Items where Subject is "Arts > Music"

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Number of items at this level: 39.

B

Bell, S., Tippett, K., Tippetts, J., Baker, A. and Stevens, P., 2010. Small Journey. [Show/Exhibition]

Bearman, C. J. and Staelens, Y., 2010. The Hampshire Folk Map. Project Report. Poole, England: Bournemouth University.

Bearman, C. J. and Staelens, Y., 2006. The Somerset Folk Map. Project Report. Somerset County Council.

D

Davis, T., 2011. Towards a Relational Understanding of the Performance Ecosystem. Organised Sound, 16 (2), pp. 120-124.

Davis, T., 2010. On Listening to Installation. Performance Research: A Journal of the Performing Arts, 15 (3), pp. 66-71.

Davis, T., 2010. Complexity as Process: Complexity Inspired Approaches to Composition. Organised Sound, 15 (2), pp. 137-146.

Deutsch, S., 2009. A Concise History of Western Music for Film-makers. The Soundtrack, 2 (1), pp. 23-38.

Davis, T., 2008. Cross-Pollination: Towards an aesthetics of the real. In: ICMC 2008. International Computer Music Conference, 24-29 August 2008, Sonic Arts Research Centre, Queens University, Belfast, Northern Ireland.

Davis, T. and Rebelo, P., 2007. Environments for sonic ecologies. In: Evoworkshops, Valencia, pp. 508-516.

Davis, T. and Karamanlis, O., 2007. Gestural control of sonic swarms: Composing with grouped sound objects. In: 4th Sound and Music Computing Conference, 11-13 Jul 2007, Lefkada, Greece.

Deutsch, S., 2007. The Soundtrack (Putting Music in Its Place). The Soundtrack, 1 (1), pp. 3-13.

Davis, T. and Rebelo, P., 2005. Hearing Emergence: Towards Sound-Based Self-Organisation. In: Proceedings of ICMC2005: International Computer Music Conference, September 2005, Barcelona, Spain.

Davis, T. and Rebelo, P., 2005. Natural Selection: A Stethoscopic Amphibious Installation. In: GA2005: Generative Art Conference, 15-17 December 2005, Milan, Italy.

Deutsch, S., 2001. Harnessing the Power of Music & Sound Design in Interactive Media. In: Earnshaw, R and Vince, J, eds. Digital Content Creation. Springer Verlag, pp. 20-24.

E

Erickson, K., 2013. Evaluating the Impact of Parody on the Exploitation of Copyright Works: An Empirical Study of Music Video Content on YouTube. Project Report. London: Intellectual Property Office UK.

G

Gibson, D. and Polfreman, R., 2011. An Architecture For Creating Hosting Plug- Ins For Use In Digital Audio Workstations. In: International Computer Music Conference 2011, 31 July - 5 August 2011, University of Huddersfield, England..

I

Isley, V. and Smith, P., 2009. Lost Calls of Cloud Mountain Whirligigs (view 1, left & right). Computer generated.Berlin, Germany: [DAM]Berlin.

Isley, V. and Smith, P., 2007. Ornamental Bug Garden 002. Screen based computational art work.Southampton, UK: boredomresearch.

K

Kretschmer, M., 2006. Is copy control dead? Impressions on a volt-face in digital rights management. Copyright World, Decemb.

Kretschmer, M., 2006. Flash mobbing: Martin Kretschmer explores where infringement adds value. Copyright World, Novemb.

Kretschmer, M., 2006. Setting the value: what is correct royalty tariff for dowload music? Copyright World, March.

Kretschmer, M., 2005. Artists' earnings and copyright: a review of British and German music industry data in the context of digital technologies. First Monday, 10 (1), pp. 1-14.

Klimis, G.M., Wallace, R. and Kretschmer, M., 2001. Music in electronic markets: an empirical study. New Media & Society, 3 (4), pp. 417-441.

M

McKinney, C. and Renaud, A., 2011. Leech: BitTorrent and Music Piracy Sonification. Sound and Music Computing.

R

Renaud, A., 2011. Cueing and composing for long distance network music collaborations. In: Proceedings of AES 44th Conference on Audio Networking, 18-20 November 2011, University of California, San Diego, USA,. AES.

Renaud, A., 2011. An evening of experimental network music. [Show/Exhibition]

Round, J., 2010. Reconstructing Alice Cooper: From the Inside to The Last Temptation. Journal of Graphic Novels and Comics, 1 (2), pp. 151-170.

Renaud, A., 2010. Dynamic Cues for Network Music Interactions. In: SMC 2010: 7th Sound Music and Computing Conference, 21-24 July 2010, Universitat Pompeu Fabra, Barcelona, Spain.

S

Staelens, Y., 2011. English folk music on the margin - Cecil Sharp's gypsies. In: Staelens, Y., ed. Sharing Cultures 2011. Greenlines Institute, pp. 247-253.

Skinner, J. H., 2011. A New score for Pandora's Box (Pabst, 1929). PhD Thesis (PhD). Bournemouth University.

Staelens, Y., 2011. Cecil Sharp was not a controlling manipulator. The Guardian.

Schierz, A. C., Budka, M. and Apeh, E., 2011. Winners’ notes. Using Multi-Resolution Clustering for Music Genre Identification. TunedIT.

Staelens, Y. and Bearman, C. J., 2010. The Gloucestershire Folk Map. Project Report. Poole, England: Bournemouth University.

Smith, P. and Isley, V., 2010. Lost Calls of Cloud Mountain Whirligigs (view 2, left & right). Computer generated.Istanbul, Turkey: UNSPECIFIED.

Street, S. and Hall, A., 2009. The Blackbird - The Life and Legacy of Delia Murphy. Radio. Newstalk Radio, Ireland/ABC Radio National, Australia, CBC Radio 1, Canada: UNSPECIFIED. 31 October 2009.

Street, S., 2009. The A to Z of British Radio. Maryland, USA: Scarecrow Press.

Street, S., Bailey, T. and Deutsch, S., 2003. Sounding the past: three silent films. Journal of Media Practice, 4 (1), pp. 41-54.

Soetendorp, R. and Kretschmer, M., 2003. Current developments - Europe: European Community. Intellectual Property Forum, 53, pp. 75-76.

Staelens, Y., 2002. Girls Rock ON! Project Report. Chard: Chard Foundation for Women in Music.

This list was generated on Wed Apr 23 12:42:39 2014 IST.