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Number of items: 212.

Borghi, M., 2017. Copyright and the commodification of authorship in 18th and 19th Century Europe. Oxford Research Encyclopedia of Literature.

Borghi, M., 2017. Genetic information and intellectual property rights. In: Genetic Information and Individual Rights, 29-30 June 2017, University of Perugia.

Nguyen, A., 2017. Exciting times in the shadow of the post-truth era: news, numbers and public opinion in a data-driven world. In: Nguyen, A., ed. News, Numbers and Public Opinion in a Data-Driven World. Bloomsbury Publishing.

Surowiec, P., 2017. Post-truth soft power: changing facets of propaganda, kompromat and liberal democracy. Georgetown journal of international affairs, 18 (3), 21 - 27.

Callus, P., 2017. Remediations of Nonfiction: Animation, Interactivity and Documentary from Africa. Critical Interventions, 11 (3), 269-286.

Lilleker, D. and Bonnaci, D., 2017. The structure of political e-expression: What the Brexit campaign can teach us about political talk on Facebook. International Journal of Digital Television, 8 (3), 335 - 350.

Cownie, F., 2017. Entitlement in HE: student and academic perspectives. In: Society for Research in HIgher Education Annual Conference, 6-8 December 2017, Celtic Manor, Newport, Wales.

Round, J., 2017. Canon or Common? Sandman, aesthetics and literariness (Keynote address). In: ComFor, 1-3 December 2017, Bonn, Germany. (Unpublished)

Chignell, H., 2017. British radio drama and the avant-garde in the 1950s. Historical Journal of Film, Radio and Television, 37 (4), 649-664.

Garcia, D., 2017. Dark Jesters Hiding in Plain Sight. In: Fiction as Method. Sternberg Press, 73-102.

Skoog, K., 2017. Neither worker nor housewife but citizen: BBC’s Woman’s Hour 1946–1955. Women's History Review, 26 (6), 953-974.

Zhang, F., Wang, Z., Chang, J., Zhang, J. J. and Tian, F., 2017. A fast framework construction and visualization method for particle-based fluid. Eurasip Journal on Image and Video Processing, 2017 (1), 79.

Round, J., 2017. Graphic Gothic. Studies in Comics, 8 (2), 129 - 134.

Pullen, C., 2017. Transpeople in Performative Documentary: Self-Representation, Citizenship and Transparency. Journal of Popular Culture, 50 (6), 1376-1399.

Pamment, J., Dolea, E.-A. and Ingenhoff, D., 2017. Introduction: The European refugee crisis: Organisational responses and communication strategies. Journal of Communication Management, 21 (4), 322-325.

Proctor, W., 2017. Retroactive Continuity and Reboots. In: Wolf, M.J.P., ed. The Routledge Companion to Imaginary Worlds. London: Routledge.

Jiang, Y., Yang, T. and Chang, J., 2017. Solid deformation by material point method. Communications in information and systems, 16 (3), 127 - 146.

Oliver, J. J., 2017. Developing a distinctive digital research profile & network. In: Kucirkova, N. and Quinlan, O., eds. The Digitally Agile Researcher. London: Open University Press/ McGraw-Hill Education, 80 - 87.

Freeman, M. and Proctor, W., 2017. Up All Night: The Shifting Roles of Home Media Formats as Transmedia Storytelling. In: Wroot, J. and Willis, A., eds. DVD, Blu-ray and Beyond Navigating Formats and Platforms within Media Consumption. Palgrave MacMillan, 159 - 176.

Jenkins, R. and Molesworth, M.R., 2017. Conceptualizing consumption in the imagination: Relationships and movements between imaginative forms and the marketplace. Marketing Theory, 18 (3), 327-347.

Frerichs, D., 2017. Computer graphics simulation of organic and inorganic optical and morphological appearance changes. Doctoral Thesis (Doctoral). Bournemouth University.

Lilleker, D., Koc-Michalska, K., Negrine, R., Gibson, R., Vedel, T. and Strudel, S., 2017. Social media campaigning in Europe: Mapping the terrain. Journal of Information Technology and Politics, 14 (4), 293 -298.

Devis-Rozental, C., Eccles, S. and Mayer, M., 2017. Developing socio-emotional intelligence in first year HE students through one-to-one learning development tutorials. Journal of Learning Development in Higher Education, 12, 389.

Masters, T., 2017. Eclogues I & II. Southampton: Alderwood Press.

Cownie, F., 2017. Gratitude and its drivers within higher education. Journal of Marketing for Higher Education, 27 (2), 290-308.

Mimler, M., 2017. Henning Grosse Ruse-Khan, The Protection of Intellectual Property in International Law (Oxford University Press, 2016) 544 pp. (Book review). Queen Mary Journal of Intellectual Property, 7 (4), 490 - 491.

Costello, J., Homberg, F. and Secchi, D., 2017. The public service-motivated volunteer devoting time or effort: a review and research agenda. Voluntary Sector Review, 8 (3), 299-317.

Towse, R., 2017. Economics of Music Publishing: Copyright and the Market. Journal of Cultural Economics, 41 (4), 403-420.

Yang, T., Chang, J., Lin, M.C., Martin, R.R., Zhang, J. J. and Hu, S-M., 2017. A Unified Particle System Framework for Multi-Phase, Multi-Material Visual Simulations. In: SIGGRAPH Asia 2017, 27-30 November 2017, Bangkok, Thailand.

Murphy, J., 2017. Passion and Imagination: Yeats’s ‘Fundamental Agreement’ with Lewis at Phase 9 in the Great Wheel of A Vision. The Journal of Wyndham Lewis Studies (JWLS), 7, 194 - 201.

Wang, M., Fan, Y., Guo, S., Liao, M., Chang, J. and He, D., 2017. Feature-enhanced Surfaces from Incomplete Point Cloud with Segmentation and Curve Skeleton Information. In: 2017 International Conference on Virtual Reality and Visualization (ICVRV), 21-22 October 2017, Zhengzhou, China, 97 - 102.

Fryazinov, O. and Pasko, A., 2017. Implicit variable-radius arc canal surfaces for solid modeling. Computer-Aided Design and Applications, 14 (3), 251- 258.

Dong, X., Dong, J., Zhou, H., Sun, J. and Tao, D., 2017. Automatic Chinese Postal Address Block Location Using Proximity Descriptors and Cooperative Profit Random Forests. IEEE Transactions on Industrial Electronics, 65 (5), 4401-4412.

Thorsen, E., 2017. Cryptic journalism: News reporting of encryption. Digital Journalism, 5 (3), 299-317.

Van Raalte, C., 2017. Watching the warriors: the female hero and the ‘logistics of perception’ in 'Zero Dark Thirty'. In: Gildersleeve, J. and Gehrmann, R., eds. Memory and the Wars on Terror: Australian and British Perspectives. Queensland, Australia: Palgrave Macmillan, 91-109.

Li, W, Zheng, A., You, L., Yang, X., Zhang, J. J. and Liu, L., 2017. Rib-reinforced Shell Structure. Computer Graphics Forum, 36 (7), 15-27.

Comelli, A., Bruno, A., Di Vittorio, M. L., Ienzi, F., Lagalla, R., Vitabile, S. and Ardizzone, E., 2017. Automatic multi-seed detection for MR breast image segmentation. In: 19th International Conference on Image Analysis and Processing, 11-15 September 2017, Catania, Italy, 706 -717.

Dolea, E.-A., 2017. Disruption and creativity in shaping a country image and identity through citizen diplomacy: The 2017 protests in Romania. In: EUPRERA Annual Congress, 12-14 October 2017, London.

Bamford, N., 2017. Event cinema as Adaptation A stage, a screen or a compromised experience? In: JMComm 2017, 9-10 October 2017, Hotel Fort Canning, Singapore, 1 - 5.

Gabriel, D, 2017. Overcoming objectification and dehumanisation in academia. In: Gabriel, D and Tate, S., eds. Inside the Ivory Tower: Narratives of Women of Colour Surviving and Thriving in British Academia. London: Trentham Books.

Proctor, W., 2017. "Bitches Ain't Gonna Hunt No Ghosts": Totemic Nostalgia, Toxic Fandom and the Ghostbusters Platonic. Palabra Clave, 20 (4), 1105-1141.

Yaxley, H., 2017. Career strategies in public relations: constructing an original tapestry paradigm. Doctoral Thesis (Doctoral). Bournemouth University.

Callus, P. and Potter, C., 2017. Michezo Video: Nairobi’s gamers and the developers who are promoting local content Michezo Vidéo: Les joueurs et les développeurs de Nairobi promouvant le contenu local. Critical African Studies, 9 (3), 302-326.

Oshima, S. and Asmuß, B., 2017. Identities as Organizational Practices: The Case of Informal Lunchroom Meetings. In: British Academy of Management, 5-7 September 2017, Warwick University, UK.

Frost, S., 2017. Othering ourselves: Re-reading Rudyard Kipling and 'The Strange Ride of Morrowbie Jukes' (1885). Nordic Journal of English Studies, 16 (2), 12-32.

Yang, T., Martin, R.R., Lin, M.C., Chang, J. and Hu, S., 2017. Pairwise Force SPH Model for Real-Time Multi-Interaction Applications. IEEE Transactions on Visualization and Computer Graphics, 23 (10), 2235-2247.

Dolea, E.-A., 2017. Exploring the evolution of Public Relations in post-communist Romanian book publishing industry: a historical and sociological approach. Romanian journal of sociology/ Revista Română de sociologie, XXVIII (3-4), 173 - 199.

Round, J., 2017. Spaces of Horror in Locke and Key. In: Comics Forum, 21-22 September 2017, Leeds, UK. (Unpublished)

Elsheikh, D., 2017. Campaign professionalism and the ‘birth’ of democracy. Analyzing the 2012 first multi-candidate presidential election in post-revolutionary Egypt. Doctoral Thesis (Doctoral). Bournemouth University.

Brylla, C., 2017. Spectatorship and alternative portrayals of blindness. In: Brylla, C. and Hughes, H., eds. Documentary and Disability. Palgrave Macmillan, 61 - 77.

Razack, Z., 2017. Supporting the learner's playfulness and creativity as learning mechanisms: design specifications for interactive interfaces in arts museums. Masters Thesis (Masters). Bournemouth University.

Hearing, T. and Jones, K., 2017. Film as Research/Research as Film. In: Leavy, P., ed. Handbook of Arts-Based Research. New York: Guilford Press, 425-436.

Khorokhorina, T., 2017. The exploratory study of public opinion on terrorism and factors influencing it in Kazakhstan. Masters Thesis (Masters). Bournemouth University.

Surowiec, P. and Štětka, V., 2017. Introduction: social media, politics and democracy in the post-transition Central and Eastern Europe. In: Surowiec, P. and Štětka, V., eds. Social media and politics in Central and Eastern Europe. London: Routledge, 1- 19.

Liang, H., Chang, J., Deng, S., Chen, C., Tong, R. and Zhang, J. J., 2017. Exploitation of multiplayer interaction and development of virtual puppetry storytelling using gesture control and stereoscopic devices. Computer Animation and Virtual Worlds, 28 (5), e1727.

Gyori, B., 2017. Shelley’s Heart Transmedia Learning Experience. Project Report. Shelley Theatre, Storyplaces, Klynt.

Bosher, H., 2017. A framework using the internal and external perspectives and its application to online copyright infringement: an analysis of copying and communication to the public. Doctoral Thesis (Doctoral). Bournemouth University.

Veneti, A., 2017. Aesthetics of protest: An examination of the photojournalistic approach to protest imagery. Visual Communication, 16 (3), 279-298.

Glynos, C., Aina, O.O. and Nait-Charif, H., 2017. Dynamic eye misalignment retroversion system (DEMRS). In: AIPR 2016: Applied Imagery Pattern Recognition Workshop, 18-20 October 2016, Washington, DC, USA.

Devis-Rozental, C., 2017. Developing socio-emotional intelligence in early years scholars. Doctoral Thesis (Doctoral). Bournemouth University.

Reneman, D. R., 2017. Collaboration in a multimedia environment: world-building and design strategy in music production. Masters Thesis (Masters). Bournemouth University.

Haskel, L. F., 2017. Participatory design and free and open source software in the not for profit sector – the Hublink Project. Doctoral Thesis (Doctoral). Bournemouth University.

Qin, Y., 2017. Fast and exact geodesic computation using Edge-based Windows Grouping. Doctoral Thesis (Doctoral). Bournemouth University.

Gabriel, D., 2017. Pedagogies of social justice and cultural democracy in media higher education. Media Education Research Journal (8.1), 35-48.

Jones, R. and Southern, R., 2017. Physically-Based Droplet Interaction. In: SCA '17: ACM SIGGRAPH / Eurographics Symposium on Computer Animation, 28 - 30 July 2017, Los Angeles, USA.

Frost, S., 2017. Readers and Retailed Literature: findings from a UK public High Street survey into purchasers’ expectations from books. LOGOS: The Journal of the World Book Community, 28 (2), 27-43.

Thomas, B., 2017. Whose story is it anyway? Following everyday accounts of living with dementia on social media. Style, 51 (3), 357-373.

Murphy, K., 2017. Book Review: Gender, Rhetoric and Regulation: Women's Work in the Civil Service and the London County Council, 1900-1959. Women's History, 2 (8), 37 - 38.

Rovisco, M. and Veneti, A., 2017. Picturing protest: visuality, visibility and the public sphere (special issue introduction). Visual Communication, 16 (3), 271-277.

Adi, A. and Lilleker, D., 2017. #rezist – Romania’s 2017 anti-corruption protests: causes, development and implications. Project Report. Berlin, Germany: Quadriga University.

Deng, S., Chang, J., Hu, S.M. and Zhang, J. J., 2017. Gaze modulated disambiguation technique for gesture control in 3D virtual objects selection. In: 3rd IEEE International Conference on Cybernetics (CYBCONF), 21-23 June 2017, Exeter, UK.

McDougall, J., 2017. Media Education Association: Field Scan. Project Report. London: Media Education Association.

Mimler, M. and McDonagh, L., 2017. Intellectual Property Law and the Brexit: A Retreat or a Reaffirmation of Jurisdiction? In: Dougan, M., ed. The UK after Brexit: Legal and Policy Challenges. Cambridge, UK: Intersentia, 159-180.

Brownsword, R. and Wale, J., 2017. The Right to Know and the Right Not to Know Revisited: Part One. Asian Bioethics Review, 9 (1-2), 3-18.

Lilleker, D., 2017. How to get citizens ‘involved’ in campaigns. Bournemouth, UK: Bournemouth University. (Unpublished)

McDougall, J. and Pereira, L., 2017. Digital Literacy and Education in the UK: COST Action IS1401- Strengthening Europeans’ Capabilities by Establishing the European Literacy Network. Project Report. Brussels: EU / COST.

Murphy, K., 2017. Relay Women: Isa Benzie, Janet Quigley and the BBC's Foreign Department, 1930-38. Feminist Media Histories, 5 (3), 114-139.

Nash, J., 2017. Eating Ourselves into Identity? An Investigation into the Relationship between Dining-Out Experiences and Identity Production on Instagram amongst Female Young Professionals. Journal of Promotional Communications, 5 (2), 156-175.

Cownie, F., 2017. Telling stories: opportunities for word-of-mouth communication. In: Academy of Marketing Annual Conference 2017: Freedom Through Marketing: Looking Back, Going Forward, 3-6 July 2017, Hull University Business School, England.

Franklin, I., 2017. BBC2 and world cinema. Journal of British Cinema and Television, 14 (3), 344 - 360.

Beecham, S. and Seyed Esfahani, M., 2017. The Home of Football: How Globalisation has Impacted the English Football Team. Journal of Promotional Communications, 5 (2), 227-247.

Cosson, F., 2017. Manchester Histories: Doing Your Oral History Project (Hidden Histories, Hidden Historians, Toolkit 2). Manchester, UK: Manchester Histories.

Davis, T. and Reid, L., 2017. Gemmeleg. Performance for the Feral Cello. Sound Music Computing Conference, Helsinki... 5 Jul 2017-8 Jul 2017. The Author.

Bradley, P. and Page, J., 2017. Bowie - The Trans Who Fell to Earth: Cultural Regulation, Bowie and Gender Fluidity. Continuum: Journal of Media and Cultural Studies, 31 (4), 583-595.

Munteanu, D.G., 2017. Improbable Curators: Analysing Nostalgia, Authorship and Audience on Tumblr Microblogs. In: Graham, J. and Gandini, A., eds. Collaborative Production in the Creative Industries. London: Westminster University Press, 125 - 156.

Wang, M., Guo, S., Liao, M.H., He, D., Chang, J., Zhang, J. J. and Zhang, Z., 2017. Pose selection for animated scenes and a case study of bas-relief generation. In: CGI '17: Proceedings of the Computer Graphics International Conference, 27-30 June 2017, Yokohama, Japan.

Barbieri, S., Cawthorne, B., Xiao, Z. and Yang, X., 2017. Repurpose 2D Character Animations for a VR Environment Using BDH Shape Interpolation. In: International Workshop on Next Generation Computer Animation Techniques, 23 June 2017, Bournemouth, Dorset, 69-85.

Dent, T., 2017. Feeling devalued: the creative industries, motherhood, gender and class inequality. Doctoral Thesis (Doctoral). Bournemouth University.

Huyen, T. and Costello, J., 2017. Quality versus Quantity: An Investigation into Electronic Word of Mouth’s Influence on Consumer Buying Intention. Journal of Promotional Communications, 5 (2), 137 - 155.

Thorsen, E., Jackson, D. and Lilleker, D., 2017. UK Election Analysis 2017: Media, Voters and the Campaign. Project Report. Poole, England: Centre for the Study of Journalism, Culture & Community, Bournemouth University, Centre for Media Research, Bournemouth University and Political Studies Association.

Gabriel, D., 2017. The othering and objectification of Diane Abbott MP in the 2017 UK General Election. In: Thorsen, E., Jackson, D. and Lilleker, D., eds. UK Election Analysis 2017: Media, Voters and the Campaign. Early reflections from leading academics. Poole, England: Centre for the Study of Journalism, Culture & Community, Bournemouth University, Centre for Media Research, Bournemouth University and Political Studies Association, 129-130.

Jenkins, R. and Denegri-Knott, J., 2017. Extending the mind: Digital devices and the transformation of consumer practices. In: Cochoy, F., Hagberg, H., Hansson, N. and Petersson McIntyre, M., eds. Digitalising Consumption: how devices shape consumer culture. Routledge, 85 - 102.

Sudbury, S., 2017. Glocalizing the 'other': British factual television and documentary practices in global media cultures. In: Srinivas, M., ed. Glocalization: Media Beyond Borders. Mumbai, India: Department of Mass Media, Kishinchand Chellaram College.

Lilleker, D., 2017. Political Campaigns. In: Moghaddam, F.M., ed. The SAGE Encyclopedia of Political Behavior. Sage, 603 - 606.

Proctor, W., 2017. Schrödinger’s Cape: The Quantum Seriality of the Marvel Multiverse. In: Yockey, M., ed. Make Ours Marvel: Media Convergence and a Comics Universe. University of Texas Press, 319-346.

Oliver, J. J., 2017. Is “transgenerational response” a hidden cause of failed corporate turnarounds and chronic underperformance? Strategy & Leadership, 45 (3), 23 - 29.

Khamkar, G., 2017. The evolution of British Asian radio in England: 1960-2004. Doctoral Thesis (Doctoral). Bournemouth University.

Perry, N., Bond, M. and Keane, D., 2017. Digital Visions:The Garden. Film. Poole, England: The Producers. 7 June 2017.

Barbieri, S., Cawthorne, B., Xiao, Z. and Yang, X., 2017. Repurpose 2D Animations for a VR Environment using BDH Shape Interpolation. In: Edutainment: The 11th International Conference on E-Learning and Games, 26-28 June 2017, Bournemouth, UK.

Stones, H., 2017. Safely navigating the oceans with unmanned ships. In: 12th International Conference on Marine Navigation and Safety of Sea Transportation (TransNav 2017), 21-23 June 2017, Gdynia, Poland.

McDougall, J., 2017. The idea of the University: Brightest and best or free but not easy? Three-D (28), 2-3.

Oliver, J. J., 2017. Dynamic capabilities: linking strategy, organizational innovation and corporate financial performance. In: Strategic Management Society Special Conference: Transforming Entrepreneurial Thinking into Dynamic Capabilities, 2 - 4 June 2017, Banff, Canada. (Unpublished)

Seddon, A., 2017. Traces of Play. Montpellier, France: The author.

Franklin, I., 2017. Introduction: Background, Context and the New Left. Journal of British Cinema and Television, 14 (3), 259 - 263.

Yates, C., 2017. The Panel in Context: An Introduction to The Talented Mr. Ripley. Free Associations, 70 (June 2017), 129 -150.

Vannini, S., Nemer, D. and Rega, I., 2017. Integrating mobile technologies to achieve community development goals: the case of telecenters in Brazil. In: Communities and Technologies 2017, 26-30 June 2017, Troyes, France.

Rodríguez-Salcedo, N. and Watson, T., 2017. The development of public relations in dictatorships - Southern and Eastern European perspectives from 1945 to 1990. Public Relations Review, 43 (2), 375-381.

Yates, C., Kahr, B., MacRury, I., Leipacher, M. and Hughes, C., 2017. "Identity Theft in The Talented Mr. Ripley: A post-panel discussion.". Free Associations, 70, 129 - 150.

Goodwin, E. and Ramjaun, T. R., 2017. Exploring Consumer Engagement in Gamified Health and Fitness Mobile Apps. Journal of Promotional Communication, 5 (2), 176 - 190.

Greenland, N. and Wilmore, M., 2017. Media and minority ethnic identity in Nepal. In: Udupa, S. and McDowell, S.D., eds. Media As Politics in South Asia. Routledge, 46-60.

Callus, P., 2017. Animating the DRC: Interview with Congolese Animator Jean-Michel Kibushi. Documentary Educational Resources.

Watt, E., 2017. The Right to Privacy and the Future of Mass Surveillance. International Journal of Human Rights, 21 (7), 773-799.

Guo, S.H., Wang, M.L., Notman, G., Chang, J., Zhang, J. J. and Liao, M.H., 2017. Simulating collective transport of virtual ants. Computer Animation & Virtual Worlds, 28 (3-4), e1779.

Zhang, Y., Liu, S., Yang, X., Zhang, J. J. and Shi, D., 2017. Supervised coordinate descent method with a 3D bilinear model for face alignment and tracking. Computer Animation & Virtual Worlds, 28 (3-4), e1773.

Round, J., 2017. Graphic Gothic: Reading the Comics Page. In: Graphic reading: a symposium, 19 May 2017, University of Birmingham. (Unpublished)

Round, J., 2017. Misty, Spellbound and the lost Gothic of British girls’ comics. Palgrave Communications, 3 (17037), 1-11.

Ward, A., Woodbury, L. and Davis, T., 2017. Design Considerations for Instruments for Users with Complex Needs in SEN Settings. In: NIME – The International Conference on New Interfaces for Musical Expression, 15 - 18 May 2017, Copenhagen, Denmark.

Adhikari, K., Bouchachia, A. and Nait-Charif, H., 2017. Activity Recognition for Indoor Fall Detection Using Convolutional Neural Network. In: 15th IAPR Conference on Machine Vision Applications (MVA2017), 8-12 May 2017, Nagoya, Japan.

Matthews, J., Charles, F., Porteous, J. and Mendes, A., 2017. Mise-En-Scène of Narrative Actions in Interactive Storytelling (Demonstration). In: 16th International Conference on Autonomous Agents and Multiagent Systems (AAMAS 2017 - Demos), 8 - 12 May 2017, Sao Paulo, Brazil. (Unpublished)

McDougall, J., 2017. 'Training and Capacity Building for Media and Information Literacy'. In: Frau-Meigs, D., Velez, I. and Flores-Michel, J., eds. Public Policies in Media and Information Literacy in Europe: Cross-Country Comparisons. Routledge.

Gerodimos, R., 2017. From “being tethered” to “going unplugged”: media addiction and the role of unplugging as a transformative tool of digital literacy. In: Abreu, B., Mihailidis, P., Lee, A., Melki, J. and McDougall, J., eds. International Handbook of Media Literacy Education. Routledge.

Van Raalte, C., 2017. Intimacy, ‘Truth' and the Gaze: The Double Opening of Zero Dark Thirty. Movie: A Journal of Film Criticism (7), 23 - 30.

Gunneriuson, H. and Bachmann, S.-D., 2017. Western Denial and Russian Control: How Russia’s National Security Strategy Threatens a Western-Based Approach to Global Security, the Rule of Law and Globalization. Polish Political Science Yearbook, 46 (1), 9 - 29.

Zhu, X., Song, L., You, L.H., Zhu, M., Wang, X. and Jin, X., 2017. Brush2Model: Convolution surface-based brushes for 3D modelling in head-mounted display-based virtual environments. Computer Animation & Virtual Worlds, 28 (3-4), e1764.

Wallis, R., 2017. Religious Literacy in Policy and Practice by Dinham, A. & Francis M. (Eds): book review. British Politics, 12 (2), 289-290.

Watt, E., 2017. The Role of International Human Rights Law in the Protection of Online Privacy in the Age of Surveillance. In: Rõigas, H., Jakschis, R., Lindström, L. and Minárik, T., eds. 9th International Conference on Cyber Conflict: Defending the Core. Tallinn, Estonia: NATO Cooperative Cyber Defence Centre of Excellence.

Quest, J. and Eccles, S., 2017. "Just taste this - what do you think?". In: AMA 12th Global Brand Conference: Sensory Branding, 26 - 28 April 2017, Linnaeus University School of Business and Economics, Kalmar, Sweden. (Unpublished)

Deng, S., Jiang, N., Chang, J., Guo, S. and Zhang, J. J., 2017. Understanding the impact of multimodal interaction using gaze informed mid-air gesture control in 3D virtual objects manipulation. International Journal of Human Computer Studies, 105, 68 - 80.

Madges, G., Miles, I. and Anderson, E. F., 2017. AnimDiff: Comparing 3D Animations for Revision Control. In: Eurographics 2017, 24-28 April 2017, Lyon, France.

Madges, G., Miles, I. and Anderson, E. F., 2017. Differencing and Merging for 3D Animation Revision Control. In: Eurographics 2017, 24-28 April 2017, Lyon, France.

Anderson, E. F., 2017. Generating ASCII-Art: A Nifty Assignment from a Computer Graphics Programming Course. In: Eurographics 2017, 24--28 April 2017, Lyon, France, 17 - 18.

Anderson, E. F., Duchowski, A., Liarokapis, F. and Redford, A., 2017. The New CGEMS - Preparing the Computer Graphics Educational Materials Source to Meet the Needs of Educators. In: Eurographics 2017, 24-28 April 2017, Lyon, France, 63 - 67.

Connolly, S. and Readman, M., 2017. Towards 'creative media literacy'. In: De Abreu, B.S., Mihailidis, P., Lee, A.Y.L., Melki, J. and McDougall, J., eds. International Handbook of Media Literacy Education. Abingdon, UK: Routledge.

Schroff, S., Favale, M. and Bertoni, A., 2017. The Impossible Quest – Problems with Diligent Search for Orphan Works. IIC- International Review of Intellectual Property and Competition Law, 48 (3), 286-304.

Qian, K., Bai, J., Yang, X., Pan, J. J. and Zhang, J. J., 2017. Essential techniques for laparoscopic surgery simulation. Computer Animation and Virtual Worlds, 28 (2), E1724.

Mimler, M., 2017. 'Metall auf Metall' – the German Federal Constitutional Court discusses the permissibility of sampling music tracks. Queen Mary Journal of Intellectual Property, 7 (1), 119 - 127.

Cosson, F., 2017. The Small Politics of Everyday Life: Local History Society Archives and the Production of Public Histories. Archives and Records, 38 (1), 45 - 60.

Liang, H., Chang, J., Kazmi, I. K., Zhang, J. J. and Jiao, P., 2017. Hand gesture-based interactive puppetry system to assist storytelling for children. Visual Computer, 33 (4), 517 - 531.

Brylla, C., 2017. Mediating Subjectivity through Materiality in Documentary Practice. In: Markham, T. and Rodgers, S., eds. Conditions of Mediation: Phenomenological Perspectives on Media. New York: Peter Lang Publishing, 223-236.

Miles, C., 2017. The Rhetoric of Co-Creation. In: Siegert, G., von Rimscha, M.B. and Grubenmann, S., eds. Commercial communication in the digital age: information or disinformation? Berlin: de Gruyter.

Ajayi, O. B., 2017. Transcending the oral roots of screenwriting practices in the Nigerian cinema. Doctoral Thesis (Doctoral). Bournemouth University.

Maszka, J. E., 2017. A strategic analysis of Al Shabaab. Doctoral Thesis (Doctoral). Bournemouth University.

Thomas, B., 2017. Tales from the Timeline: Experiments with Narrative on Twitter. Comparative Critical Studies, 13 (3), 353 - 369.

Brownsword, R., 2017. From erewhon to alphaGo: For the sake of human dignity, should we destroy the machines? Law, Innovation and Technology, 9 (1), 117 - 153.

Kazmi, I. K., 2017. Efficient sketch-based 3D character modelling. Doctoral Thesis (Doctoral). Bournemouth University.

McDougall, J., 2017. Media Literacy for Good Agency: If Jez We Could. Journal of Media Literacy, 64 (1/2), 20-26.

Herath, D., Costello, J. and Homberg, F., 2017. Team Problem Solving and Motivation under Disorganization – An agent-based modeling approach. Team Performance Management, 23 (1/2), 46-65.

Karanasiou, A. and Pinotsis, D.A., 2017. A study into the layers of automated decision-making: emergent normative and legal aspects of deep learning. International Review of Law, Computers and Technology, 31 (2), 170- 187.

Wang, Z, Liu, S., Qian, R., Jiang, T., Yang, X. and Zhang, J. J., 2017. Human motion data refinement unitizing structural sparsity and spatial-temporal information. In: IEEE 13th International Conference on Signal Processing (ICSP), 6-10 November 2016, Chengdu, China, 975 - 982.

Bond, M., 2017. Digital Transitions: Examining the impact of emerging digital technology on the practice, craft and visual language of the cinematographer. In: 9th Annual Postgraduate Conference of Bournemouth University Graduate School, 8 March 2017, Bournemouth, UK.

Lilleker, D., 2017. Evidence to the Culture, Media and Sport Committee 'Fake news' inquiry presented by the Faculty for Media & Communication, Bournemouth University. Documentation. Bournemouth University.

MacRury, I. and Yates, C., 2017. Framing the Mobile Phone: The Psychopathologies of an Everyday Object. CM: Communication and Media, 11 (38), 41 - 70.

Crossley, L., 2017. The Capra Touch: Nostalgia Culture in American Film. Film International, 15 (1), 11-22.

Fisher, A. and Walker, J., 2017. Italian horror cinema. Journal of Italian Cinema and Media Studies, 5 (2), 153 - 157.

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