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Jump to: D | G | L | M | R | S | T
Number of items: 19.

D

Dix, H., 2010. Postmodern Fiction and the Break-Up of Britain. London: Continuum.

G

Gerodimos, R., 2010. New media, new citizens: the terms and conditions of online youth civic engagement. PhD Thesis (PhD). Bournemouth University.

L

Lo-Garry, Y. C. T., 2010. Critical computer animation: an examination of "practice as research" and its reflection and review processes. PhD Thesis (PhD). Bournemouth University.

Lepetsos, A., Theofilou, A. and Siomkos, G., 2010. Proposing a Crisis Portfolio for Telecommunications Companies. In: Academy of Marketing 2010 Conference, 6-8 July 2010, Coventry University Business School, England.

M

McQueen, D., 2010. BBC TV's Panorama, conflict coverage and the 'Westminster consensus'. PhD Thesis (PhD). Bournemouth University.

Matthews, J., 2010. News sources and perceptual effects: an analysis of source attribution within news coverage of alleged terrorist plots. PhD Thesis (PhD). Bournemouth University.

R

Round, J., 2010. “The Apocalypse of Adolescence”: Use of the Bildungsroman and Superheroic Tropes in Mark Millar & Peter Gross’s Chosen. In: Lewis, A. D. and Hoff Kraemer, C., eds. Graven images: religion in comic books and graphic novels. New York: Continuum, pp. 188-202.

Round, J., 2010. Reconstructing Alice Cooper: From the Inside to The Last Temptation. Journal of Graphic Novels and Comics, 1 (2), pp. 151-170.

Readman, M., 2010. What's in a word? the discursive construction of 'creativity'. PhD Thesis (PhD). Bournemouth University.

Round, J., 2010. ‘“Be vewy vewy quiet. We’re hunting Wippers.” A Barthesian analysis of the construction of fact and fiction in Alan Moore and Eddie Campbell’s From Hell. In: Goggin, J. and Hassler-Forest, D., eds. The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form. Jefferson, NC., USA: McFarland.

Round, J., 2010. Can I call you Mommy? Myths of the feminine and superheroic in Neil Gaiman and Dave McKean's Black Orchid. In: Debating the difference: gender representation and self regulation. Dundee, Scotland.: Duncan of Jordanstone College, University of Dundee.

Round, J., 2010. Transforming Shakespeare: Neil Gaiman and The Sandman. In: Frus, P., ed. Beyond Adaptation: Essays on Radical Transformations of Original Works. Jefferson NC,USA: McFarland, pp. 95-110.

Round, J., 2010. Chapter One: “Is this a book?” DC Vertigo and the redefinition of comics in the 1990s. In: Williams, P. and Lyons, J., eds. Contemporary American Comics: Creators and their Contexts. University of Mississippi Press, pp. 14-30.

Round, J., 2010. Cryptomimetic tropes in Yoshitomo Nakura’s Batman: Death Mask. Foundation: The International Review of Science Fiction. (In Press)

Round, J., 2010. It’s all relative: breaking barriers and binaries in Garth Ennis/Steve Dillon’s Preacher. Popular Narrative Media, 4. (Submitted)

S

Street, S., 2010. Sympathetic Voices: The Correspondence between Charles Parker and George Ewart Evans. In: The Charles Parker Day Conference, 9 April 2010, University of Sunderland, England. (Unpublished)

Sarrica, M., Fortunati, L., O'Sullivan, J., Balcytiene, A., MacGregor, P., Nuust, V., Roussou, N., Meso , K., Pereira, X. and De Luca, F., 2010. The Early Stages of the Integration of the Internet in EU Newsrooms. European Journal of Communication, 25 (4), pp. 413-422.

T

Theofilou, A. and Jerofejeva, A., 2010. Measuring Levels of Skepticism Towards Corporate Social Responsibility (CSR) Activities. In: Corporate Responsibility Research Conference 2010, 15-17 September 2010, Euromed Management School, Marseille, France.

Theofilou, A. and Vassilikopoulou, A., 2010. Unfolding a Product’s Ethical Bundle. In: Academy of Marketing 2010 Conference, 6-8 July 2010, Coventry University Business School, England.

This list was generated on Wed Apr 23 08:22:43 2014 IST.