Wallis, R., 2000. The effects of Internet technologies on the music industry: strategic and scenario analyses (1996-9). In: British Academy of Management Annual Conference (BAM2000), 13-15 Sept 2000, Edinburgh. (Unpublished)

M

McKinney, C. and Renaud, A., 2011. Leech: BitTorrent and Music Piracy Sonification. Sound and Music Computing.

McIntyre, C., 2009. Diminishing varieties of active and creative retail experience: the end of the music shop? Journal of Retailing and Consumer Services, 16 (6), pp. 466-476.

R

Renaud, A., 2011. Cueing and composing for long distance network music collaborations. In: Proceedings of AES 44th Conference on Audio Networking, 18-20 November 2011, University of California, San Diego, USA,. AES.

Renaud, A., 2011. An evening of experimental network music. [Show/Exhibition]

Round, J., 2010. Reconstructing Alice Cooper: From the Inside to The Last Temptation. Journal of Graphic Novels and Comics, 1 (2), pp. 151-170.

Renaud, A., 2010. Dynamic Cues for Network Music Interactions. In: SMC 2010: 7th Sound Music and Computing Conference, 21-24 July 2010, Universitat Pompeu Fabra, Barcelona, Spain.

Round, J., 2010. ‘The Grandest Guignol!’ Reconstructing Alice Cooper in The Last Temptation (Neil Gaiman/Michael Zulli). In: International Graphic Novel and Comic Conference. Comics: cultures & genres, 13-14 April 2010, Manchester Metropolitan University, England. (Unpublished)

Renaud, A. and Caceres, J.P., 2008. Playing the Network: The Use of Time Delays as Musical Devices. In: ICMC 2008. International Computer Music Conference, 24-29 August 2008, Sonic Arts Research Centre, Queens University, Belfast, Northern Ireland.

Renaud, A. and Caceres, J.P., 2008. Real Time Wide Area Network Musical Collaborations. In: ANET II: High Quality Audio over Networks Summit, 11-13 April 2008, Banff, Alberta, Canada. (Unpublished)

Renaud, A. and Caceres, J.P., 2007. Musicking Over the Network: An Emerging Socio-Cultural Practice? In: Swissnex Roundtable, 30 May 2007, San Francisco, California, USA. (Unpublished)

Renaud, A., 2007. Network Music Performance: Is it the Music of the Future? In: CCRMA Colloquium. Center for Computer Research in Music and Acoustics, April 2007, Stanford University, California, USA. (Unpublished)

Renaud, A., Carot, A. and Rebelo, P., 2007. Networked Music Performance: State of the Art. In: Audio Engineering Society (AES) 30th International Conference on Intelligent Audio Environments, 15-17 March 2007, Saariselka, Finland..

Rebelo, P. and Renaud, A., 2006. The Frequencyliator: Distributing Structures for Networked Laptop Improvisation. In: NIME 06. New Interfaces for Musical Expression: Network Performance, 4-8 June 2006, Centre Pompidou, Paris, France, pp. 53-56.

Renaud, A. and Latonero, M., 2006. Network Performance Practice: Emerging Technological Change in Playing Music. In: International Association for the Study of Popular Music (IASPM) Conference 2006: The Futures of Music., 1-3 September 2006, University of Birmingham, England.

Renaud, A. and Rebelo, P., 2006. Network Performance: Strategies and Applications. In: NIME 06. New Interfaces for Musical Expression: Network Performance, 4-8 June 2006, Centre Pompidou, Paris, France. (Unpublished)

Renaud, A. and Rebelo, P., 2005. Distributed Cues in Networked Improvisation. In: Live Algorithms For Music (LAM), 19-20 December 2005, Department of Computing and Department of Music, Goldsmith's College, London. (Unpublished)

Renaud, A., 2004. Online Music: Are We There Yet? In: Postgraduate Colloquium, February 2004, University of Westminster, London. (Unpublished)

S

Staelens, Y., 2011. English folk music on the margin - Cecil Sharp's gypsies. In: Staelens, Y., ed. Sharing Cultures 2011. Greenlines Institute, pp. 247-253.

Schierz, A. C. and Budka, M., 2011. High--Performance music information retrieval system for song genre classification. In: Proc. of the 19th International Symposium on Methodologies for Intelligent Systems (ISMIS'11), June 2011, Warsaw, Poland, pp. 725-733.

Skinner, J. H., 2011. A New score for Pandora's Box (Pabst, 1929). PhD Thesis (PhD). Bournemouth University.

Staelens, Y., 2011. Cecil Sharp was not a controlling manipulator. The Guardian.

Schierz, A. C., Budka, M. and Apeh, E., 2011. Winners’ notes. Using Multi-Resolution Clustering for Music Genre Identification. TunedIT.

Staelens, Y., 2011. Mapping the singing landscape. Centre for the History of Music in Britain, the Empire and the Commonwealth (CHOMBEC) News (10), pp. 5-7.

Staelens, Y. and Bearman, C. J., 2010. The Gloucestershire Folk Map. Project Report. Poole, England: Bournemouth University.

Smith, P. and Isley, V., 2010. Lost Calls of Cloud Mountain Whirligigs (view 2, left & right). Computer generated.Istanbul, Turkey: UNSPECIFIED.

Street, S. and Hall, A., 2009. The Blackbird - The Life and Legacy of Delia Murphy. Radio. Newstalk Radio, Ireland/ABC Radio National, Australia, CBC Radio 1, Canada: UNSPECIFIED. 31 October 2009.

Street, S., 2009. The A to Z of British Radio. Maryland, USA: Scarecrow Press.

Staelens, Y., 2009. The Singing Landscape Project. In: Lira, S., Amoêda, R., Pinheiro, C., Pinheiro, J. and Oliveira, F., eds. Sharing Cultures 2009. Barcelos, Portugal: Green Lines Institute for Sustainable Development, pp. 523-530.

Staelens, Y., 2008. Book Review: Girl Groups, Girl Culture: Popular Music and Identity in the 1960's (Jacqueline Warwick). Journal of Folklore Research.

Shroeder, F., Renaud, A., Rebelo, P. and Gualda, F., 2007. Addressing The Network: Perfomative Strategies for Playing Apart. In: ICMC 2007: Immersed Music. International Computer Music Conference 2007, 27-31 August 2007, Holmen Island, Copenhagen, Denmark.

Street, S., Bailey, T. and Deutsch, S., 2003. Sounding the past: three silent films. Journal of Media Practice, 4 (1), pp. 41-54.

Soetendorp, R. and Kretschmer, M., 2003. Current developments - Europe: European Community. Intellectual Property Forum, 53, pp. 75-76.

Staelens, Y., 2002. Girls Rock ON! Project Report. Chard: Chard Foundation for Women in Music.

W

Wallis, R., Baden-Fuller, C., Kretschmer, M. and Klimis, G.M., 1999. Contested collective administration of intellectual property rights in music: the challenge to the principles of reciprocity and solidarity. European Journal of Communication, 14 (1), pp. 5-35.