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Borghi, M., 2018. Copyright, property and personality. Note on Hegel. In: CPIP Colloquium: Philosophical Approaches to IP, 31 May-1 June 2018, Hilton Head, SC, USA. (Unpublished)

De Martini Ugolotti, N. and Silk, M., 2018. Parkour, Counter-Conducts and the Government of Difference in Post-industrial Turin. City: analysis of urban trends, culture, theory, policy, action, 22 (5-6), 763-781.

Borghi, M. and Mimler, M., 2018. Rules of improvement for derivative works. Transplanting patent doctrine into copyright law. In: Intellectual Property in transitions: (Re)imagining intellectual property, 16-17 April 2018, University of Exeter. (Unpublished)

Franklin, I., 2018. oUtside mUte? Ut, No Wave and Blast First. In: Beaven, Z., O'Dair, M. and Osborne, R., eds. Mute Records: Artists, Business, History. London: Bloomsbury.

Brown, S., Hackley, C., Hunt, S.D., Marsh, C., O'Shaughnessy, N., Phillips, B.J., Tonks, D., Miles, C. and Nilsson, T., 2018. Marketing (as) Rhetoric: paradigms, provocations, and perspectives. Journal of Marketing Management, 34 (15-16), 1336 - 1378.

Miles, C. and Nilsson, T., 2018. Marketing (as) rhetoric: an introduction. Journal of Marketing Management, 34 (15-16), 1259 - 1271.

Mimler, M., 2018. Noam Shemtov, Beyond the Code – Protection of Non-Textual Features of Software (Oxford University Press, 2017) 288 pp (Book review). Interactive Entertainment Law Review, 1 (2), 123-124.

Southern, R., 2018. On the use of Particle-in-Cell methods in Visual Effects. In: UK Fluids Network SPH:Special Interest Group Meeting 3, 18 December 2018, University of Bristol.

Hrehovcsik, M., 2018. An analysis of design thinking in applied game design. Doctoral Thesis (Doctoral). Bournemouth University.

Troisi, A., 2018. OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound, 23 (3), 270-276.

Zhang, J., Lyu, Y., Wang, Y., Nie, Y., Yang, X., Zhang, J. J. and Chang, J., 2018. Development of laparoscopic cholecystectomy simulator based on unity game engine. In: CVMP 2018: 15th ACM SIGGRAPH European Conference on Visual Media Production, 13-14 December 2018, BFI Southbank, London.

Dayan, D., 2018. The manifestations of political power structures in documentary film. Doctoral Thesis (Doctoral). Bournemouth University.

Cownie, F., 2018. Do Alumni want to give back to their University? In: Annual Conference of Society for Research into Higher Education, 5-7 December 2018, Celtic Manor, Newport, Gwent..

Williams, C. and Polkinghorne, M., 2018. Defining the Stakeholder Interface: UK Higher Education and the Animation / Visual Effects Industry. In: PGR Live Exhibition 2018, 5 December 2018, Bournemouth University, Poole.

Shoukat, M.A., Sargano, A.B., Habib, Z. and You, L., 2018. Automatic depth estimation from single 2D image via transfer learning approach. In: 2nd European Conference on Electrical Engineering and Computer Science (EECS), 20-22 December 2018, Bern, Switzerland, 589 - 594.

Glück, A., 2018. De-Westernization and Decolonization in Media Studies. In: Oxford Encyclopedia of Communication and Critical Studies. Oxford University Press.

Best, E. and Costello, J., 2018. Saving a dog's life over a refugee- the charity marketing flaw. In: 17th International Congress on Public and Nonprofit Marketing, 6-7 September 2018, Bournemouth University.

Mbah, M., Eccles, S. and Frost, S., 2018. Student Perceptions and Institutional Targets: the matches and mismatches of financial bursary support. Widening Participation and Lifelong Learning, 20 (4), 129-147.

Zhao, H., McLoughlin, L., Adzhiev, V. and Pasko, A., 2018. "Why do we buy mass customised products?"-consumer's perspective of success factors for online mass customisation. In: MCP-CE 2018 8th International Conference on Mass Customization and Personalization Community of Europe: Digital Customer Experience, 18-21 September 2018, Novi Sad, Serbia.

Brylla, C. and Kramer, M., 2018. A pragmatic framework for the cognitive study of documentary. Projections (New York), 12 (2), 159 - 180.

Helmers, M., 2018. The Transition from the Silent into the Sound Era in German Cinema The Innovative Use of Sound in Pabst's Westfront 1918. Music, Sound, and the Moving Image, 12 (2), 121 - 139.

Zhang, M., Ma, Y., Wang, X., Wei, W. and Xiao, Z., 2018. 3D Model Retrieval Based on Vision Feature Fusion. In: 5th IEEE International Conference on Cloud Computing and Intelligence Systems, 23-25 November 2018, Nanjing, China.

Hearing, T., 2018. 'Edith' - an experiment in developing a new aesthetic of the television studio. Video/DVD. Bournemouth University: The Creator. 28 November 2018.

Scullion, R. and Armon, S., 2018. Democracy in a de-civilizing age: The rise of shameless personal truths. International Journal of Media and Cultural Politics, 14 (3), 283-300.

Oliver, J. J., 2018. Strategic Transformations in the Media. Journal of Media Business Studies, 15 (4), 278-299.

Mathews, P., 2018. It must be love: an exploration of the character arc model in screenwriting practice and theory. Doctoral Thesis (Doctoral). Bournemouth University.

Jones, K., 2018. Emotivity and Ephemera Research. In: Moutinho, L. and Sokele, M., eds. Innovative Research Methods in Management. London: Palgrave MacMillan.

Bamford, N., 2018. Emancipating Madame Butterfly (W/T) Queer adaptation by Pamela Damory. Chapter 11. In: Cutchins, D., Krebs, K. and Voigts, E., eds. The Routledge Companion to Adaptation. Los Angeles: Routledge.

Gardiner, Z and Cownie, F., 2018. Proximity and Consumer Trust in a Brand Crisis. Journal of Promotional Communications, 5 (3).

Mendis, D., 2018. In Pursuit of Clarity: The Conundrum of CAD Software and Copyright – Seeking Direction Through Case Law. European Intellectual Property Review, 40 (11), 694-705.

Wale, J., 2018. Screening Human Life - The Legal and Ethical Implications of Non-invasive Prenatal Testing. In: AMPS Proceedings 11. Health: The Design, Planning and Politics of How and Where We Live. AMPS, 20-28.

Han, X., McDougall, J., Mott, C. and Sudbury, S., 2018. Hunger by the Sea: Partnerships in The Brave Third Space. International Journal for Students as Partners, 2 (2), 71-84.

Gabriel, D., 2018. Social closure White male privilege and female complicity:why gender equality still has a long way to go. The Author.

Mimler, M., 2018. “On how to deal with Pandora’s Box – Copyright in works of Nazi leaders”. In: Bonadio, E. and Lucchi, N., eds. Non-Conventional Copyright: Do New and Atypical Works Deserve Protection? Cheltenham. UK: Edward Elgar Publishing, 432-454.

McDougall, J., Readman, M. and Wilkinson, P., 2018. The Uses of (Digital) Literacy. Learning, Media and Technology, 43 (3), 263-279.

McDougall, J., Zezulkova, M., Van Driel, B. and Sternadel, D., 2018. Teaching media literacy in Europe: evidence of effective school practices in primary and secondary education, NESET II report. Project Report. Luxembourg: Publications Office of the European Union.

Neag, A. and Berger, R., 2018. Always On, But Never There: Political Parody, the Carnivalesque and the Rise of the ‘Nectorate’. In: Ross, A. and Rivers, D., eds. Discourses of (De)Legitimization: Participatory Culture in Digital Contexts. Routledge.

Costello, J., 2018. Preparing tomorrow’s practitioners. In: Waddington, S., ed. Platinum: An anthology of essays crowdsourced from members. Chartered Institute of Public Relations.

Miles, C., 2018. Service-Dominant Logic: The Evolution of a Universal Marketing Rhetoric. In: Tadajewski, M., Higgins, M., Denegri-Knott, J. and Varman, R., eds. The Routledge Companion to Critical Marketing. London: Routledge, 241 - 258.

Goodman, S., 2018. Graham Greene: Political Writer [Book Review]. English Studies, 99 (6), 713 - 715.

Proctor, W., 2018. Transmedia Comics: Seriality, Sequentiality and the Shifting Economies of Franchise Licensing. In: Freeman, M. and Gambarato, R.R., eds. The Routledge Companion to Transmedia Studies. London, New York: Routledge.

Pullen, C., 2018. Queer Male Bodies and the Cinematic Liminal Beach. Film International, 16 (3), 27-36.

Callus, P., 2018. The rise of Kenyan political animation: tactics of subversion. In: Limb, P. and Tejumola, O., eds. Taking African Cartoons Seriously: Politics, Satire, and Culture. East Lansing, MI: Michigan State University Press, 71-98.

Yates, C. and Weissmann, D., 2018. A Psychosocial Study of Political Followership: The Case of the Young Corbynites. Journal of Psychosocial Studies, 11 (2), 1-32.

Hearing, T., 2018. TV Riddles, TV Riddles - a practice as research experiment in visual and oral ambiguity. Film. Bournemouth University Research Film Showcase in the Arts By The Sea Festival: The Creator. 29 September 2018.

Murphy, J., 2018. “This Picture Caused a Rumpus”: Revisiting the T.S. Eliot Portrait’s New Lease of Life at the Durban Art Gallery, South Africa. The Journal of Wyndham Lewis Studies (JWLS), 8, 1 - 12.

Khamkar, G., 2018. The Greater London Council’s initiatives: A precursor of British Asian radio broadcasting. Journal of Radio & Audio Media, 25 (2), 337 - 347.

Gouvatsos, A., 2018. 3D storyboarding for modern animation. Doctoral Thesis (Doctoral). Bournemouth University.

Zheng, J., Lu, C., Yu, H., Wang, W. and Chen, S., 2018. Iterative Reconstrained Low-rank Representation via Weighted Nonconvex Regularizer. IEEE Access, 6, 51693-51707.

Witchel, H. J., Oberndorfer, C., Needham, R., Healy, A., Westling, C. E. I., Guppy, J. H., Bush, J., Barth, J., Herberz, C., Roggen, D., Eskofier, B. M., Rashid, W., Chockalingam, N. and Klucken, J., 2018. Thigh-derived inertial sensor metrics to assess the sit-to-stand and stand-to-sit transitions in the timed up and go (TUG) Task for quantifying mobility impairment in multiple sclerosis. Frontiers in Neurology, 9 (September), 684.

Wu, M. and Xiao, Z., 2018. Character animation reconstruction from content based motion retrieval. In: Computer Graphics & Visual Computing (CGVC) 2018, 13 - 14 September 2018, Swansea, UK.

Sreedharan, C. and Thorsen, E., 2018. Voices from Nepal: Lessons in Post-Disaster Journalism. Other. Poole, England: Centre for the Study of Journalism, Culture and Community, Bournemouth University.

Helmers, M., 2018. A new narrative frame: sound design and conceptual storytelling in German film 1930-1933. Doctoral Thesis (Doctoral). Bournemouth University.

Towse, R., 2018. Copyright Reversion in the Creative Industries: Economics and Fair Remuneration. The Columbia journal of law and the arts, 41 (3), 467 -489.

Corrigall, M., 2018. Reframing Johannesburg’s urban politics through the lens of the Chinese Camera Club of South Africa. Social Dynamics, 44 (3), 510- 527.

Brylla, C., 2018. The benefits of content analysis for filmmakers. Studies in Australasian Cinema, 12 (2-3), 150 - 161.

Kear, A., 2018. Digital Technology Disorder: Justification and a proposed model of treatment. International Journal of Advanced Computer Science and Applications, 9 (8), 651 - 665.

Stutterheim, K., 2018. Dokumentarfilm über Geschichte für die Zukunft Eine dramaturgische Studie des Films "Die Siedler Francos" im Kontext der Neoliberalisierung der Medienlandschaft. In: Post, D. and Palacios, L., eds. Die Siedler Francos: Ein Beispiel für die Zurückdrängung des suchenden Dokumentarfilms (Franco-Diktatur). Berlin, Germany: Play Loud!.

Kang, K., 2018. Making paradoxes invisible: international law as an autopoietic system. International Journal of Law in Context, 14 (3), 315-334.

Stutterheim, K., 2018. Music as element of narration in poetic documentaries. New Soundtrack, 8 (2), 103-107.

Lilleker, D., 2018. Politics in a post-truth era. International Journal of Media & Cultural Politics, 14 (3), 277 - 282.

Poulakidakos, S., Veneti, A. and Frangonikolopoulos, C., 2018. Post-truth, propaganda and the transformation of the spiral of silence. International Journal of Media and Cultural Politics, 14 (3), 367-382.

Klinkner, M., 2018. Reasonable truth. International Journal of Media & Cultural Politics, 14 (3), 393 - 399.

Lilleker, D. and Lifebroer, M., 2018. 'Searching for something to believe in': Voter uncertainty in a post-truth environment. International Journal of Media & Cultural Politics, 14 (3), 351 - 366.

Stutterheim, K., 2018. Dokumentarfilm über Geschichte und für die Zukunft. Eine dramaturgische Studie des Films „Die Siedler Francos“ im Kontext der Neoliberalisierung der Medienlandschaft. In: Post, D., ed. "Die Siedler Francos als Beispiel für die Zurückdrängung des suchenden Dokumentarfilms“. Playloud.

Borghi, M., 2018. Portabilità dei dati e regolazione dei mercati digitali / Data portability and regulation of digital markets. Mercato Concorrenza Regole, 10 (2), 223 - 245.

Aboualhuda, I., 2018. Media discourse of Egyptian and British newspapers' websites and its influence on the formation of images of Muslims and Islam post 25th January 2011 revolution. Doctoral Thesis (Doctoral). Bournemouth University.

Uwazuruike, C., 2018. Reporting terrorism: Boko Haram in the Nigerian press. Doctoral Thesis (Doctoral). Bournemouth University.

Adi, A., Lilleker, D. and Pekalski, D., 2018. #Rezist 2017: Communicating Dissent in a Hypermedia Environment. Media Research : Croatian journal for journalism and the media,, 24 (1), 69 - 86.

Barbieri, S., Jiang, T., Cawthorne, B., Xiao, Z. and Yang, X., 2018. 3D content creation exploiting 2D character animation. In: SIGGRAPH 2018, 12- 16 August 2018, Vancouver, Canada.

Cirdei, B. and Anderson, E. F., 2018. Withering Fruits: Vegetable Matter Decay and Fungus Growth. In: SIGGRAPH '18: ACM SIGGRAPH 2018 Posters, 12-16 August 2018, Vancouver, Canada, 74:1 - 74:2.

Gillespie, D., 2018. User-appropriate viewer for high resolution interactive engagement with 3D digital cultural artefacts. Doctoral Thesis (Doctoral). Bournemouth University.

Bickle, E., 2018. Widening participation in higher education: an interpretative phenomenological analysis of the aspirations of young people living in low participation neighbourhoods. Doctoral Thesis (Doctoral). Bournemouth University.

Murphy, J., 2018. “Acceptance, Rejection, Readmission”: T.S. Eliot Portrait Forms Part of a Special Exhibition at the Royal Academy [RESEARCH-RELATED NEWS/REVIEW]. T.S. Eliot Society Exchanges Newsletter, 4 - 5.

Longhurst, M., 2018. CSR and its communication in multinational companies - dimensions and relationships: a comparative study of Tata Steel and Royal Dutch Shell in India and the UK. Doctoral Thesis (Doctoral). Bournemouth University.

Murphy, J., 2018. The Great Spectacle: 250 Years of the Royal Academy Summer Exhibition [REVIEW]. The British Art Journal (Autumn 2018), 93 - 95.

Turchet, F., 2018. Physics-based modelling, simulation, placement and learning for musculo-skeletal animations. Doctoral Thesis (Doctoral). Bournemouth University.

Adi, A., Gerodimos, R. and Lilleker, D., 2018. 'Yes We Vote': Civic mobilisation and impulsive engagement on Instagram. Javnost - The Public, 25 (3), 315 -332.

Tedd, A., 2018. Audience at the gates: how the BBC is using social media to identify talent and involve audiences in programme production. Doctoral Thesis (Doctoral). Bournemouth University.

Murphy, J., 2018. Literature, Art, and a Media Frenzy. Wyndham Lewis Society.

Murphy, J, 2018. Literature, Art, and a Media Frenzy [RESEARCH-RELATED NEWS/Q&A ARTICLE]. Wyndham Lewis Society.

Oliver, J. J., 2018. European Media Management Association: Doctoral Summer School 2018. Project Report. Poole: Bournemouth University.

Anderson, E. F., Cole, L., Deacon, I., Goncalves, M. and Moore, C., 2018. Poole Museum - Our Museum project visualisation: Town Cellars transformation. Video/DVD. The Creators. 18 July 2018.

Nash, J. and Gell, E., 2018. Exploring social media influences on colour cosmetics purchase decisions for females aged 45+. International Journal of Multidisciplinary Research, 12 (1), 1 -31.

Zurutuza-Munoz, C. and Lilleker, D., 2018. Writing graffiti on the Facebook wall: Understanding the online discourse of citizens to politicians during the 2016 Spanish election. Communication & Society, 31 (3), 27 - 42.

Sun, J., Lin, Q., Zhang, X., Dong, J. and Hui, Y., 2018. Kinect Depth Recovery via the Cooperative Profit Random Forest Algorithm. In: 11th International Conference on Human System Interaction (HSI), 4-6 July 2018, Gdansk Poland.

Jukes, S., 2018. Back to the Future: How UK-based news organisations are rediscovering objectivity. Journalism Practice, 12 (8), 1029 - 1038.

Goodman, S., 2018. Everything Must Go: Empire, the Booker Prize and Popularity. In: Atia, N. and Houlden, K., eds. Popular Postcolonialisms: Discourse of Empire & Popular Culture. Routledge.

Wang, Z., 2018. Motion capture data processing, retrieval and recognition. Doctoral Thesis (Doctoral). Bournemouth University.

Zia, R., 2018. Rehan's Zone System. In: Electronic Visualisation and the Arts: EVA London Conference, 9--12 July 2018, London.

Shemza, A., Gingrich, O. and Almena, M., 2018. FLUX Events: Current trends in contemporary media arts. In: EVA London 2018, 9-12 July 2018, London, 211 - 212.

Gingrich, O., Evgenia, E., Renaud, A. and Stansfeld, S., 2018. KIMA: Noise: A visual sound installation on urban noise. In: Electronic Visualisation in the Arts (EVA 2018), 9-12 July 2018, London, 391 -398.

Oliver, J., Chapleo, C. and Seyed Esfahani, M., 2018. Media brand architecture: an examination of network, channel, programme and talent personalities. In: Academy of Marketing Conference 2018: Marketing the Brave, 2 - 5 July 2018, Stirling, UK.

Barker, B., 2018. Media strategy formation: An exploration of unmet information needs in media briefing and implications for strategic development. In: Academy of Marketing Conference 2018: Marketing the Brave, 2 - 5 July 2018, Stirling, UK. (Unpublished)

Cownie, F., 2018. Do alumni want to give back to their university? In: Academy of Marketing, 4-6 July 2018, University of Stirling.

Brownsword, R. and Wale, J., 2018. Testing Times Ahead: Non-Invasive Prenatal Testing and the Kind of Community that We Want to Be. Modern Law Review, 81 (4), 646 - 672.

Barnett, N., Burton, A. and Crossley, L., 2018. Introduction. Journal of British Cinema and Television, 15 (3), 305-307.

Callus, P., 2018. Animating African History: Digital and Visual Trends. Oxford Research Encyclopedia of African History.

Crossley, L., 2018. An Absence of Modesty: The Male/Female Dichotomy in Modesty Blaise. Journal of British Cinema and Television, 15 (3), 357-374.

Lilleker, D., 2018. Book review. New Perspectives on Negative Campaigning: Why Attack Politics Matters. Party Politics, 24 (4), 471 - 472.

Zia, R., 2018. New technologies, same look - Crafting high dynamic range photographs to create a classical oil painting look. In: Thirteenth International Conference on The Arts in Society, 27-29 June 2018, Vancouver B.C..

Proctor, W. and Kies, B., 2018. On Toxic Fan Practices and the New Culture Wars. Participations, 15 (1), 127 - 142.

Sun, J., Zhong, G., Huang, K. and Dong, J., 2018. Banzhaf random forests: Cooperative game theory based random forests with consistency. Neural Networks, 106, 20 - 29.

McAulay, A., 2018. The western screenwriter in Japan: screenwriting considerations in transnational cinema. Doctoral Thesis (Doctoral). Bournemouth University.

Dolea, E.-A., 2018. Public diplomacy as co-constructed discourses of engagement. In: Johnston, K. and Taylor, M., eds. Handbook of Communication Engagement. Wiley, 331-346.

Copp, S. and Cronin, A., 2018. New Models of Corporate Criminality and the Problem of Corporate Fraud: Prevention or Cure? Company Lawyer, 39 (5), 139-149.

Oliver, J. J., 2018. Shaping the corporate perimeter in a changing media industry. In: European Media Management Association, 13-15 June 2018, Warsaw, Poland.

Wang, L., Xiang, N., Yang, X. and Zhang, J. J., 2018. Fast photographic style transfer based on convolutional neural networks. In: Computer Graphics International (CGI), 11-14 June 2018, Bintan, Indonesia, 67 - 76.

Garcia, D., 2018. The Revenge of Folk Culture. Transmediale Journal (10 June).

Gingrich, O., Emets, E., Renaud, A. and Negrao, D., 2018. KIMA: The Voice at By Other Means. [Show/Exhibition]

Twycross, A., 2018. More Than Mere Ornament: Re-evaluating Norman Pett’s Jane. In: International Graphic Novel and Comics Conference 2018, 27-29 June 2018, Bournemouth University, UK. (Unpublished)

Bachmann, S.-D. D. and Nwibo, E. L., 2018. Pull and Push'- Implementing the Complementarity Principle of the Rome Statute of the ICC within the AU: Opportunities and Challenges. Brooklyn Journal of International Law, 43 (2), 459 -543.

Skoog, K., 2018. A sensory experience. BBC correspondent Audrey Russell reporting (and remembering) the Second World War. In: Cronqvist, M. and Sturfelt, L., eds. War Remains: Mediations of Suffering and Death in the Era of the World Wars. Nordic Academic Press.

Gingrich, O., Emets, E., Renaud, A., Negrao, D. and Masuda, N., 2018. KIMA: The Voice at ART IN FLUX Experiments in Media Arts. The authors.

Round, J. and Savigny, H., 2018. Editorial. Metal Music Studies, 4 (2), 257 - 264.

Dolea, E.-A., 2018. The Impact of Migration on the Construction of Romania's Country Image: Two Intersecting Public Problems. In: Beciu, C., Ciocea, M., Madroane, I.D. and Carlan, A.I., eds. Debating Migration as a Public Problem: National Publics and Transnational Fields. Peter Lang.

Brylla, C., 2018. Performativity on the Margin - Pornography: The Musical (2003). Film studies, 18 (1), 70 - 83.

Jiang, M., Lan, W., Chang, J., Dodwell, M., Jekins, J., Yang, H.J., Tong, R.F. and Zhang, J. J., 2018. A game prototype for understanding the safety issues of a lifeboat launch. Virtual Reality, 22 (2), 137- 148.

Corker-Marin, Q., Pasko, A. and Adzhiev, V., 2018. 4D Cubism: Modeling, Animation and Fabrication of Artistic Shapes. IEEE computer graphics and applications, 38 (3), 131-139.

Murphy, J., 2018. “Mr Eliot has Re-Discovered a Portrait of Himself”: Reframing Lewis’s Rejected Masterpiece in the 21st Century. The Journal of the T.S. Eliot Society (2018), 69 - 94.

Thorsen, E. and Jackson, D., 2018. Seven characteristics defining online news formats:Towards a typology of online news and live blogs. Digital Journalism, 6 (7), 847-868.

Nguyen, A. and Scifo, S., 2018. Mapping the citizen news landscape: blurring boundaries, promises, perils and beyond. In: Vos, T.P., ed. Journalism. De Gruyter, 1-18.

Nie, Y., Chang, J., Chaudhry, E., Guo, S., Smart, A. and Zhang, J. J., 2018. Semantic modeling of indoor scenes with support inference from a single photograph. Computer Animation and Virtual Worlds, 29 (3-4), e-1825.

Li, T., Yang, L., Wang, M., Fan, Y., Zhang, F., Guo, S., Chang, J. and Zhang, J. J., 2018. Visual saliency-based bas-relief generation with symmetry composition rule. Computer Animation and Virtual Worlds, 29 (3-4), e1815.

Callus, P., 2018. Coded Mythologies: New Media and Gaming in Kenya. In: KpaKpaKpa: Design Concepts from the African Continent, 18 May 2018, Victoria and Albert Museum, London.

Yates, C., 2018. On the Psychodynamics of Boris Johnson and Brexit. New Associations (25), 4 - 5.

Dalton, J.A., Rodger, D., Wilmore, M., Humphreys, S., Skuse, A., Roberts, C.T. and Clifton, V.L., 2018. The Health-e Babies App for antenatal education: Feasibility for socially disadvantaged women. PLoS ONE, 13 (5), e0194337.

Oliver, J. J., 2018. Strategic transformations in a disruptive digital environment. Strategic Direction, 34 (5), 5-8.

Richards, B., 2018. The Emotional Public Sphere and Its Importance: Freedom of Speech as a Case Study — Commentary. International Journal of Communication, 12, 2040 - 2051.

Gerodimos, R., 2018. Youth and the City: Reflective Photography as a Tool of Urban Voice. Journal of Media Literacy Education, 10 (1), 82 - 103.

Quest, J. and Jordan, L., 2018. Brand Identity and Brand Image in Film Brands: A case study of J.K. Rowling’s Wizarding World. Journal of Promotional Communications, 6 (1), 24 - 45.

Duggan, A. and Veneti, A., 2018. Branding the President: An Investigation into the Manipulative Tactics Embedded Within a Candidate’s Brand Identity. Journal of Promotional Communications, 6 (1), 1 - 23.

Zhang, W., 2018. Hairstyle modelling based on a single image. Doctoral Thesis (Doctoral). Bournemouth University.

Piper, B. and McQueen, D., 2018. How successful have lobbyists been at influencing state and national policy to further the completion of the Dakota Access Pipeline, since the 2008 US Election? Journal of Promotional Communication, 6 (1), 46 - 71.

Lugo-Ocando, J. and Glück, A., 2018. El periodismo científico y el uso de la emociones en las narrativas noticiosas en la era de la posverdad: Un estudio comparativo de entre el Reino Unido y la India. (Translated title: Scientific journalism and the use of emotions in news narratives from the post-truth era: A comparative study between the United Kingdom and India.). Contratexto, 29.

Serranno, S. and Ramjaun, T. R., 2018. Exploring Visual Brand-Related Electronic Word-of-Mouth on Instagram. Journal of Promotional Communications, 6 (1), 72 - 88.

Wale, J., 2018. Screening Human Life - The Legal and Ethical Implications of Non-invasive Prenatal Testing. In: Health: The Design, Planning and Politics of How and Where We Live, 25--26 January 2018, Bristol, UK.

Proctor, W., 2018. ‘I’ve seen a lot of talk about the #blackstormtrooper outrage, but not a single example of anyone complaining’: The Force Awakens, canonical fidelity and non-toxic fan practices. Participations: International Journal of Audience and Reception Studies, 15 (1), 160-179.

Fan, Y., Wang, M, Geng, N., He, D, Chang, J. and Zhang, J. J., 2018. A self-adaptive segmentation method for a point cloud. The Visual Computer, 34 (5), 659-673.

Cownie, F., 2018. Communication Problem. Research Professional (30 April).

Proctor, W., 2018. United States:Trans-Worldbuilding in the Stephen King Multiverse. In: Freeman, M. and Proctor, W., eds. Global Convergence Cultures: Transmedia Earth. London, New York: Routledge.

Op Den Kamp, C., Flueckiger, B. and Pfluger, D., 2018. A Material-Based Approach to the Digitization of Early Applied Colors. In: Fossati, G., Jackson, V., Lameris, B., Rongen-Kaynakci, E., Street, S. and Yumibe, J., eds. The Colour Fantastic: Chromatic Worlds of Silent Cinema. Amsterdam: Amsterdam University Press, 237 - 259.

Hoxey, T. and Stephenson, I., 2018. Integrating Live Skeleton data into a VR Environment. In: Eurographics 2018, 16-20 April 2018, Delft, The Netherlands.

Faiers, A., Hoxey, T. and Stephenson, I., 2018. A Virtual Space with Real IoT Data. In: Eurographics 2018, 16-20 April 2018, Delft, The Netherlands.

Teo, Y. and Maffey, R., 2018. Changing Channels of Technology: Disaster and (Im)mortality in Don DeLillo’s White Noise, Cosmopolis and Zero K. C21 Literature: Journal of 21st-century Writings, 6 (2), 1 - 23.

Anderson, E. F., 2018. Turtle Fractals and Spirolaterals: Effective Assignments for Novice Graphics Programmers. In: Eurographics 2018, 16-20 April 2018, Delft, The Netherlands, 39 - 42.

Kaplan, N. and Ruszev, S., 2018. Heterotopias—Optical Mastication and Spatial Reconfiguration. In: Cox, G., Drayson, H., Fatehrad, A., Gall, A., Hopes, L., Lewin, A. and Prior, A., eds. Artistic research will eat itself: The 9th SAR International Conference on Artistic Research University of Plymouth, April 11th-13th, 2018. University of Plymouth.

Jackson, D., 2018. Public service television and civic engagement. In: Freedman, D. and Goblot, V., eds. A Future for Public Service Television. London: Goldsmiths University Press, 309-313.

Costello, J., Oliver, J. and Jung, J., 2018. Human Resource Management in the Media. In: Albarran, A. and Mierzejewska, B., eds. Handbook of Media Management and Economics. 2nd ed. Abingdon, UK: Routledge, 95 - 110.

Arroyo-Almaraz, I., Calle Mendoza, S. and Van Wyk, C., 2018. Efficacy in communication of DNGOs. The use of Facebook in emergency campaigns. Revista Latina de Comunicación Social, 73, 765 - 789.

Bian, S., Zheng, A., Chaudhry, E., You, L.H. and Zhang, J. J., 2018. Automatic generation of dynamic skin deformation for animated characters. Symmetry, 10 (4), 89.

Gyori, B., 2018. Creating Kismet: What artists can teach academics about serendipity. In: Goggin, M. and Goggin, P., eds. Serendipity in Rhetoric, Writing, and Literacy Research. University Press of Colorado and Utah State University Press, 246 - 256.

Asmuß, B. and Oshima, S., 2018. Strategy making as a communicative practice: the multimodal accomplishment of strategy roles. Management, 21 (2), 884-912.

Goodman, S., 2018. Unpalatable Truths: Food and Drink as Medicine in Colonial British India. Journal of the History of Medicine and Allied Sciences, 73 (2), 205-222.

Lilleker, D., 2018. Prototype Politics: Technology-Intensive Campaigning and the Data of Democracy by Daniel Kriess, Oxford University Press: Book Review. Journal of Information Technology & Politics, 15 (4), 402-403.

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Kehoe, T., Schofield, P., Branigan, E. and Wilmore, M., 2018. The Double Flip: Applying a Flipped Learning Approach to Teach the Teacher and Improve Student Satisfaction. Journal of University Teaching & Learning Practice, 15 (1), 7.

Qian, K., 2018. Essential techniques for improving visual realism of laparoscopic surgery simulation. Doctoral Thesis (Doctoral). Bournemouth University.

Troisi, A., 2018. Norm Contaminated. Arts Catalyst, 74-76 Cromer Street, King's Cross, London.: The creator.

Zheng, J., Qiu, H., Sheng, W., Yang, X. and Yu, H., 2018. Kernel group sparse representation classifier via structural and non-convex constraints. Neurocomputing, 296 (June), 1-11.

Copp, S. and Cronin, A., 2018. New Models of Corporate Criminality: The Development and Relative Effectiveness of "Failure to Prevent" Offences. Company Lawyer, 39 (4), 104-117.

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Soraghan, S., 2018. A perceptually motivated approach to timbre representation and visualisation. Doctoral Thesis (Doctoral). Bournemouth University.

Goodman, S., 2018. 'Ain't it a Ripping Night': Alcoholism and the Legacies of Empire in Salman Rushdie's Midnight's Children. English Studies, 99 (3), 282-299.

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Sudbury, S., 2018. The Anthropologist Seth Kramer, Daniel A. Miller, and Jeremy Newberger, dirs. 81 mins. English, Russian, Sakha, Kiribati, Spanish, and Quechua with English subtitles. New York: Ironbound Films, 2015. American Anthropologist, 120 (1), 169 - 170.

Oshima, S., 2018. Embodiment of activity progress: The temporalities of service evaluation. In: Deppermann, A. and Streeck, J., eds. Time in Embodied Interaction: Synchronicity and sequentiality of multimodal resources. John Benjamins, 261-292.

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Yates, C., 2018. Reflecting on the study of psychoanalysis, culture and society: the development of a psycho-cultural approach. Psychoanalysis, Culture and Society, 23 (1), 54-67.

Ahmad, N., 2018. Marketisation and professionalisation of campaigning of political parties in the new democracy: an investigation of the structural conditions and factors that determined the development of marketization and professionalization of campaigning of the Indonesian political parties in the Post-Soeharto New Order. Doctoral Thesis (Doctoral). Bournemouth University.

Bamford, N., 2018. The Strangers’ Case: harnessing the power of screen entertainment to communicate between cultures. In: Cross-Cultural Communication Conference, 24-25 January 2018, Ramon Lull University, Barcelona.

Santos, B.S., Dischler, J-M., Adzhiev, V., Anderson, E. F., Ferko, A., Fryazinov, O., Ilčík, M., Ilčíková, I., Slavik, P., Sundstedt, V., Svobodova, L., Wimmer, M. and Zara, J., 2018. Distinctive Approaches to Computer Graphics Education. Computer Graphics Forum, 37 (1), 403 - 412.

Oliver, J. J., 2018. The impact of strategic transformation on employee productivity. Strategic HR Review, 17 (1), 55 - 57.

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Rega, I. and Vannini, S., 2018. Public Access Venues and Community Empowerment in Mozambique: A Social Representation Study. Semiotica, 2018 (223), 199-217.

Perry, N., 2018. Music, narrative, voice and presence: revealing a composed feature methodology. Doctoral Thesis (Doctoral). Bournemouth University.

Glück, A., 2018. Do emotions fit the frame? A critical appraisal of visual framing research approaches. Journalism, Media and Cultural Studies (JOMEC Journal) (12), 101 - 127.

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Yesiloglu, S., 2018. To post or not to post: examining motivations of brand/product-related engagement types on social networking sites. Doctoral Thesis (Doctoral). Bournemouth University.

Liang, H., Deng, S., Chang, J., Zhang, J. J., Chen, C. and Tong, R., 2018. Semantic framework for interactive animation generation and its application in virtual shadow play performance. Virtual Reality, 22 (2), 149 - 165.

Zhang, F., Lei, T., Li, J., Cai, X., Shao, X., Chang, J. and Tian, F., 2018. Real-Time Calibration and Registration Method for Indoor Scene with Joint Depth and Color Camera. International Journal of Pattern Recognition and Artificial Intelligence, 32 (7), 1-26.

Liu, S., Wang, Z., Yang, X. and Zhang, J. J., 2018. Realtime Dynamic 3D Facial Reconstruction for Monocular Video In-the-Wild. In: IEEE International Conference on Computer Vision Workshop (ICCVW), 2017, 22-29 October 2017, Venice, 777 - 785.

Liu, S., 2018. 3D facial performance capture from monocular RGB video. Doctoral Thesis (Doctoral). Bournemouth University.

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Bellardi, N., Busch, B., Hassemeer, J., Peissl, H. and Scifo, S., 2018. Spaces of Inclusion - An explorative study on needs of refugees and migrants in the domain of media communication and on responses by community media. Project Report. Strasbourg: Council of Europe.

Fowler-Watt, K., 2018. Women War Correspondents: From the Frontline with Empathy. BSA Auto/Biography Yearbook.

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Rovisco, M., Veneti, A. and Poulakidakos, S., 2018. Anti-austerity Protest and Democratic Vision: The struggle for a new politics – the case of the Greek ‘Do Not Pay’ social movement. In: Axford, B., Buhari-Gulmez, D. and Baris Gulmez, S., eds. Rethinking Ideology in the Age of Global Discontent: Bridging Divides. London: Routledge, 32-47.

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Zhao, X., 2018. Book Review: Keith J. Butterick Complacency and collusion: A critical introduction to business and financial journalism. Journalism: Theory, Practice and Criticism, 19 (1), 123 - 125.

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Yang, H.J., Chang, J., He, D., Geng, N., Wang, M., Zhang, J. J., Jing, X. and Chaudhry, E., 2018. Realistic texture synthesis for point-based fruitage phenotype. Computers in Biology and Medicine, 92 (January), 42 - 54.

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Feigenbaum, A. and McCurdy, P., 2018. Activist Reflexivity and Mediated Violence: Putting the Policing of Nuit Debout in Context. International Journal of Communication, 12, 1887-1907.

Franklin, I., 2018. Book Review. Lost Sound: The Forgotten Art of Radio Storytelling. Historical Journal of Film, Radio and Television, 38 (3), 668 - 669.

Hsu, C-Y., Wei, L-Y., You, L. and Zhang, J. J., 2018. Brushing Element Fields. In: SIGGRAPH Asia 2018 Technical Briefs, SA 2018, 4 -7 Dec 2018, Tokyo, Japan.

Blazquez, J., 2018. Defining Participatory Worlds: Canonical Expansion of Fictional Worlds through Audience Participation. Facta Ficta. Journal of Theory, Narrative & Media, 2 (2), 13 - 33.

Gyori, B. and Charles, M., 2018. Designing Journalists: Teaching Journalism Students to Think Like Web Designers. Journalism and Mass Communication Educator, 73 (2), 200-217.

Liang, H., Liang, F., Wu, F., Wang, C. and Chang, J., 2018. Development of a VR Prototype for Enhancing Earthquake Evacuee Safety. In: VRCAI '18 Proceedings of the 16th ACM SIGGRAPH International Conference on Virtual-Reality Continuum and its Applications in Industry, 2-3 December 2018, Tokyo, Japan.

Borghi, M., 2018. Individual rights and property rights in human genetic databases: a common-law perspective. In: Arnold, R., Cippitani, R. and Colcelli, V., eds. Genetic Information and Individual Rights. Regensburg: Regensburg University Press, 120 - 133.

Haywood, H. and Scullion, R., 2018. ‘It’s quite difficult letting them go, isn’t it?’ UK parents’ experiences of their child’s higher education choice process. Studies in Higher Education, 43 (12), 2161-2175.

Corrigall, M., 2018. Minna Keene : a neglected pioneer. Image &Text, 32, 1 - 29.

Denegri-Knott, J., Nixon, E. and Abraham, K., 2018. Politicising the study of sustainable living practices. Consumption Markets and Culture, 21 (6), 554-573.

Corrigall, M., 2018. A Spirit of Cosmopolitanism Happily Prevailing in Art: The Chinese Camera Club of South Africa and Transnational Networks of Photography. de arte, 53 (1), 3 - 26.

Sudbury, S., 2018. Visualising the Everyday: participatory filmmaking in rural India. Visual Ethnography, 7 (2), 174.

Nie, Y., Tang, Z., Liu, F., Chang, J. and Zhang, J. J., 2018. A data-driven dynamics simulation framework for railway vehicles. Vehicle System Dynamics, 56 (3), 406-427.