Tools
ToolsDeutsch, S., 2009. A Concise History of Western Music for Film-makers. The Soundtrack, 2 (1), 23-38.
Full text available as:
![[img]](/style/images/fileicons/application_pdf.png)
|
PDF
ST2.1_1_art_Deutsch.pdf - Published Version 161kB | |
|
Copyright to original material in this document is with the original owner(s). Access to this content through BURO is granted on condition that you use it only for research, scholarly or other non-commercial purposes. If you wish to use it for any other purposes, you must contact BU via BURO@bournemouth.ac.uk. Any third party copyright material in this document remains the property of its respective owner(s). BU grants no licence for further use of that third party material. |
Abstract
The use of music in films has become almost ubiquitous in both drama and documentary. Music is used regularly in cinema, broadcasting and more recently, in interactive media. Yet audiences often criticise makers for its overuse, especially in actuality television. The problem is not merely concerned with the volume and placement of music, but of the internal nature and structure of the musical material itself. This article contextualises the history of western music in a way which may be able to help inform film makers and broadcasters about how music might be used more advantageously to accompany moving pictures.
| Item Type: | Article |
|---|---|
| ISSN: | 1751-4193 |
| Group: | Faculty of Media & Communication |
| ID Code: | 14714 |
| Deposited By: | Professor Stephen Deutsch |
| Deposited On: | 21 May 2010 07:06 |
| Last Modified: | 14 Mar 2022 13:32 |
Downloads
Downloads per month over past year
| Repository Staff Only - |