Browse by Group
Number of items: 49.
Batty, C., 2010. Adaptation, Storytelling and the Poetry of Montage. In: Creative Writing in Education: NAWE Autumn Conference 2010, 12-14 November 2010, Cheltenham, England. (Unpublished)
Batty, C. and Moon, J. A., 2010. Uses of Story in Education: A Basket of Ideas. In: Creative Writing in Education: NAWE Autumn Conference 2010, 12-14 November 2010, Cheltenham, England. (Unpublished)
Batty, C., 2010. Teaching Screenwriting. In: INSET: Teaching Screenwriting, November 3rd, 2010, The British Film Institute, Southbank, London. (Unpublished)
Batty, C., 2010. The Creative Screenwriter: Using Exercises to Expand Your Craft. In: The London Screenwriters' Festival 2010, 29-31 October 2010, Regent's College, London. (Unpublished)
Batty, C. and Cain, S., 2010. Media Writing: A Practical Introduction. Basingstoke, England: Palgrave Macmillan.
Batty, C., 2010. Crafting the Short Film. In: The Winchester Writers' Conference, 2-4 July 2010, Winchester, Hampshire, England. (Unpublished)
Batty, C., 2010. ‘The Good, the Bad and the Ugly’: A Trio of Thoughts For and Against the PhD in Creative Writing. In: Great Writing 2010: The International Creative Writing Conference, Bangor University, UK, 18-20 June 2010, Bangor University, Wales. (Unpublished)
Batty, C., Friedmann, J., Ashton, P. and Nicholls, D., 2010. How to Write for Screen: Film & TV Masterclass. In: The London Book Fair, 17 April 2010, London. (Unpublished)
Batty, C., 2010. The Physical and Emotional Threads of the Archetypal Hero's Journey: Proposing Common Terminology and Re-Examining the Narrative Model. Journal of Screenwriting, 1 (2), pp. 291-308.
Batty, C., 2010. The Moving Image as Moving Image: Creating Meaning Through Character Conflict. Twelvepoint.com : ScriptWriter magazine online (51).
Batty, C., 2010. The Moving Image as Moving Image: How Meaning is Created Through Conflict. [the] Evidence (3).
Batty, C., 2010. Research Skills for Screenwriters. Writing in Education, 50, pp. 56-63.
Batty, C., 2010. Toothless. Film. London: Mango Rapid Productions. 2010.
Dix, H., 2010. Postmodern Fiction and the Break-Up of Britain. London: Continuum.
Ensslin, A. and Pope, J., 2010. Digital Literature in Creative and Media Studies. In: Simanowski, R., Schafer, J. and Gendolla, P., eds. Reading Moving Letters: Digital Literature in Research and Teaching: A Handbook. Transcript, pp. 311-328.
Gerodimos, R., 2010. New media, new citizens: the terms and conditions of online youth civic engagement. PhD Thesis (PhD). Bournemouth University.
Kimber, S., 2010. Controlling Passions: The Regulation, Censorship and Classification of The Passion of the Christ within the British Context. In: Christianson, E. S. and Partridge, C., eds. Holy Terror: Understanding Religion and Violence in Popular Culture. London: Equinox Publishing, pp. 93-102.
Lo-Garry, Y. C. T., 2010. Critical computer animation: an examination of "practice as research" and its reflection and review processes. PhD Thesis (PhD). Bournemouth University.
Lepetsos, A., Theofilou, A. and Siomkos, G., 2010. Proposing a Crisis Portfolio for Telecommunications Companies. In: Academy of Marketing 2010 Conference, 6-8 July 2010, Coventry University Business School, England.
McQueen, D., 2010. BBC TV's Panorama, conflict coverage and the 'Westminster consensus'. PhD Thesis (PhD). Bournemouth University.
Matthews, J., 2010. News sources and perceptual effects: an analysis of source attribution within news coverage of alleged terrorist plots. PhD Thesis (PhD). Bournemouth University.
McStay, A., 2010. A Qualitative Approach to Understanding Audience's Perceptions of Creativity in Online Advertising. Qualitative Report, 15 (1), pp. 37-58.
McStay, A., 2010. The Mood of Information. New York: Continuum. (Unpublished)
McDougall, J., 2010. Wiring the Audience. Participations: journal of audience and reception studies, 7 (1), 73 - 101 .
Nguyen, A., 2010. Harnessing the potential of online news: Suggestions from a study on the relationship between online news advantages and its post-adoption consequences. Journalism: Theory, Practice and Criticism, 11 (2), pp. 223-241.
Pullen, C., 2010. ‘Tom Ford’s A Single Man: Reconstructing Isherwood though Aesthetics and Domesticity’. In: Film and History Conference, 11-14 November 2010, Milwaukee, USA. (Unpublished)
Pullen, C., 2010. ‘Recognising LGBTs as Everyday People: Shifting from ‘use’ to ‘us’’. In: Reflecting diversity – the LGBT community and the media , 30 September 2010, London, England.
Pope, J., 2010. Where Do We Go From Here? Readers' Responses to Interactive Fiction: Narrative Structures, Reading Pleasure and the Impact of Interface Design. Convergence: The International Journal of Research into New Media Technologies,, 16 (1), pp. 75-94.
Round, J., 2010. “The Apocalypse of Adolescence”: Use of the Bildungsroman and Superheroic Tropes in Mark Millar & Peter Gross’s Chosen. In: Lewis, A. D. and Hoff Kraemer, C., eds. Graven images: religion in comic books and graphic novels. New York: Continuum, pp. 188-202.
Round, J., 2010. Reconstructing Alice Cooper: From the Inside to The Last Temptation. Journal of Graphic Novels and Comics, 1 (2), pp. 151-170.
Readman, M., 2010. What's in a word? the discursive construction of 'creativity'. PhD Thesis (PhD). Bournemouth University.
Round, J., 2010. ‘“Be vewy vewy quiet. We’re hunting Wippers.” A Barthesian analysis of the construction of fact and fiction in Alan Moore and Eddie Campbell’s From Hell. In: Goggin, J. and Hassler-Forest, D., eds. The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form. Jefferson, NC., USA: McFarland.
Round, J., 2010. Can I call you Mommy? Myths of the feminine and superheroic in Neil Gaiman and Dave McKean's Black Orchid. In: Debating the difference: gender representation and self regulation. Dundee, Scotland.: Duncan of Jordanstone College, University of Dundee.
Round, J., 2010. Haunted spaces: chronological illusion, From Hell and the gothic graphic novel. In: Comic-Con International: Comic Arts Conference , 22-25 July 2010, San Diego, CA, USA. (Unpublished)
Round, J., 2010. ‘The Grandest Guignol!’ Reconstructing Alice Cooper in The Last Temptation (Neil Gaiman/Michael Zulli). In: International Graphic Novel and Comic Conference. Comics: cultures & genres, 13-14 April 2010, Manchester Metropolitan University, England. (Unpublished)
Round, J., 2010. Transforming Shakespeare: Neil Gaiman and The Sandman. In: Frus, P., ed. Beyond Adaptation: Essays on Radical Transformations of Original Works. Jefferson NC,USA: McFarland, pp. 95-110.
Round, J., 2010. Chapter One: “Is this a book?” DC Vertigo and the redefinition of comics in the 1990s. In: Williams, P. and Lyons, J., eds. Contemporary American Comics: Creators and their Contexts. University of Mississippi Press, pp. 14-30.
Round, J., 2010. Contrariwise! Breaking rules in Bryan Talbot’s Alice in Sunderland. Critical Engagements: A Journal of Criticism and Theory, 3 (1), pp. 180-201.
Round, J., 2010. Cryptomimetic tropes in Yoshitomo Nakura’s Batman: Death Mask. Foundation: The International Review of Science Fiction. (In Press)
Round, J., 2010. The Gothic Graphic Novel. Discussion Paper. McFarland. (Unpublished)
Round, J., 2010. Haunted spaces: chronological illusion, From Hell and the gothic graphic novel. In: Punter, D., ed. A New Companion to the Gothic. Blackwells. (Submitted)
Round, J., 2010. It’s all relative: breaking barriers and binaries in Garth Ennis/Steve Dillon’s Preacher. Popular Narrative Media, 4. (Submitted)
Round, J. and Murray, C., 2010. Studies in Comics journal - editorship. Other. Intellect Books.
Street, S., 2010. Sympathetic Voices: The Correspondence between Charles Parker and George Ewart Evans. In: The Charles Parker Day Conference, 9 April 2010, University of Sunderland, England. (Unpublished)
Sarrica, M., Fortunati, L., O'Sullivan, J., Balcytiene, A., MacGregor, P., Nuust, V., Roussou, N., Meso , K., Pereira, X. and De Luca, F., 2010. The Early Stages of the Integration of the Internet in EU Newsrooms. European Journal of Communication, 25 (4), pp. 413-422.
Theofilou, A. and Jerofejeva, A., 2010. Measuring Levels of Skepticism Towards Corporate Social Responsibility (CSR) Activities. In: Corporate Responsibility Research Conference 2010, 15-17 September 2010, Euromed Management School, Marseille, France.
Theofilou, A. and Vassilikopoulou, A., 2010. Unfolding a Product’s Ethical Bundle. In: Academy of Marketing 2010 Conference, 6-8 July 2010, Coventry University Business School, England.