Kretschmer, M., 2005. Artists' earnings and copyright: a review of British and German music industry data in the context of digital technologies. First Monday, 10 (1), pp. 1-14.
Full text available as:
Official URL: http://firstmonday.org/issues/issue10_1/kretschmer...
Digital technologies are often said (1) to enable a qualitatively new engagement with already existing cultural materials (for example through sampling and adaptation), and (2) to offer a new disintermediated distribution channel to the creator. From a review of secondary data on music artists’ earnings and seven in-depth interviews, it appears that both ambitions have remained, until now, largely unfulfilled. The paper discusses to what extent the structure of copyright law is to blame, and sets out a research agenda.
|Additional Information:||PDF attached is slighlty different from published item. (available from url given) Title has been changed and formatting added in First Monday article.|
|Uncontrolled Keywords:||music earnings, copyight, music law, germany, britain|
|Subjects:||Social Sciences > Law|
Arts > Music
|Group:||Business School > Department of Law|
|Deposited By:||Mr Steve Parton LEFT|
|Deposited On:||11 Dec 2007|
|Last Modified:||07 Mar 2013 14:41|
Document DownloadsMore statistics for this item...
|Repository Staff Only -|
|BU Staff Only -|
|Help Guide -||Editing Your Items in BURO|