Davis, T., 2010. Complexity as Process: Complexity Inspired Approaches to Composition. Organised Sound, 15 (2), 137 - 146 .
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This article examines the use of Complexity Theory as an inspiration for the creation of new musical works, and highlights problems and possible solutions associated with its application as a compositional tool. In particular it explores how the philosophy behind Complexity Theory affects notions of process-based composition, indeterminacy in music and the performer/listener/environment relationship, culminating in providing a basis for the understanding of music creation as an active process within a context. The author presents one of his own sound installations, Cross-Pollination, as an example of a composition inspired and best understood from the philosophical position as described in Complexity Theory.
|Subjects:||Arts > Music|
|Group:||Faculty of Science and Technology|
|Deposited By:||Dr Thomas Davis|
|Deposited On:||30 Jun 2014 11:13|
|Last Modified:||10 Sep 2014 14:57|
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Complexity as Process: Complexity Inspired Approaches to Composition. (deposited 15 Jan 2011 18:47)
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